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frames +batch_size: 2 +max_len: 1000 # maximum number of frames pretrained_model: "Models/LibriTTS/epochs_2nd_00020.pth" second_stage_load_pretrained: true # set to true if the pre-trained model is for 2nd stage load_only_params: true # set to true if do not want to load epoch numbers and optimizer parameters @@ -15,10 +15,10 @@ ASR_path: "Utils/ASR/epoch_00080.pth" PLBERT_dir: 'Utils/PLBERT/' data_params: - train_data: "Data/train_harness.txt" - val_data: "Data/val_harness.txt" + train_data: "Data/phonemized_train_harness.txt" + val_data: "Data/phonemized_val_harness.txt" root_path: "" - OOD_data: "Data/OOD_harness.txt" + OOD_data: "Data/phonemized_OOD_harness.txt" min_length: 50 # sample until texts with this size are obtained for OOD texts preprocess_params: diff --git a/tts/StyleTTS2TrainOG/Data/OOD_harness.txt b/tts/StyleTTS2TrainOG/Data/OOD_harness.txt new file mode 100644 index 0000000..ad2895f --- /dev/null +++ b/tts/StyleTTS2TrainOG/Data/OOD_harness.txt @@ -0,0 +1,116 @@ +ood/1.wav|It feels so comforting and familiar to be back in our family home after so many years working and studying abroad. Memories and sudden flashbacks are being triggered.|1151 +ood/2.wav|almost nonstop now that i'm back every scratch on the kitchen table every old utensil every faded curtain all take me back to specific moments in this room.|1151 +ood/3.wav|that were once lived and forever loved. On our fridge door, I notice the familiar collection of photos that have managed to stay in position for years and years.|1151 +ood/4.wav|I see a photo of my younger self playing piano, a cute pic of me with my first girlfriend, Debbie.|1151 +ood/5.wav|An action shot of my brother playing football with Carl Jones, the neighbor. And an extended family photo taken out in the backyard.|1151 +ood/6.wav|With Carl and his family, the next door neighbors have always felt like they were part of our family.|1151 +ood/7.wav|Carl was also my first ever real crush. I became a little obsessed with him, I think.|1151 +ood/8.wav|Who could blame me? He is tremendously good looking. Besides, a young woman needs to find an outlet for her sexual energy somewhere.|1151 +ood/9.wav|When I needed to blow out some steam, Carl became my subject of desire as I look around the kitchen.|1151 +ood/10.wav|I'm suddenly reminded of some of the more explicit experiences I've had in this room.|1151 +ood/11.wav|My vision is now clearly affected by the soft sheen of arousal.|1151 +ood/12.wav|I noticed the kitchen table, where I once kissed the pussy of the woman who came to tune our piano.|1151 +ood/13.wav|The potato peeler that I once used to smooth the rough skin of a carrot so I could masturbate with it. The faded curtains through which I spied on Carl.|1151 +ood/14.wav|as he worked out in his backyard. Carl, I start to get really quite horny as I engage with all of these flashbacks.|1151 +ood/15.wav|Carl seems to be at the forefront of them all. Every thought about him amplifies my bubbling insides in a new way.|1151 +ood/16.wav|All my obsessive feelings for Carl, with his fit, athletic body, training hard in the next door yard, are flooding my body.|1151 +ood/17.wav|I see flickers of his face, his warm brown eyes, his large velvet lips, his football strong arms.|1151 +ood/18.wav|His giant, sincere smile, his beautiful face has a home deep in my subconscious, the image that comes to mind.|1151 +ood/19.wav|More vividly than any other is the look in his eyes as he peers up at me from behind my gaping vulva.|1151 +ood/20.wav|I lean into the back of the chair in this kitchen of my family home, with no one else around, and let the scene unfold again in my mind.|1151 +ood/21.wav|It was a seriously sensual experience. I can see it all, as clear as yesterday. Here I am, in the backyard of this house.|1151 +ood/22.wav|Alone, having a quiet cup of tea, I'm unwinding, laying back in a deck chair, and my nightie looking up at the stars.|1151 +ood/23.wav|feeling sleepy under the fresh early evening sky, and getting ready to have an early night. From outside, I can hear the chatter of my entire family.|1151 +ood/24.wav|as they finish up the feast indoors. It's kind of warm for this time of year, but there is still a cool bite in the air that I'm quite enjoying.|1151 +ood/25.wav|I place my hands behind my head and lean right back in the deck chair. My long body is outstretched.|1151 +ood/26.wav|I can see the trees slowly swaying in the breeze. I can see the stars taking position in the sky. I can also hear the sound of a person walking down the fence line.|1151 +ood/27.wav|In the next door neighbor's yard, moments later, I hear a knock on the neighbor's fence. In the light from the house.|1151 +ood/28.wav|I see Carl's big smile grinning down at me over the gate. Oh, hi Carl. I feel the skin over my entire body tighten up.|1151 +ood/29.wav|Underneath my nightie, as soon as I sense his gaze, tracing my shapes. Oh yeah, that's right, you love that piece.|1151 +ood/30.wav|I'm very excited to see Carl's beautiful eyes perched there. You know you're the only person who calls me Jane, right? Everyone else calls me Janie.|1151 +ood/31.wav|Even though I'm wearing a regular nightie, I feel exposed in a thrilling way. He is casually examining me as we chat.|1151 +ood/32.wav|And all I can think about is the fact that there is only a single layer of thin fabric separating my long naked body and his warm naked eyes.|1151 +ood/33.wav|From underneath the material, my nipples firm up even more. They enjoy being on display, and who am I to deny them the spotlight?|1151 +ood/34.wav|I refuse to cover myself. My hands remain fixed behind my head. My breasts sit in full view, round and defiant.|1151 +ood/35.wav|I'm waiting for self conscious thoughts to emerge, but only goose bumps on my skin surface. Carl is drinking in the sight of me.|1151 +ood/36.wav|And I am loving his attention at this moment. Carl opens the gate and walks over to me in the chair. He's holding a plate of pie.|1151 +ood/37.wav|which I have trouble seeing properly from my reclined position. Oh, how sweet, Carl. Let me see it. Carl has maintained a respectful distance.|1151 +ood/38.wav|But it is going to be impossible for him to pass me a plate of pie without coming into my personal space a little. He kneels down to my level near the foot of the deck chair.|1151 +ood/39.wav|and holds out the plate for me to see. There's an air of flirtatiousness in what he says next.|1151 +ood/40.wav|Throughout the years, Carl and I have often bonded over our love of cooking. He has been our guest for dinner more times than I could possibly remember.|1151 +ood/41.wav|He knows I'm a total badass in the kitchen. I examine the plate in his outstretched hand and notice his eyes are looking beyond the pie.|1151 +ood/42.wav|I can't really see it with you kneeling all the way down there, Carl. I'm laying the groundwork to get him to move closer into my personal space.|1151 +ood/43.wav|He smirks at me and moves in closer, still kneeling. I don't take the plate. I can tell he's trying desperately hard not to look directly at my pussy.|1151 +ood/44.wav|But I know he sees it. My nightie hugs the shapes of my body, revealing every ridge, curve, and mound. I begin to smell my own desire.|1151 +ood/45.wav|That isn't maple whipped cream on the top of that pie, is it?" I smirk. His confidence in me as a cook?|1151 +ood/46.wav|is feeling a confidence I've never felt in myself as a subject of desire. At least, not around Carl.|1151 +ood/47.wav|A beautifully long silence emerges as we both enjoy the sexual tension and chemistry unfolding between us.|1151 +ood/48.wav|After so many years of trying to manufacture a moment of sensuality and intimacy between us, I am now faced with the fantasy.|1151 +ood/49.wav|I so dreamed of, but this moment of longing and desire we both share right now.|1151 +ood/50.wav|is much more arousing than I could have ever imagined. My entire family is in the house a few yards behind the back of this deck chair I sit in.|1151 +ood/51.wav|Carl is kneeling beside me. He still clutches the small plate of homemade pumpkin pie with maple whipped cream. Carl is more than a neighbor.|1151 +ood/52.wav|He's a family friend. This moment couldn't possibly be filled with more tension and suspense. It's perfect.|1151 +ood/53.wav|Finally, I release my hands from behind my head. It looks like I'm about to take the plate from Carl, but I don't.|1151 +ood/54.wav|Instead, I pinch the sides of my nightie with my fingers. Carl, I say softly, I've got something that I'd love you to try.|1151 +ood/55.wav|I very slowly start to pull the nightie up my sides so that the hem brushes up my thighs and over my pussy. Let me know your expert thoughts.|1151 +ood/56.wav|The nightie continues to rise up my body, exposing a very naked and vulnerable me, almost shocked.|1151 +ood/57.wav|I feel cold air and the moisture building between my legs. Carl places the plate on the ground, but remains still, silent.|1151 +ood/58.wav|Almost. If this is going to happen here, like this, then he will have to meet me on the other side of this forbidden line.|1151 +ood/59.wav|I slowly bring my knees out to the side and expose myself fully to him. This should make his impulses harder to resist.|1151 +ood/60.wav|I see him swallow, but his eyes never leave the gift I am giving him. I need you to tell me if it's sweet enough.|1151 +ood/61.wav|He then looks me straight in the eyes. Yes, Carl, I want you to taste my pussy. Thank you for listening. For the entire story, please visit audio desires dot com.|1151 +ood/62.wav|The doorbell rings and yanks me painfully away from my horny reverie. Fuck it, I was really enjoying that flashback. Me and Carl in the backyard.|1151 +ood/63.wav|Having a secret sexual encounter while my whole family is just inside the house, I can still feel the tension, the excitement.|1151 +ood/64.wav|The sensation, even after all these years, the presence of his tongue exploring my native vagina.|1151 +ood/65.wav|Carl is the only man who has so skillfully and tenderly made me orgasm using only his mouth|1151 +ood/66.wav|For years, I longed for something sensual to take place between me and my sexy guy next door. And when it finally did.|1151 +ood/67.wav|It was the last time I actually saw Carl. He got a job in another state, and I went traveling abroad for several years.|1151 +ood/68.wav|I guess everyone holds a fantasy of a neighbor they once had. I certainly do. In my case, though, it's not a fantasy that I hold dear.|1151 +ood/69.wav|but a vivid memory. It's one of my sexiest memories. I treasure it and nurture it by reliving the moment again and again.|1151 +ood/70.wav|Each time I revisit that scene in my mind of Carl and I sharing an intimate exchange out the back, I feel my pussy tingle with excitement.|1151 +ood/71.wav|The thing that makes this memory so delicious is the secrecy behind it all. There's something really hot about pursuing things that are.|1151 +ood/72.wav|kind of forbidden, about engaging in activities that you know will form a secret to be shared only between you and the other perpetrator.|1151 +ood/73.wav|My family and Carl's family have lived side by side for as long as I can remember. Their family is beloved to ours. Carl is especially beloved.|1151 +ood/74.wav|So, if anyone somehow found out that Carl ate my pussy in the backyard here.|1151 +ood/75.wav|While the whole family was just inside the house finishing dinner? Well, well, I don't know what would happen exactly.|1151 +ood/76.wav|But no one should know, ever. It has to stay between Carl and me.|1151 +ood/77.wav|I realize that I've been stroking my panties the whole time I've been thinking about this explicit encounter, and I'm not really surprised.|1151 +ood/78.wav|Oh crap! I totally forgot that Carl's mom was joining us for dinner. My brother and his wife thought it might be nice to have her over.|1151 +ood/79.wav|since we are all back home for the holiday. Now that her husband has passed, she lives alone, and Carl lives in another state, so Misses Jones gets lonely.|1151 +ood/80.wav|I race to the front of the house in a fluster to greet Carl's mom, and I realize that I'm still smelling like my own aroused sex.|1151 +ood/81.wav|As I turn the knob and fling open the door, my mind is forming the words, Mrs. Jones, how lovely to see you after all these years.|1151 +ood/82.wav|But when my brain catches up to what my eyes are looking at on our front porch, my heart literally stops for a second or two. It's Carl.|1151 +ood/83.wav|His beautiful big voice resonates through my entire stilted body. This feeling of surprise is almost traumatic.|1151 +ood/84.wav|Carl yeah let's just say quite a few. the years have been very kind to him. He hasn't changed a bit.|1151 +ood/85.wav|His warm brown eyes, his large velvet lips, his football strong arms, his giant sincere smile.|1151 +ood/86.wav|I'm still motionless as I feel a cloud of pheromones emanate from my body and drift directly into him.|1151 +ood/87.wav|I offer out my hand, which he happily takes. Then, he pulls me into his body for a giant, nostalgic embrace. I melt into him.|1151 +ood/88.wav|and try to ignore that I can smell the scent of my own pussy in our handshake. Eventually, the rest of the family join us at the front door to welcome our beloved neighbors.|1151 +ood/89.wav|We head inside, and the feast gets underway. I tell embarrassing stories about Carl working out in the backyard.|1151 +ood/90.wav|in front of a mirror, kissing his own muscles. We all loosen up over some delicious wine. Karl is warm, intelligent, and authentic.|1151 +ood/91.wav|The kind of man I think I could be with, I lose myself in his entertaining stories, and my foot finds its way to his leg as often as it can.|1151 +ood/92.wav|At one point, I catch myself with one shoe kicked off, and my toes gently resting on him. I like to be touching him.|1151 +ood/93.wav|When he talks, I can only look directly at his mouth. I feel his kiss on my inner thighs. I feel his teeth pinching my nipples.|1151 +ood/94.wav|I feel that familiar ache between my legs as my pussy screams at me to jump right on top of Carl.|1151 +ood/95.wav|and ease his cock deep inside me. These sorts of urges become harder and harder to ignore as the evening meal progresses between dinner and dessert.|1151 +ood/96.wav|We decide to have some entertainment and some sweet wine. Mom starts playing piano and everyone else finds a spot in the living area to enjoy the show.|1151 +ood/97.wav|I make my way into the kitchen to start preparing dessert. I'm at the island bench in the middle of the kitchen, cutting the dessert pie into decent pieces.|1151 +ood/98.wav|when I see Carl's fit body in the doorway. Okay, great. Thanks, Carl. Are you sure? You'll miss the piano playing. Oh, yeah?|1151 +ood/99.wav|What about? Carl walks over to my side of the island bench. About when you ate my pussy in the backyard? Carl looks down at me, deep in my eyes.|1151 +ood/100.wav|Wished for what? Carl is searching for the right words. But we both know that there aren't any. We look into each other for a moment.|1151 +ood/101.wav|while the twinkling of the piano floats in from the next room and the dessert pie lay unattended on the kitchen bench. Then, suddenly, passionately,|1151 +ood/102.wav|Our two faces are drawn into each other, and our lips lock into a deep kiss that disables all the feeling in my legs.|1151 +ood/103.wav|Carl holds me tightly, and my fears of falling over into a quivering heap are gone. He grabs me by the ass with a firm hand.|1151 +ood/104.wav|and pushes my pussy into his stiffened pants. I suck his face with all my might. Carl is rubbing my butt with his fingers.|1151 +ood/105.wav|Dancing around my anus, and I swear, I can almost hear my own pussy crying out his name. I arch my back slightly.|1151 +ood/106.wav|tilt my ass upward. He bends slightly at the knees, rub my pussy through the back of my dress. I feel his breath, and he whispers into my ear.|1151 +ood/107.wav|I tilt my head back. My breathing intensifies. He slowly kisses around my neck and under my chin.|1151 +ood/108.wav|until his lips have found their way to my other ear. While Carl is feasting on my earlobes, I slide my hand between his cock and my pussy.|1151 +ood/109.wav|And I start to undo his zipper, something that I've always wished for. I remind him that they are all preoccupied around the piano.|1151 +ood/110.wav|And before he has a chance to draw my attention to the fact that all our loved ones are in the very next room, and that the only thing he needs to worry about.|1151 +ood/111.wav|is trying not to come right onto my face while I lick his giant cock from balls to knob. And with that.|1151 +ood/112.wav|I get down on my knees and unleash the most beautiful, clean, and strong penis my eyes have ever beheld.|1151 +ood/113.wav|I see a bolt of energy shoot through his shaft, and his cock transforms into its thick, glorious full size.|1151 +ood/114.wav|I take the briefest of seconds to soak this image in and let it burn into my collection of secret memories about Carl, as promised.|1151 +ood/115.wav|I allow my tongue the pleasure of a single, long, slow lick from his balls.|1151 +ood/116.wav|All the way up the smooth sensitive skin of his shaft to his swollen head|1151 \ No newline at end of file diff --git a/tts/StyleTTS2TrainOG/Data/phonemized_OOD_harness.txt b/tts/StyleTTS2TrainOG/Data/phonemized_OOD_harness.txt new file mode 100644 index 0000000..54843c7 --- /dev/null +++ b/tts/StyleTTS2TrainOG/Data/phonemized_OOD_harness.txt @@ -0,0 +1,116 @@ +ood/1.wav|ɪt fiːlz soʊ kʌmfɚɾɪŋ ænd fəmɪlɪɹ təbi bæk ɪn aʊɚ fæmɪli hoʊm æftɚ soʊ mɛni jɪɹz wɜːkɪŋ ænd stʌdiɪŋ ɐbɹɔːd. mɛmɚɹiz ænd sʌdən flæʃbæks ɑːɹ biːɪŋ tɹɪɡɚd.|1151 +ood/2.wav|ɔːlmoʊst nɑːnstɑːp naʊ ðæt aɪm bæk ɛvɹi skɹætʃ ɔnðə kɪtʃən teɪbəl ɛvɹi oʊld juːtɛnsəl ɛvɹi feɪdᵻd kɜːtən ɔːl teɪk miː bæk tə spəsɪfɪk moʊmənts ɪn ðɪs ɹuːm.|1151 +ood/3.wav|ðæt wɜː wʌns lɪvd ænd fɚɹɛvɚ lʌvd. ɔn aʊɚ fɹɪdʒ doːɹ, aɪ noʊɾɪs ðə fəmɪlɪɹ kəlɛkʃən ʌv foʊɾoʊz ðæt hæv mænɪdʒd tə steɪ ɪn pəzɪʃən fɔːɹ jɪɹz ænd jɪɹz.|1151 +ood/4.wav|aɪ siː ɐ foʊɾoʊ ʌv maɪ jʌŋɡɚ sɛlf pleɪɪŋ piænoʊ, ɐ kjuːt pɪk ʌv miː wɪð maɪ fɜːst ɡɜːlfɹɛnd, dɛbi.|1151 +ood/5.wav|ɐn ækʃən ʃɑːt ʌv maɪ bɹʌðɚ pleɪɪŋ fʊtbɔːl wɪð kɑːɹl dʒoʊnz, ðə neɪbɚ. ænd ɐn ɛkstɛndᵻd fæmɪli foʊɾoʊ teɪkən aʊt ɪnðə bækjɑːɹd.|1151 +ood/6.wav|wɪð kɑːɹl ænd hɪz fæmɪli, ðə nɛkst doːɹ neɪbɚz hæv ɔːlweɪz fɛlt laɪk ðeɪ wɜː pɑːɹt ʌv aʊɚ fæmɪli.|1151 +ood/7.wav|kɑːɹl wʌz ɔːlsoʊ maɪ fɜːst ɛvɚ ɹiːəl kɹʌʃ. aɪ bɪkeɪm ɐ lɪɾəl əbsɛst wɪð hɪm, aɪ θɪŋk.|1151 +ood/8.wav|huː kʊd bleɪm miː? hiː ɪz tɹəmɛndəsli ɡʊd lʊkɪŋ. bᵻsaɪdz, ɐ jʌŋ wʊmən niːdz tə faɪnd ɐn aʊtlɛt fɔːɹ hɜː sɛkʃuːəl ɛnɚdʒi sʌmwɛɹ.|1151 +ood/9.wav|wɛn aɪ niːdᵻd tə bloʊ aʊt sʌm stiːm, kɑːɹl bɪkeɪm maɪ sʌbdʒɛkt ʌv dɪzaɪɚɹ æz aɪ lʊk ɚɹaʊnd ðə kɪtʃən.|1151 +ood/10.wav|aɪm sʌdənli ɹᵻmaɪndᵻd ʌv sʌm ʌvðə moːɹ ɛksplɪsɪt ɛkspiəɹɪənsᵻz aɪvhæd ɪn ðɪs ɹuːm.|1151 +ood/11.wav|maɪ vɪʒən ɪz naʊ klɪɹli ɐfɛktᵻd baɪ ðə sɔft ʃiːn ʌv ɚɹaʊzəl.|1151 +ood/12.wav|aɪ noʊɾɪst ðə kɪtʃən teɪbəl, wɛɹ aɪ wʌns kɪst ðə pʊsi ʌvðə wʊmən huː keɪm tə tuːn aʊɚ piænoʊ.|1151 +ood/13.wav|ðə pəteɪɾoʊ piːlɚ ðæt aɪ wʌns juːzd tə smuːð ðə ɹʌf skɪn əvə kæɹət soʊ aɪ kʊd mæstɚbeɪt wɪð ɪt. ðə feɪdᵻd kɜːtənz θɹuː wɪtʃ aɪ spaɪd ɔn kɑːɹl.|1151 +ood/14.wav|æz hiː wɜːkt aʊt ɪn hɪz bækjɑːɹd. kɑːɹl, aɪ stɑːɹt tə ɡɛt ɹiəli kwaɪt hoːɹni æz aɪ ɛŋɡeɪdʒ wɪð ɔːl ʌv ðiːz flæʃbæks.|1151 +ood/15.wav|kɑːɹl siːmz təbi æt ðə fɔːɹfɹʌnt ʌv ðɛm ɔːl. ɛvɹi θɔːt ɐbaʊt hɪm æmplᵻfaɪz maɪ bʌblɪŋ ɪnsaɪdz ɪn ɐ nuː weɪ.|1151 +ood/16.wav|ɔːl maɪ əbsɛsɪv fiːlɪŋz fɔːɹ kɑːɹl, wɪð hɪz fɪt, æθlɛɾɪk bɑːdi, tɹeɪnɪŋ hɑːɹd ɪnðə nɛkst doːɹ jɑːɹd, ɑːɹ flʌdɪŋ maɪ bɑːdi.|1151 +ood/17.wav|aɪ siː flɪkɚz ʌv hɪz feɪs, hɪz wɔːɹm bɹaʊn aɪz, hɪz lɑːɹdʒ vɛlvɪt lɪps, hɪz fʊtbɔːl stɹɔŋ ɑːɹmz.|1151 +ood/18.wav|hɪz dʒaɪənt, sɪnsɪɹ smaɪl, hɪz bjuːɾifəl feɪs hɐz ɐ hoʊm diːp ɪn maɪ sʌbkɑːnʃəs, ðɪ ɪmɪdʒ ðæt kʌmz tə maɪnd.|1151 +ood/19.wav|moːɹ vɪvɪdli ðɐn ɛni ʌðɚɹ ɪz ðə lʊk ɪn hɪz aɪz æz hiː pɪɹz ʌp æt miː fɹʌm bᵻhaɪnd maɪ ɡeɪpɪŋ vʌlvə.|1151 +ood/20.wav|aɪ liːn ɪntʊ ðə bæk ʌvðə tʃɛɹ ɪn ðɪs kɪtʃən ʌv maɪ fæmɪli hoʊm, wɪð noʊwʌn ɛls ɚɹaʊnd, ænd lɛt ðə siːn ʌnfoʊld ɐɡɛn ɪn maɪ maɪnd.|1151 +ood/21.wav|ɪt wʌzɐ sɪɹiəsli sɛnʃuːəl ɛkspiəɹɪəns. aɪ kæn siː ɪɾ ɔːl, æz klɪɹ æz jɛstɚdeɪ. hɪɹ aɪæm, ɪnðə bækjɑːɹd ʌv ðɪs haʊs.|1151 +ood/22.wav|ɐloʊn, hævɪŋ ɐ kwaɪət kʌp ʌv tiː, aɪm ʌnwaɪndɪŋ, leɪɪŋ bæk ɪn ɐ dɛk tʃɛɹ, ænd maɪ naɪɾi lʊkɪŋ ʌp æt ðə stɑːɹz.|1151 +ood/23.wav|fiːlɪŋ sliːpi ʌndɚ ðə fɹɛʃ ɜːli iːvnɪŋ skaɪ, ænd ɡɛɾɪŋ ɹɛdi tə hæv ɐn ɜːli naɪt. fɹʌm aʊtsaɪd, aɪ kæn hɪɹ ðə tʃæɾɚɹ ʌv maɪ ɛntaɪɚ fæmɪli.|1151 +ood/24.wav|æz ðeɪ fɪnɪʃ ʌp ðə fiːst ɪndoːɹz. ɪts kaɪnd ʌv wɔːɹm fɔːɹ ðɪs taɪm ʌv jɪɹ, bʌt ðɛɹ ɪz stɪl ɐ kuːl baɪt ɪnðɪ ɛɹ ðæt aɪm kwaɪt ɛndʒɔɪɪŋ.|1151 +ood/25.wav|aɪ pleɪs maɪ hændz bᵻhaɪnd maɪ hɛd ænd liːn ɹaɪt bæk ɪnðə dɛk tʃɛɹ. maɪ lɔŋ bɑːdi ɪz aʊtstɹɛtʃt.|1151 +ood/26.wav|aɪ kæn siː ðə tɹiːz sloʊli sweɪɪŋ ɪnðə bɹiːz. aɪ kæn siː ðə stɑːɹz teɪkɪŋ pəzɪʃən ɪnðə skaɪ. aɪ kæn ɔːlsoʊ hɪɹ ðə saʊnd əvə pɜːsən wɔːkɪŋ daʊn ðə fɛns laɪn.|1151 +ood/27.wav|ɪnðə nɛkst doːɹ neɪbɚz jɑːɹd, moʊmənts leɪɾɚ, aɪ hɪɹ ɐ nɑːk ɔnðə neɪbɚz fɛns. ɪnðə laɪt fɹʌmðə haʊs.|1151 +ood/28.wav|aɪ siː kɑːɹlz bɪɡ smaɪl ɡɹɪnɪŋ daʊn æt miː oʊvɚ ðə ɡeɪt. oʊ, haɪ kɑːɹl. aɪ fiːl ðə skɪn oʊvɚ maɪ ɛntaɪɚ bɑːdi taɪʔn̩ ʌp.|1151 +ood/29.wav|ʌndɚniːθ maɪ naɪɾi, æz suːn æz aɪ sɛns hɪz ɡeɪz, tɹeɪsɪŋ maɪ ʃeɪps. oʊ jɛh, ðæts ɹaɪt, juː lʌv ðæt piːs.|1151 +ood/30.wav|aɪm vɛɹi ɛksaɪɾᵻd tə siː kɑːɹlz bjuːɾifəl aɪz pɜːtʃt ðɛɹ. juː noʊ jʊɹ ðɪ oʊnli pɜːsən huː kɔːlz miː dʒeɪn, ɹaɪt? ɛvɹɪwʌn ɛls kɔːlz miː dʒeɪni.|1151 +ood/31.wav|iːvən ðoʊ aɪm wɛɹɪŋ ɐ ɹɛɡjʊlɚ naɪɾi, aɪ fiːl ɛkspoʊzd ɪn ɐ θɹɪlɪŋ weɪ. hiː ɪz kæʒuːəli ɛɡzæmɪnɪŋ miː æz wiː tʃæt.|1151 +ood/32.wav|ænd ɔːl aɪ kæn θɪŋk ɐbaʊt ɪz ðə fækt ðæt ðɛɹ ɪz oʊnli ɐ sɪŋɡəl leɪɚɹ ʌv θɪn fæbɹɪk sɛpɚɹeɪɾɪŋ maɪ lɔŋ neɪkᵻd bɑːdi ænd hɪz wɔːɹm neɪkᵻd aɪz.|1151 +ood/33.wav|fɹʌm ʌndɚniːθ ðə mətɪɹiəl, maɪ nɪpəlz fɜːm ʌp iːvən moːɹ. ðeɪ ɛndʒɔɪ biːɪŋ ɔn dɪspleɪ, ænd huː æm aɪ tə dᵻnaɪ ðɛm ðə spɑːtlaɪt?|1151 +ood/34.wav|aɪ ɹᵻfjuːz tə kʌvɚ maɪsɛlf. maɪ hændz ɹᵻmeɪn fɪkst bᵻhaɪnd maɪ hɛd. maɪ bɹɛsts sɪt ɪn fʊl vjuː, ɹaʊnd ænd dᵻfaɪənt.|1151 +ood/35.wav|aɪm weɪɾɪŋ fɔːɹ sɛlf kɑːnʃəs θɔːts tʊ ɪmɜːdʒ, bʌt oʊnli ɡuːs bʌmps ɔn maɪ skɪn sɜːfɪs. kɑːɹl ɪz dɹɪŋkɪŋ ɪnðə saɪt ʌv miː.|1151 +ood/36.wav|ænd aɪɐm lʌvɪŋ hɪz ɐtɛnʃən æt ðɪs moʊmənt. kɑːɹl oʊpənz ðə ɡeɪt ænd wɔːks oʊvɚ tə miː ɪnðə tʃɛɹ. hiːz hoʊldɪŋ ɐ pleɪt ʌv paɪ.|1151 +ood/37.wav|wɪtʃ aɪ hæv tɹʌbəl siːɪŋ pɹɑːpɚli fɹʌm maɪ ɹᵻklaɪnd pəzɪʃən. oʊ, haʊ swiːt, kɑːɹl. lɛt miː siː ɪt. kɑːɹl hɐz meɪnteɪnd ɐ ɹᵻspɛktfəl dɪstəns.|1151 +ood/38.wav|bʌt ɪɾ ɪz ɡoʊɪŋ təbi ɪmpɑːsᵻbəl fɔːɹ hɪm tə pæs miː ɐ pleɪt ʌv paɪ wɪðaʊt kʌmɪŋ ɪntʊ maɪ pɜːsənəl speɪs ɐ lɪɾəl. hiː niːlz daʊn tə maɪ lɛvəl nɪɹ ðə fʊt ʌvðə dɛk tʃɛɹ.|1151 +ood/39.wav|ænd hoʊldz aʊt ðə pleɪt fɔːɹ miː tə siː. ðɛɹz ɐn ɛɹ ʌv flɜːteɪʃəsnəs ɪn wʌt hiː sɛz nɛkst.|1151 +ood/40.wav|θɹuːaʊt ðə jɪɹz, kɑːɹl ænd aɪ hæv ɔfən bɑːndᵻd oʊvɚɹ aʊɚ lʌv ʌv kʊkɪŋ. hiː hɐzbɪn aʊɚ ɡɛst fɔːɹ dɪnɚ moːɹ taɪmz ðɐn aɪ kʊd pɑːsᵻbli ɹᵻmɛmbɚ.|1151 +ood/41.wav|hiː noʊz aɪm ɐ toʊɾəl bædæs ɪnðə kɪtʃən. aɪ ɛɡzæmɪn ðə pleɪt ɪn hɪz aʊtstɹɛtʃt hænd ænd noʊɾɪs hɪz aɪz ɑːɹ lʊkɪŋ bᵻjɔnd ðə paɪ.|1151 +ood/42.wav|aɪ kænt ɹiəli siː ɪt wɪð juː niːlɪŋ ɔːl ðə weɪ daʊn ðɛɹ, kɑːɹl. aɪm leɪɪŋ ðə ɡɹaʊndwɜːk tə ɡɛt hɪm tə muːv kloʊsɚɹ ɪntʊ maɪ pɜːsənəl speɪs.|1151 +ood/43.wav|hiː smɜːks æt miː ænd muːvz ɪn kloʊsɚ, stɪl niːlɪŋ. aɪ doʊnt teɪk ðə pleɪt. aɪ kæn tɛl hiːz tɹaɪɪŋ dɛspɚɹətli hɑːɹd nɑːt tə lʊk dᵻɹɛktli æt maɪ pʊsi.|1151 +ood/44.wav|bʌt aɪ noʊ hiː siːz ɪt. maɪ naɪɾi hʌɡz ðə ʃeɪps ʌv maɪ bɑːdi, ɹᵻviːlɪŋ ɛvɹi ɹɪdʒ, kɜːv, ænd maʊnd. aɪ bɪɡɪn tə smɛl maɪ oʊn dɪzaɪɚ.|1151 +ood/45.wav|ðæt ɪzənt meɪpəl wɪpt kɹiːm ɔnðə tɑːp ʌv ðæt paɪ, ɪz ɪt?" aɪ smɜːk. hɪz kɑːnfɪdəns ɪn miː æz ɐ kʊk?|1151 +ood/46.wav|ɪz fiːlɪŋ ɐ kɑːnfɪdəns aɪv nɛvɚ fɛlt ɪn maɪsɛlf æz ɐ sʌbdʒɛkt ʌv dɪzaɪɚ. æt liːst, nɑːt ɚɹaʊnd kɑːɹl.|1151 +ood/47.wav|ɐ bjuːɾɪfəli lɔŋ saɪləns ɪmɜːdʒᵻz æz wiː boʊθ ɛndʒɔɪ ðə sɛkʃuːəl tɛnʃən ænd kɛmɪstɹi ʌnfoʊldɪŋ bᵻtwiːn ʌs.|1151 +ood/48.wav|æftɚ soʊ mɛni jɪɹz ʌv tɹaɪɪŋ tə mænjuːfæktʃɚɹ ɐ moʊmənt ʌv sɛnʃuːælᵻɾi ænd ɪntɪməsi bᵻtwiːn ʌs, aɪɐm naʊ feɪsd wɪððə fæntəsi.|1151 +ood/49.wav|aɪ soʊ dɹiːmd ʌv, bʌt ðɪs moʊmənt ʌv lɔŋɪŋ ænd dɪzaɪɚ wiː boʊθ ʃɛɹ ɹaɪt naʊ.|1151 +ood/50.wav|ɪz mʌtʃ moːɹ ɚɹaʊzɪŋ ðɐn aɪ kʊdɐv ɛvɚɹ ɪmædʒɪnd. maɪ ɛntaɪɚ fæmɪli ɪz ɪnðə haʊs ɐ fjuː jɑːɹdz bᵻhaɪnd ðə bæk ʌv ðɪs dɛk tʃɛɹ aɪ sɪt ɪn.|1151 +ood/51.wav|kɑːɹl ɪz niːlɪŋ bᵻsaɪd miː. hiː stɪl klʌtʃᵻz ðə smɔːl pleɪt ʌv hoʊmmeɪd pʌmpkɪn paɪ wɪð meɪpəl wɪpt kɹiːm. kɑːɹl ɪz moːɹ ðænə neɪbɚ.|1151 +ood/52.wav|hiːz ɐ fæmɪli fɹɛnd. ðɪs moʊmənt kʊdənt pɑːsᵻbli biː fɪld wɪð moːɹ tɛnʃən ænd səspɛns. ɪts pɜːfɛkt.|1151 +ood/53.wav|faɪnəli, aɪ ɹᵻliːs maɪ hændz fɹʌm bᵻhaɪnd maɪ hɛd. ɪt lʊks laɪk aɪm ɐbaʊt tə teɪk ðə pleɪt fɹʌm kɑːɹl, bʌt aɪ doʊnt.|1151 +ood/54.wav|ɪnstɛd, aɪ pɪntʃ ðə saɪdz ʌv maɪ naɪɾi wɪð maɪ fɪŋɡɚz. kɑːɹl, aɪ seɪ sɔftli, aɪv ɡɑːt sʌmθɪŋ ðæt aɪd lʌv juː tə tɹaɪ.|1151 +ood/55.wav|aɪ vɛɹi sloʊli stɑːɹt tə pʊl ðə naɪɾi ʌp maɪ saɪdz soʊ ðætðə hɛm bɹʌʃᵻz ʌp maɪ θaɪz ænd oʊvɚ maɪ pʊsi. lɛt miː noʊ jʊɹ ɛkspɜːt θɔːts.|1151 +ood/56.wav|ðə naɪɾi kəntɪnjuːz tə ɹaɪz ʌp maɪ bɑːdi, ɛkspoʊzɪŋ ɐ vɛɹi neɪkᵻd ænd vʌlnɚɹəbəl miː, ɔːlmoʊst ʃɑːkt.|1151 +ood/57.wav|aɪ fiːl koʊld ɛɹ ænd ðə mɔɪstʃɚ bɪldɪŋ bᵻtwiːn maɪ lɛɡz. kɑːɹl pleɪsᵻz ðə pleɪt ɔnðə ɡɹaʊnd, bʌt ɹᵻmeɪnz stɪl, saɪlənt.|1151 +ood/58.wav|ɔːlmoʊst. ɪf ðɪs ɪz ɡoʊɪŋ tə hæpən hɪɹ, laɪk ðɪs, ðɛn hiː wɪl hæv tə miːt miː ɔnðɪ ʌðɚ saɪd ʌv ðɪs fɚbɪdən laɪn.|1151 +ood/59.wav|aɪ sloʊli bɹɪŋ maɪ niːz aʊt tə ðə saɪd ænd ɛkspoʊz maɪsɛlf fʊli tə hɪm. ðɪs ʃʊd meɪk hɪz ɪmpʌlsᵻz hɑːɹdɚ tə ɹᵻzɪst.|1151 +ood/60.wav|aɪ siː hɪm swɔloʊ, bʌt hɪz aɪz nɛvɚ liːv ðə ɡɪft aɪɐm ɡɪvɪŋ hɪm. aɪ niːd juː tə tɛl miː ɪf ɪts swiːt ɪnʌf.|1151 +ood/61.wav|hiː ðɛn lʊks miː stɹeɪt ɪnðɪ aɪz. jɛs, kɑːɹl, aɪ wɔnt juː tə teɪst maɪ pʊsi. θæŋk juː fɔːɹ lɪsənɪŋ. fɚðɪ ɛntaɪɚ stoːɹi, pliːz vɪzɪt ɔːdɪoʊ dɪzaɪɚz dɑːt kɑːm.|1151 +ood/62.wav|ðə doːɹbɛl ɹɪŋz ænd jæŋks miː peɪnfəli ɐweɪ fɹʌm maɪ hoːɹni ɹɛvɚɹi. fʌk ɪt, aɪ wʌz ɹiəli ɛndʒɔɪɪŋ ðæt flæʃbæk. miː ænd kɑːɹl ɪnðə bækjɑːɹd.|1151 +ood/63.wav|hævɪŋ ɐ siːkɹᵻt sɛkʃuːəl ɛŋkaʊntɚ waɪl maɪ hoʊl fæmɪli ɪz dʒʌst ɪnsaɪd ðə haʊs, aɪ kæn stɪl fiːl ðə tɛnʃən, ðɪ ɛksaɪtmənt.|1151 +ood/64.wav|ðə sɛnseɪʃən, iːvən æftɚɹ ɔːl ðiːz jɪɹz, ðə pɹɛzəns ʌv hɪz tʌŋ ɛksploːɹɪŋ maɪ neɪɾɪv vədʒaɪnə.|1151 +ood/65.wav|kɑːɹl ɪz ðɪ oʊnli mæn huː hɐz soʊ skɪlfəli ænd tɛndɚli meɪd miː ɔːɹɡæzəm juːzɪŋ oʊnli hɪz maʊθ|1151 +ood/66.wav|fɔːɹ jɪɹz, aɪ lɔŋd fɔːɹ sʌmθɪŋ sɛnʃuːəl tə teɪk pleɪs bᵻtwiːn miː ænd maɪ sɛksi ɡaɪ nɛkst doːɹ. ænd wɛn ɪt faɪnəli dɪd.|1151 +ood/67.wav|ɪt wʌzðə læst taɪm aɪ æktʃuːəli sɔː kɑːɹl. hiː ɡɑːt ɐ dʒɑːb ɪn ɐnʌðɚ steɪt, ænd aɪ wɛnt tɹævəlɪŋ ɐbɹɔːd fɔːɹ sɛvɹəl jɪɹz.|1151 +ood/68.wav|aɪ ɡɛs ɛvɹɪwʌn hoʊldz ɐ fæntəsi əvə neɪbɚ ðeɪ wʌns hæd. aɪ sɜːʔn̩li duː. ɪn maɪ keɪs, ðoʊ, ɪts nɑːɾə fæntəsi ðæt aɪ hoʊld dɪɹ.|1151 +ood/69.wav|bʌt ɐ vɪvɪd mɛmɚɹi. ɪts wʌn ʌv maɪ sɛksiɪst mɛmɚɹiz. aɪ tɹɛʒɚɹ ɪt ænd nɜːtʃɚɹ ɪt baɪ ɹᵻlɪvɪŋ ðə moʊmənt ɐɡɛn ænd ɐɡɛn.|1151 +ood/70.wav|iːtʃ taɪm aɪ ɹᵻvɪzɪt ðæt siːn ɪn maɪ maɪnd ʌv kɑːɹl ænd aɪ ʃɛɹɪŋ ɐn ɪntᵻmət ɛkstʃeɪndʒ aʊt ðə bæk, aɪ fiːl maɪ pʊsi tɪŋɡəl wɪð ɛksaɪtmənt.|1151 +ood/71.wav|ðə θɪŋ ðæt meɪks ðɪs mɛmɚɹi soʊ dᵻlɪʃəs ɪz ðə siːkɹᵻsi bᵻhaɪnd ɪɾ ɔːl. ðɛɹz sʌmθɪŋ ɹiəli hɑːt ɐbaʊt pɚsuːɪŋ θɪŋz ðæt ɑːɹ.|1151 +ood/72.wav|kaɪnd ʌv fɚbɪdən, ɐbaʊt ɛŋɡeɪdʒɪŋ ɪn æktɪvᵻɾiz ðæt juː noʊ wɪl fɔːɹm ɐ siːkɹᵻt təbi ʃɛɹd oʊnli bᵻtwiːn juː ænd ðɪ ʌðɚ pɜːpɪtɹeɪɾɚ.|1151 +ood/73.wav|maɪ fæmɪli ænd kɑːɹlz fæmɪli hæv lɪvd saɪd baɪ saɪd fɔːɹ æz lɔŋ æz aɪ kæn ɹᵻmɛmbɚ. ðɛɹ fæmɪli ɪz bᵻlʌvd tʊ aʊɚz. kɑːɹl ɪz ɪspɛʃəli bᵻlʌvd.|1151 +ood/74.wav|soʊ, ɪf ɛnɪwʌn sʌmhaʊ faʊnd aʊt ðæt kɑːɹl eɪt maɪ pʊsi ɪnðə bækjɑːɹd hɪɹ.|1151 +ood/75.wav|waɪl ðə hoʊl fæmɪli wʌz dʒʌst ɪnsaɪd ðə haʊs fɪnɪʃɪŋ dɪnɚ? wɛl, wɛl, aɪ doʊnt noʊ wʌt wʊd hæpən ɛɡzæktli.|1151 +ood/76.wav|bʌt noʊwʌn ʃʊd noʊ, ɛvɚ. ɪt hɐz tə steɪ bᵻtwiːn kɑːɹl ænd miː.|1151 +ood/77.wav|aɪ ɹiːəlaɪz ðæt aɪv bɪn stɹoʊkɪŋ maɪ pæntiz ðə hoʊl taɪm aɪv bɪn θɪŋkɪŋ ɐbaʊt ðɪs ɛksplɪsɪt ɛŋkaʊntɚ, ænd aɪm nɑːt ɹiəli sɚpɹaɪzd.|1151 +ood/78.wav|oʊ kɹæp! aɪ toʊɾəli fɚɡɑːt ðæt kɑːɹlz mɑːm wʌz dʒɔɪnɪŋ ʌs fɔːɹ dɪnɚ. maɪ bɹʌðɚ ænd hɪz waɪf θɔːt ɪt maɪt biː naɪs tə hæv hɜːɹ oʊvɚ.|1151 +ood/79.wav|sɪns wiː ɑːɹ ɔːl bæk hoʊm fɚðə hɑːlɪdeɪ. naʊ ðæt hɜː hʌsbənd hɐz pæst, ʃiː lɪvz ɐloʊn, ænd kɑːɹl laɪvz ɪn ɐnʌðɚ steɪt, soʊ mɪsɪz dʒoʊnz ɡɛts loʊnli.|1151 +ood/80.wav|aɪ ɹeɪs tə ðə fɹʌnt ʌvðə haʊs ɪn ɐ flʌstɚ tə ɡɹiːt kɑːɹlz mɑːm, ænd aɪ ɹiːəlaɪz ðæt aɪm stɪl smɛlɪŋ laɪk maɪ oʊn ɚɹaʊzd sɛks.|1151 +ood/81.wav|æz aɪ tɜːn ðə nɑːb ænd flɪŋ oʊpən ðə doːɹ, maɪ maɪnd ɪz fɔːɹmɪŋ ðə wɜːdz, mɪsɪz. dʒoʊnz, haʊ lʌvli tə siː juː æftɚɹ ɔːl ðiːz jɪɹz.|1151 +ood/82.wav|bʌt wɛn maɪ bɹeɪn kætʃᵻz ʌp tə wʌt maɪ aɪz ɑːɹ lʊkɪŋ æɾ ɔn aʊɚ fɹʌnt pɔːɹtʃ, maɪ hɑːɹt lɪɾɚɹəli stɑːps fɚɹə sɛkənd ɔːɹ tuː. ɪts kɑːɹl.|1151 +ood/83.wav|hɪz bjuːɾifəl bɪɡ vɔɪs ɹɛzəneɪts θɹuː maɪ ɛntaɪɚ stɪltᵻd bɑːdi. ðɪs fiːlɪŋ ʌv sɚpɹaɪz ɪz ɔːlmoʊst tɹɔːmæɾɪk.|1151 +ood/84.wav|kɑːɹl jɛh lɛts dʒʌst seɪ kwaɪt ɐ fjuː. ðə jɪɹz hɐvbɪn vɛɹi kaɪnd tə hɪm. hiː hæzənt tʃeɪndʒd ɐ bɪt.|1151 +ood/85.wav|hɪz wɔːɹm bɹaʊn aɪz, hɪz lɑːɹdʒ vɛlvɪt lɪps, hɪz fʊtbɔːl stɹɔŋ ɑːɹmz, hɪz dʒaɪənt sɪnsɪɹ smaɪl.|1151 +ood/86.wav|aɪm stɪl moʊʃənləs æz aɪ fiːl ɐ klaʊd ʌv fɛɹəmoʊnz ɛmɐneɪt fɹʌm maɪ bɑːdi ænd dɹɪft dᵻɹɛktli ɪntʊ hɪm.|1151 +ood/87.wav|aɪ ɔfɚɹ aʊt maɪ hænd, wɪtʃ hiː hæpɪli teɪks. ðɛn, hiː pʊlz miː ɪntʊ hɪz bɑːdi fɚɹə dʒaɪənt, nəstældʒɪk ɛmbɹeɪs. aɪ mɛlt ɪntʊ hɪm.|1151 +ood/88.wav|ænd tɹaɪ tʊ ɪɡnoːɹ ðæt aɪ kæn smɛl ðə sɛnt ʌv maɪ oʊn pʊsi ɪn aʊɚ hændʃeɪk. ᵻvɛntʃuːəli, ðə ɹɛst ʌvðə fæmɪli dʒɔɪn ʌs æt ðə fɹʌnt doːɹ tə wɛlkʌm aʊɚ bᵻlʌvd neɪbɚz.|1151 +ood/89.wav|wiː hɛd ɪnsaɪd, ænd ðə fiːst ɡɛts ʌndɚweɪ. aɪ tɛl ɛmbæɹəsɪŋ stoːɹiz ɐbaʊt kɑːɹl wɜːkɪŋ aʊt ɪnðə bækjɑːɹd.|1151 +ood/90.wav|ɪn fɹʌnt əvə mɪɹɚ, kɪsɪŋ hɪz oʊn mʌsəlz. wiː ɔːl luːsən ʌp oʊvɚ sʌm dᵻlɪʃəs waɪn. kɑːɹl ɪz wɔːɹm, ɪntɛlɪdʒənt, ænd ɔːθɛntɪk.|1151 +ood/91.wav|ðə kaɪnd ʌv mæn aɪ θɪŋk aɪ kʊd biː wɪð, aɪ luːz maɪsɛlf ɪn hɪz ɛntɚteɪnɪŋ stoːɹiz, ænd maɪ fʊt faɪndz ɪts weɪ tə hɪz lɛɡ æz ɔfən æz ɪt kæn.|1151 +ood/92.wav|æt wʌn pɔɪnt, aɪ kætʃ maɪsɛlf wɪð wʌn ʃuː kɪkt ɔf, ænd maɪ toʊz dʒɛntli ɹɛstɪŋ ɔn hɪm. aɪ laɪk təbi tʌtʃɪŋ hɪm.|1151 +ood/93.wav|wɛn hiː tɔːks, aɪ kæn oʊnli lʊk dᵻɹɛktli æt hɪz maʊθ. aɪ fiːl hɪz kɪs ɔn maɪ ɪnɚ θaɪz. aɪ fiːl hɪz tiːθ pɪntʃɪŋ maɪ nɪpəlz.|1151 +ood/94.wav|aɪ fiːl ðæt fəmɪlɪɹ eɪk bᵻtwiːn maɪ lɛɡz æz maɪ pʊsi skɹiːmz æt miː tə dʒʌmp ɹaɪt ɔn tɑːp ʌv kɑːɹl.|1151 +ood/95.wav|ænd iːz hɪz kɑːk diːp ɪnsaɪd miː. ðiːz sɔːɹts ʌv ɜːdʒᵻz bɪkʌm hɑːɹdɚ ænd hɑːɹdɚ tʊ ɪɡnoːɹ æz ðɪ iːvnɪŋ miːl pɹəɡɹɛsᵻz bᵻtwiːn dɪnɚ ænd dɪzɜːt.|1151 +ood/96.wav|wiː dᵻsaɪd tə hæv sʌm ɛntɚteɪnmənt ænd sʌm swiːt waɪn. mɑːm stɑːɹts pleɪɪŋ piænoʊ ænd ɛvɹɪwʌn ɛls faɪndz ɐ spɑːt ɪnðə lɪvɪŋ ɛɹiə tʊ ɛndʒɔɪ ðə ʃoʊ.|1151 +ood/97.wav|aɪ meɪk maɪ weɪ ɪntʊ ðə kɪtʃən tə stɑːɹt pɹɪpɛɹɪŋ dɪzɜːt. aɪm æt ðɪ aɪlənd bɛntʃ ɪnðə mɪdəl ʌvðə kɪtʃən, kʌɾɪŋ ðə dɪzɜːt paɪ ɪntʊ diːsənt piːsᵻz.|1151 +ood/98.wav|wɛn aɪ siː kɑːɹlz fɪt bɑːdi ɪnðə doːɹweɪ. oʊkeɪ, ɡɹeɪt. θæŋks, kɑːɹl. ɑːɹ juː ʃʊɹ? juːl mɪs ðə piænoʊ pleɪɪŋ. oʊ, jɛh?|1151 +ood/99.wav|wʌt ɐbaʊt? kɑːɹl wɔːks oʊvɚ tə maɪ saɪd ʌvðɪ aɪlənd bɛntʃ. ɐbaʊt wɛn juː eɪt maɪ pʊsi ɪnðə bækjɑːɹd? kɑːɹl lʊks daʊn æt miː, diːp ɪn maɪ aɪz.|1151 +ood/100.wav|wɪʃt fɔːɹ wʌt? kɑːɹl ɪz sɜːtʃɪŋ fɚðə ɹaɪt wɜːdz. bʌt wiː boʊθ noʊ ðæt ðɛɹ ɑːɹnt ɛni. wiː lʊk ɪntʊ iːtʃ ʌðɚ fɚɹə moʊmənt.|1151 +ood/101.wav|waɪl ðə twɪŋklɪŋ ʌvðə piænoʊ floʊts ɪn fɹʌmðə nɛkst ɹuːm ænd ðə dɪzɜːt paɪ leɪ ʌnɐtɛndᵻd ɔnðə kɪtʃən bɛntʃ. ðɛn, sʌdənli, pæʃənətli,|1151 +ood/102.wav|aʊɚ tuː feɪsᵻz ɑːɹ dɹɔːn ɪntʊ iːtʃ ʌðɚ, ænd aʊɚ lɪps lɑːk ɪntʊ ɐ diːp kɪs ðæt dɪseɪbəlz ɔːl ðə fiːlɪŋ ɪn maɪ lɛɡz.|1151 +ood/103.wav|kɑːɹl hoʊldz miː taɪtli, ænd maɪ fɪɹz ʌv fɔːlɪŋ oʊvɚɹ ɪntʊ ɐ kwɪvɚɹɪŋ hiːp ɑːɹ ɡɔn. hiː ɡɹæbz miː baɪ ðɪ æs wɪð ɐ fɜːm hænd.|1151 +ood/104.wav|ænd pʊʃᵻz maɪ pʊsi ɪntʊ hɪz stɪfənd pænts. aɪ sʌk hɪz feɪs wɪð ɔːl maɪ maɪt. kɑːɹl ɪz ɹʌbɪŋ maɪ bʌt wɪð hɪz fɪŋɡɚz.|1151 +ood/105.wav|dænsɪŋ ɚɹaʊnd maɪ eɪnʌs, ænd aɪ swɛɹ, aɪ kæn ɔːlmoʊst hɪɹ maɪ oʊn pʊsi kɹaɪɪŋ aʊt hɪz neɪm. aɪ ɑːɹtʃ maɪ bæk slaɪtli.|1151 +ood/106.wav|tɪlt maɪ æs ʌpwɚd. hiː bɛndz slaɪtli æt ðə niːz, ɹʌb maɪ pʊsi θɹuː ðə bæk ʌv maɪ dɹɛs. aɪ fiːl hɪz bɹɛθ, ænd hiː wɪspɚz ɪntʊ maɪ ɪɹ.|1151 +ood/107.wav|aɪ tɪlt maɪ hɛd bæk. maɪ bɹiːðɪŋ ɪntɛnsᵻfaɪz. hiː sloʊli kɪsᵻz ɚɹaʊnd maɪ nɛk ænd ʌndɚ maɪ tʃɪn.|1151 +ood/108.wav|ʌntɪl hɪz lɪps hæv faʊnd ðɛɹ weɪ tə maɪ ʌðɚɹ ɪɹ. waɪl kɑːɹl ɪz fiːstɪŋ ɔn maɪ ɪɹloʊbz, aɪ slaɪd maɪ hænd bᵻtwiːn hɪz kɑːk ænd maɪ pʊsi.|1151 +ood/109.wav|ænd aɪ stɑːɹt tʊ ʌnduː hɪz zɪpɚ, sʌmθɪŋ ðæt aɪv ɔːlweɪz wɪʃt fɔːɹ. aɪ ɹᵻmaɪnd hɪm ðæt ðeɪ ɑːɹ ɔːl pɹɪɑːkjʊpaɪd ɚɹaʊnd ðə piænoʊ.|1151 +ood/110.wav|ænd bᵻfoːɹ hiː hɐz ɐ tʃæns tə dɹɔː maɪ ɐtɛnʃən tə ðə fækt ðæt ɔːl aʊɚ lʌvd wʌnz ɑːɹ ɪnðə vɛɹi nɛkst ɹuːm, ænd ðætðɪ oʊnli θɪŋ hiː niːdz tə wʌɹi ɐbaʊt.|1151 +ood/111.wav|ɪz tɹaɪɪŋ nɑːt tə kʌm ɹaɪt ɑːntʊ maɪ feɪs waɪl aɪ lɪk hɪz dʒaɪənt kɑːk fɹʌm bɔːlz tə nɑːb. ænd wɪð ðæt.|1151 +ood/112.wav|aɪ ɡɛt daʊn ɔn maɪ niːz ænd ʌnliːʃ ðə moʊst bjuːɾifəl, kliːn, ænd stɹɔŋ piːnɪs maɪ aɪz hæv ɛvɚ bᵻhɛld.|1151 +ood/113.wav|aɪ siː ɐ boʊlt ʌv ɛnɚdʒi ʃuːt θɹuː hɪz ʃæft, ænd hɪz kɑːk tɹænsfɔːɹmz ɪntʊ ɪts θɪk, ɡloːɹiəs fʊl saɪz.|1151 +ood/114.wav|aɪ teɪk ðə bɹiːfɪst ʌv sɛkəndz tə soʊk ðɪs ɪmɪdʒ ɪn ænd lɛt ɪt bɜːn ɪntʊ maɪ kəlɛkʃən ʌv siːkɹᵻt mɛmɚɹiz ɐbaʊt kɑːɹl, æz pɹɑːmɪst.|1151 +ood/115.wav|aɪ ɐlaʊ maɪ tʌŋ ðə plɛʒɚɹ əvə sɪŋɡəl, lɔŋ, sloʊ lɪk fɹʌm hɪz bɔːlz.|1151 +ood/116.wav|ɔːl ðə weɪ ʌp ðə smuːð sɛnsᵻtɪv skɪn ʌv hɪz ʃæft tə hɪz swoʊlən hɛd|1151 diff --git a/tts/StyleTTS2TrainOG/Data/phonemized_train_harness.txt b/tts/StyleTTS2TrainOG/Data/phonemized_train_harness.txt new file mode 100644 index 0000000..5d08bab --- /dev/null +++ b/tts/StyleTTS2TrainOG/Data/phonemized_train_harness.txt @@ -0,0 +1,196 @@ +wavs/1.wav|lʊk æt ðæt, huː ɑːɹ ðə bɑːksɚz? bʊkɚ. bʊkɚ! oʊkeɪ, dʒʌst wʌn moːɹ? bʊkɚ, ðæt wʌz ɐmeɪzɪŋ.|1151 +wavs/2.wav|ɔf ɐbaʊt leɪdi kəmstɑːk. tɹaɪ ðə ʃɑːk dʒɑːki. wiː wɜːkt hɑːɹd ɪnʌf tə ɡɛt ɪt. nʌn ʌvðə pɹɑːfɪts mædʒɪk ɪz ɹʌbɪŋ ɔf ɔn juː.|1151 +wavs/3.wav|ðæt wʌz ɑːd. deɪzi kæn meɪk ɐ tʃeɪndʒ, kænt ʃiː? θɪŋz bɛɾɚ fɚðə piːpəl hɪɹ. aɪm wʌɹid ɐbaʊt juː. wʌt dɪd juː duː ðɛɹ?|1151 +wavs/4.wav|tɹeɪn ʌp ɐ tʃaɪld ɪnðə weɪ hiː ʃʊd ɡoʊ. iːvən wɛn hiː ɪz oʊld, hiː wɪl nɑːt dᵻpɑːɹt fɹʌm ɪt. heɪ, bʊkɚ, aɪ θɪŋk ðɛɹz ɐ lɑːk pɪk oʊvɚ ðɛɹ.|1151 +wavs/5.wav|ɪf juː pʊt ɐ pɜːsən ɪn ɐ keɪdʒ, ðeɪ dɪvɛləp ɐn ɪntɹɛst ɪn sʌtʃ θɪŋz. wiː ɑːɹ ɡənə hæv vɪzɪɾɚz, bʊkɚ! ɹoʊzɐlɪnd luːɾɛs ɪz nɑːt maɪ mʌðɚ, ænd niːðɚɹ ɑːɹ juː.|1151 +wavs/6.wav|ʃiːz iːðɚɹ ɐ ɡɹeɪt hiəɹoʊ ɔːɹ ðə wɜːst ʌv skaʊndɹəlz, dᵻpɛndɪŋ ɔn huːz duːɪŋ ðə tɛlɪŋ. oʊvɚ hɪɹ! huː ɑːɹ wiː ɹiəli hɛlpɪŋ baɪ ɡɛɾɪŋ ɡʌnz fɚðə vɑːks pɑːpjʊlaɪ?|1151 +wavs/7.wav|aɪ ɹᵻmɛmbɚ meɪkɪŋ ðɛm. bʊkɚ, ɡɹæb ðæt lɑːk pɪk. bʊkɚ, ðɛɹz ɐ lɑːk pɪk oʊvɚ ðɛɹ. haʊ mɛni hæv juː hæd? aɪl kiːp ɐn aɪ ɔn juː fɔːɹ nɛkst taɪm. bʊkɚ!|1151 +wavs/8.wav|juː kʊd tɹaɪ foːɹsɪŋ ɪɾ oʊpən. dʌzənt siːm tə wɜːk vɛɹi wɛl. kəmstɑːk ɪz tuː dɛks ʌp ɪnðə pɹɑːfɪts kæbɪn. ɪts ðə luːɾɛs læb. æz aɪ sɛd, ɪts ɐ fɔːɹm ʌv wɪʃ fʊlfɪlmənt.|1151 +wavs/9.wav|heɪ, bʊkɚ. sleɪt hɐz ðə ʃɑːk dʒɑːki, wiː niːd tə faɪnd hɪm. ðɪs tɪɹ. aɪm nɑːt soʊ ʃʊɹ ɪt wʌzɐ ɡʊd aɪdiə. kæn ɔːlweɪz juːs moːɹ ʌv ðɛm.|1151 +wavs/10.wav|lʊk æt ðɪs, maɪ taʊɚ. ɪts oʊnli fɛɹ ðeɪ ɡɪv miː ɐ kʌt ʌvðə pɹɑːfɪts, doʊnt juː θɪŋk? niːd moːɹ mʌni? huː? juː miːn.|1151 +wavs/11.wav|hɪɹz sʌm kæʃ. wʌt fɔːɹ? aɪ ɡɛt tə wɛɹ ðɪs staɪlɪʃ θɪmbəl tə kʌvɚɹ ʌp maɪ hɪdiəs dᵻfoːɹmᵻɾi. aɪ hɪɹ ðeɪɚɹ ɔːl ðə ɹeɪdʒ ɪn pæɹɪs. ðə siːd ʌvðə pɹɑːfɪt.|1151 +wavs/12.wav|ʃæl sɛt ðə θɹoʊn. hiː wʌz ɡɹuːmɪŋ miː, wʌzn̩t hiː? waɪ? wiː ʃʊd lʊk fɔːɹ moːɹ fʊt pɹɪnts. kiːp ɐ lʊk aʊt. aɪ kæn oʊpən ðæt. aɪ kæn.|1151 +wavs/13.wav|lʊk æt ðiːz, ðeɪɚɹ ɐmeɪzɪŋ! wɪtʃ wʌn duː juː laɪk moːɹ, ðɪswʌn, ɔːɹ ðɪs? aɪ kæn siː ðɛm θɹuː ðə doːɹz. juː, miː, kəlʌmbiə sɔŋ bɜːd?|1151 +wavs/14.wav|bʌt sʌmtaɪmz, sʌmθɪŋz dɪfɹənt, jɛt ðə seɪm. duː juː hɪɹ ðæt? ɪts mjuːzɪk! lʊks iːzi ɪnʌf.|1151 +wavs/15.wav|kætʃ, bʊkɚ! ɪɾ ɔːlmoʊst lʊks laɪk ɐ ɹiːəl oʊʃən. ɪts dʒʌst ɐ sɛt ʌv ᵻlæbɚɹeɪt pʌmps ænd ɹeɪn kætʃɚz. bʊkɚ, ðɛɹz ɐ doːɹ oʊvɚ hɪɹ. lʊk, ɐ tɪɹ. huː sɛnt juː?|1151 +wavs/16.wav|ɹɛdi. juː noʊ haʊ aɪ sɛd aɪ hæd plɛnti ʌv taɪm tə ɹiːd? wɛl, aɪ tɹaɪd tə fɪɡjɚɹ ɪɾ aʊt. aɪ ɹiːd lɪɾɚɹᵻtʃɚɹ ɔn fɪzɪks ænd ʌðɚ sʌtʃ θɪŋz. wɛn jʊɹ ʌŋkɑːnʃəs ɔnðə biːtʃ, juː.|1151 +wavs/17.wav|kɛpt ɹᵻpiːɾɪŋ ɐ wʊmənz neɪm, ænə. ðɪs kʊd kʌm ɪn hændi. juː ɹiəli ʃʊd pɪk ðæt ʌp. bʊkɚ, kʌm hɪɹ. ðeɪ hɑːɹdli leɪd ɐ fɪŋɡɚɹ ɔn ʌs.|1151 +wavs/18.wav|ɪts hɜː. faʊnd ðɪs laɪɪŋ ɚɹaʊnd. hɜː tɹeɪl mʌst biː sʌmwɛɹ. aɪɐm nɑːt ɡoʊɪŋ bæk tə ðæt taʊɚ noʊ mæɾɚ wʌt hæpənz.|1151 +wavs/19.wav|sɔŋ bɜːd ɪz ɹɛdi, bʊkɚ. ðɪs lʊks ɪmpoːɹtənt, bʊkɚ. fɚɡɛt. haʊ duː juː wɑːʃ ɐweɪ ðə θɪŋz ðæt juːv dʌn?|1151 +wavs/20.wav|heɪ, doʊnt pɔɪnt ðæt æt miː. ɡʊd. sleɪt mʌstəv teɪkən ðɛm. lʊk. hɜːɹi, bʊkɚ, hɜːɹi! bʊkɚ, ðə poʊstɚ. juː tʃoʊz tə wɔːk ɐweɪ.|1151 +wavs/21.wav|ɪts ɐbaʊt sɛvən θɜːɾi. ðɛɹɑːɹ ɐ mɪliən, mɪliən wɜːldz. ɔːl dɪfɹənt ænd ɔːl sɪmɪlɚ. kɑːnstənts ænd vɛɹɪəbəlz.|1151 +wavs/22.wav|ɔn jʊɹ ɹaɪt, aɪ siː ɐ tɪɹ. fɪŋk ɪndʌstɹiz. siːmz laɪk ðeɪɚ ðə wʌnz ɹᵻspɑːnsᵻbəl fɔːɹ ðɪs ʃɑːk dʒɑːki pɹɑːdʌkt. ðeɪ ʃʊd biː ɐʃeɪmd ʌv ðɛmsɛlvz.|1151 +wavs/23.wav|wiː kæn pɪk ʌp sʌm səplaɪz fɹʌm ðæt məʃiːn. ɪf ɪt hæd ɐ mᵻkænɪkəl lɑːk, meɪbiː. ɪts wʌn ʌv ðoʊz ʃɑːk dʒɑːki doːɹz. jʊɹ wuːndᵻd! hɪɹ!|1151 +wavs/24.wav|noʊ. hiː wʌz hɪɹ. ðɪs weɪ. lʊk oʊvɚ hɪɹ. waɪ doʊnt juː ɹɪŋ ðə bɛl? ɪf hiː wɜː tə teɪk miː bæk. ðæts dɛθ, mɪstɚ də wɪt.|1151 +wavs/25.wav|ɔːɹ sʌmθɪŋ soʊ laɪk ɪɾ aɪ kænɑːt tɛl ðə dɪfɹəns. aɪm aʊt! ʃɑːk dʒɑːki. huː niːdz ðə paʊɚ kʌmpəni?|1151 +wavs/26.wav|mʌst biː bɪkʌz ʌv wʌts ɡoʊɪŋ ɔn wɪð ðæt mænz sleɪ. ðə keɪdʒ ʃʌt ʌp taɪt. naʊ haʊ ɑːɹ wiː ɡənə ɡɛt tə ðɪ ɛɹ ʃɪp? lʊk æt ðɪs! mɪstɚ də wɪt?|1151 +wavs/27.wav|aɪ doʊnt ʌndɚstænd. waɪ wʊd ðə twɪnz sɛnd ʌs tə faɪnd θɹiː tɹuːθs? wɜː ðə tɪɹz sʌmhaʊ ɹᵻleɪɾᵻd θɹuː ɐ kaɪnd ʌv kwɔntəm fiːld, ɔːɹ wɜː ðeɪ?|1151 +wavs/28.wav|taɪm ɹɑːts ɛvɹɪθɪŋ, bʊkɚ. iːvən hoʊp. hɪɹ, lɛt miː. lʊk.|1151 +wavs/29.wav|ðə bɑːks ʌv boʊlts dɹɑːpt hɪz wɛpən, juː ʃʊd juːz ɪt. ðeɪɚ dʒʌst teɪkɪŋ bæk wʌts oʊd tə ðɛm. ɪts dʒʌstɪs. wʌt ðə hɛl wʌz ðæt? heɪ bʊkɚ?|1151 +wavs/30.wav|aɪ siː ɐ tɪɹ. hʌ. ɡoʊ ɔn wɪðaʊt miː! bʌt ɪn ɔːl ʌv aʊɚz. ɑːɹ juː ɔːlɹaɪt? ðæt dɪdnɑːt lʊk iːzi.|1151 +wavs/31.wav|bᵻjɔnd ðæt ɡeɪt laɪz kəmstɑːk haʊs. dᵻstɹɔɪ ðə saɪfən? ɪf ðeɪ pleɪ ðə hoʊl sɔŋ, hiːl kʌm bæk. pʊt ðæt ɐweɪ. ðiːz siːm təbi ðə kəntɹoʊlz ðæt sʌmən hɜː.|1151 +wavs/32.wav|aɪv ɡɑːt sɔlts! sɑːɹi, bʊkɚ. hiː wʌz ɔːl aɪ hæd. bɹɔːt miː bʊks. ænd ðæt wɪl teɪk ʌs tə pæɹɪs.|1151 +wavs/33.wav|kʌm ɔn. duː juː niːd æmoʊ? dʌn. teɪk ðɪs fɚðə bliːdɪŋ! oʊkeɪ, kætʃ. kəmstɑːk? hʌ.|1151 +wavs/34.wav|soʊ ðə fɜːst leɪdi ɪz hɪz ʃɪp. juː hoʊld ɔn tə ðɪs. aɪ doʊnt noʊ! ɡɪv ɪt tə miː! bʊkɚ, sɔlts! bʊkɚ, noʊ.|1151 +wavs/35.wav|weɪt, wʌt ɪz ðæt? fɔːɹɾi nɔːɹθ baɪ sɛvənti foːɹ wɛst. ðæts nɑːt pæɹɪs, ðæts nuː jɔːɹk. ðæt tɪɹ wɪl ɡɛt ʌs æksɛs tə haɪɚ ɡɹaʊnd. oʊvɚ hɪɹ, bʊkɚ.|1151 +wavs/36.wav|wʌn θɪŋ aɪ hæd ɪn ðæt taʊɚ wʌz taɪm, mɪstɚ duːɪt. taɪm tə stʌdi θɪŋz laɪk dʒɪɑːɡɹəfi. aɪl tɹaɪ tə kiːp juː stɑːkt wɪð boʊθ bændɪdʒᵻz ænd æmoʊ, bʌt.|1151 +wavs/37.wav|ðə ɹaɪt mətɪɹiəlz ɑːɹnt ɔːlweɪz æt hænd. lɛt miː hæv ɐ lʊk. bʊkɚ, bʌt ðə θɪŋ ɪz, maɪ bʊks sɛd ðeɪ dɪsɐpɪɹd sɛvɹəl jɪɹz ɐɡoʊ.|1151 +wavs/38.wav|ɑːɹ juː ʃʊɹ? heɪ! seɪ wʌt juː wɔnt ɐbaʊt leɪdi kəmstɑːk. ɐ wʊmən hæd ɐn aɪ fɔːɹ fæʃən. ɪɾəl teɪk sʌm skɹaʊndʒɪŋ, bʌt aɪl duː maɪ bɛst.|1151 +wavs/39.wav|kæʃ, bʊkɚ. maɪ hʌsbənd kleɪmz ðə tʃaɪld wʌz kɹiːeɪɾᵻd fɹʌm hoʊl klɔθ baɪ dᵻvaɪn wɪl. aɪɐm ɐ bᵻliːvɚ, bʌt aɪɐm nɑːɾə fuːl.|1151 +wavs/40.wav|hɪz bæstɚd ʃæl nɑːt biː ɹeɪzd ʌndɚ ðɪs ɹuːf. ɐ ɡɪtɑːɹ. wɪʃ aɪ nuː haʊ tə pleɪ. maɪt dʒʌst spɛl sʌm ʌvðə ɡluːm.|1151 +wavs/41.wav|ʃiːz ɡoʊɪŋ tə kɪl ðæt tʃaɪld! hiːz ɹɛdi, bʊkɚ! lʊk, maɪt biː ɐ ɡʊd aɪdiə tə leɪ ɪn sʌm səplaɪz.|1151 +wavs/42.wav|ðɛɹz ɐ wɜːld ʌv dɪfɹəns bᵻtwiːn wʌt wiː siː ænd wʌt ɪz. stɹeɪndʒ. aɪ siː ɐ tɪɹ, bʊkɚ. aɪ θɪŋk wɪɹ ɡənə hæv vɪzɪɾɚz. ɛvɹɪθɪŋ.|1151 +wavs/43.wav|əbʌv juː, bʊkɚ! lʊk aʊt! hændi mæn! wʌt dʌz mɪstɚ fɪŋk wɔnt wɪð ʌs? lʊks laɪk ðɪs ɹʌnz ɛkskluːsɪvli ɔn ʃɑːk dʒɑːki.|1151 +wavs/44.wav|ðɪs ɪz wʌt hiː mɛnt. maɪt nɑːt biː ɐ bæd aɪdiə tə leɪ ɪn sʌm səplaɪz. deɪzi sɛd ʃiː wʌz kʌmɪŋ hɪɹ fɔːɹ fɪŋk.|1151 +wavs/45.wav|ðɛɹ, bæk ɪnðə lænd ʌvðə lɪvɪŋ. ɔːl joːɹz. doʊnt spɛnd ɪɾ ɔːl ɪn wʌn pleɪs. ðæt ɔːtɑːmətənz wɛpən ɪz laɪɪŋ oʊvɚ ðɛɹ. siːmz laɪk wɪɹ fɛɹli wɛl hiːld, bʊkɚ.|1151 +wavs/46.wav|ðɛɹ. duː juː θɪŋk ɪts pɑːsᵻbəl tə ɹᵻdiːm ðə kaɪnd ʌv θɪŋz ðæt wiːv dʌn?|1151 +wavs/47.wav|mɪstɚ də wɪt! aɪ kæn oʊpən ðɪs ɪf juː wɔnt. wʌt ɑːɹ juː, mɪstɚ də wɪt? sʌm sɔːɹt ʌv. heɪ, ðɛɹz ɐ lɑːk oʊvɚ ðɛɹ. heɪ, bʊkɚ!|1151 +wavs/48.wav|juː hɪɹ ðæt? mjuːzɪk. ɪts kʌmɪŋ fɹʌm ðæt tɪɹ. faɪnd sʌmθɪŋ suːn! ðə siːd ʌvðə pɹɑːfɪt leɪ ɪnðə wuːm ʌv aʊɚ leɪdi bʌt fɚɹə sɪŋɡəl wiːk.|1151 +wavs/49.wav|ɪts ɐ fɪɡjɚɹ ʌv kəmstɑːk naʊ. aɪ faʊnd sʌm tʃeɪndʒ. aɪ doʊnt noʊ ɪf aɪ bɹɔːt ʌs tʊ ɐ wɜːld wɛɹ ðə vɑːks hæd wɛpənz, ɔːɹ aɪ kɹiːeɪɾᵻd wʌn.|1151 +wavs/50.wav|lɛts siː. haʊ dɪd juː duː ðæt? ɑːɹ juː ɪntɹɛstᵻd ɪn ɡɑːɹdənɪŋ, mɪstɚ də wɪt? kɛɹfəl, ðæt dʌzənt lʊk tuː seɪf. waɪ juː? oʊkeɪ!|1151 +wavs/51.wav|aɪ siː moːɹ fʊt pɹɪnts. aɪ doʊnt laɪk hɪz lʊk. haʊ ɑːɹ juː, mʌðɚ? ɔːl lɑːkt ʌp ɪn ðɛɹ, hʌ? lʊks laɪk juː ænd aɪ hæv sʌm kɑːmən ɡɹaʊnd.|1151 +wavs/52.wav|noʊ. wʌt hæpənd ðɛɹ? ʃʊɹ. kɛɹfəl! waɪ ɪz ɪt ðæt wiː nɛvɚ kætʃ ɐ bɹeɪk? ðə faʊndɚɹ ʌv buːdɪzəm spɛnt fɔːɹɾi naɪn deɪz ʌndɚɹ ɐ bɑːdhaɪ tɹiː.|1151 +wavs/53.wav|ʌntɪl hiː ɐtʃiːvd ɛnlaɪʔn̩mənt. heɪ, mɪstɚ də wɪt! ðæt poʊstɚ. ðɛɹz ɐnʌðɚ saɪfɚɹ ɔn ɪt. ðɪs ɪz ɪn aʊɚ hændz, ɪzənt ɪt? ɑːɹ juː ʃʊɹ, bʊkɚ?|1151 +wavs/54.wav|dɪd aɪ dʒʌst bɹɪŋ ʌs tʊ ɐ wɜːld wɛɹ tʃɛn lɪn wʌz ɐlaɪv, ɔːɹ dɪd aɪ kɹiːeɪt ɪt? aɪ toʊld juː, aɪ ɔːlweɪz θɔːt ðæt.|1151 +wavs/55.wav|maɪ lɪɾəl tɹɪk wʌzɐ fɔːɹm ʌv wɪʃ fʊlfɪlmənt. aɪ ɡɑːt maɪ wɪʃ. kəmstɑːk. aɪv ɹɛd ɐbaʊt hɪm. ðeɪ seɪ hiː kæn siː ðə fjuːtʃɚ.|1151 +wavs/56.wav|bʊkɚ, snaɪpɚ ɹaɪfəl! aɪ dʒʌst kænt dᵻsaɪd. lɑːk pɪks. ðeɪ hæv hɜː pɹɪzɜːvd ɪn ɐn ɛɹ taɪt tʃeɪmbɚ. hɜː fɪŋɡɚ pɹɪnts wɪl ɡɛt ʌs ɪntʊ kəmstɑːk haʊs.|1151 +wavs/57.wav|juː bɛt. ðɪs ɪz ɡoʊɪŋ təbi fæntæstɪk. teɪk ðɪs. ðɪs dʌzənt meɪk ɛni sɛns.|1151 +wavs/58.wav|ɛvɹɪθɪŋ hɪɹ ɪz ɐ saɪfɚ ðæt aɪ ʌndɚstænd ɛksɛpt fɔːɹ ðɪs sɪmbəl. ɪts ɔːl ɹaɪt. ɪts æz mʌtʃ ɐ mɪstɚɹi tə miː æz ɛnɪwʌn ɛls.|1151 +wavs/59.wav|meɪbiː sɔŋ bɜːd noʊz, bʌt hiːz nɑːt tɔːkɪŋ. laɪk wʌt? ɐ wɪndoʊ. ɐ wɪndoʊ tʊ ɐnʌðɚ wɜːld. moʊst əv ðə taɪm ðeɪɚ dʌl æz dɪʃ wɔːɾɚ.|1151 +wavs/60.wav|dɪfɹənt kʌlɚd taʊəl ɔːɹ tiː ɪnstɛd ʌv kɔfi. bʌt sʌmtaɪmz, sʌmtaɪmz aɪ siː sʌmθɪŋ ɐmeɪzɪŋ ænd aɪ pʊl ɪt θɹuː.|1151 +wavs/61.wav|ænd haʊ hɐz ðæt wɜːkt aʊt fɔːɹ juː? bʊkɚ wɪl faɪnd ɪt. dʒʌst liːv hɜː biː. dɪd juː noʊɾɪs? lɪn hæd ɐ blʌdi noʊz.|1151 +wavs/62.wav|aɪ θɪŋk ðæts ðə weɪ daʊn. ænd waɪ lɑːk miː ʌp? ðə bɜːd ɪz bjuːɾifəl, ænd ðə keɪdʒ ɪz sɑːmɚ, bʌt ðɛɹz ɹiəli sʌmθɪŋ spɛʃəl ɐbaʊt ɪt.|1151 +wavs/63.wav|bʊkɚ, ðə laɪnz ɑːɹ klɪɹ! wɪɹ ɡənə hæv vɪzɪɾɚz, bʊkɚ. juː mʌst θɪŋk miː sʌm sɔːɹt ʌv fɹiːk. ɐ ɡɜːl huː kæn bɹɪŋ dɛd mɛn bæk tə laɪf.|1151 +wavs/64.wav|huːz oʊnli ɐkweɪntəns ɪz ɐ dʒaɪənt bɜːd kɹiːtʃɚ. ðæt mʌst siːm ɹɪdɪkjʊləs. wɛɹ dɪd ðeɪ teɪk hɪm? lʊk, ɐ tɪɹ.|1151 +wavs/65.wav|bʊkɚ, jʊɹ noʊz. ʃiːz ɔːlmoʊst fɛɹəl. ɪts laɪk ʃiːz ɐ ɹᵻflɛkʃən ʌv. aɪ doʊnt noʊ. kætʃ!|1151 +wavs/66.wav|jʊɹ bliːdɪŋ! doʊnt juː θɪŋk ɪts bɛst ɪf wiː kiːp muːvɪŋ? aɪ faʊnd ɐ tɪɹ. lʊk, vɑːks ɑːɹ tɛɹɪŋ ðɪs pleɪs ɐpɑːɹt. bʊkɚ, juːv ɔːlɹɛdi bɪn.|1151 +wavs/67.wav|lʊks sɪmpəl ɪnʌf. bʊkɚ, oʊvɚ hɪɹ. biːɪŋ dɛd. kəmstɑːk. soʊ ðə fɜːst leɪdi ɪz hɪz ʃɪp. ɪntɹɛstɪŋ. jʊɹ ɪndʒɚd. moːɹ ʌv hɜː fʊt pɹɪnts.|1151 +wavs/68.wav|duː juː noʊ ðɪs ɑːɹɾɪfɪʃəl biːtʃ wʌz bɪlt ɪn oʊnli sɪks mʌnθs? bʌt ðɛɹɪz. ðɛɹ ɪz sʌmθɪŋ aɪ. bʊkɚ. ɛkskjuːs miː?|1151 +wavs/69.wav|ɪts ðɪ oʊnli weɪ wiːl faɪnd ðə tɹuːθ. bʌt maɪ fɪŋɡɚ. kəmstɑːk. lʊk, ɪts ðə hænd ʌvðə pɹɑːfɪt. kəmstɑːks flæɡʃɪp!|1151 +wavs/70.wav|maɪ fɪŋɡɚ. hʌ. ɑːɹnt wiː ðə wɛl tə duː taɪps? jʊɹ ɐ laɪɚ, mɪstɚ duːɪt ænd ɐ θʌɡ, bʌt jʊɹ ɔːlsoʊ maɪ oʊnli miːnz ʌv ɹiːtʃɪŋ pæɹɪs.|1151 +wavs/71.wav|ðɛɹ ðeɪ ɑːɹ, ðə tuːlz. kʊdənt hɜːt tə stɑːk ʌp. hiːz kʌmɪŋ fɔːɹ juː! oʊvɚ hɪɹ. ðə ɡʌn smɪθ tʃɛn lɪn wɔntᵻd fɔːɹ noʊn kənɛkʃənz tə ðɪ aʊt lɔː deɪzi fɪtsɹɔɪ.|1151 +wavs/72.wav|deɪzi fɪtsɹɔɪ. aɪv ɹɛd ɐbaʊt hɜː. bʊks seɪ ʃiːz aʊt tə tɛɹ kəlʌmbiə fɹʌmðə skaɪ. ɪz ðætðə læst ʌv ðɛm? ɪɾ ɔːlweɪz hæz.|1151 +wavs/73.wav|wɛn aɪ wʌz jʌŋɡɚ, aɪ juːzd təbi ɛksaɪɾᵻd wɛn aɪ hɜːd ɪt. flɔːləs flɪntlɑːk! ɪts ðə nuːɪst wʌn ɪnðə sɪɹiz. aɪ ɹiːd ɪt wʌz dᵻleɪd θɹiː taɪmz.|1151 +wavs/74.wav|lʊks laɪk wiː faʊnd wɛɹ jʊɹ oʊld fɹɛnd sleɪt ɪz. jɛs. lʊks laɪk ɛvɹɪθɪŋz bɪn ɪmpaʊndᵻd æt ðə ɡʊd taɪm klʌb. meɪbiː ðæts wɛɹ wiːl faɪnd ɪt.|1151 +wavs/75.wav|bʊkɚ, duː juː siː ðoʊz tɪɹz? wiː kæn juːz ðɛm ɐɡɛnst sleɪtz mɛn. θæŋk juː. ænd juː wɜː bɔːɹn ɐɡɛn æz ɐ dɪfɹənt mæn. mɪstɚ də wɪt, juː dɪdnt ɡoʊ θɹuː wɪð ɪt.|1151 +wavs/76.wav|æmjuːnɪʃən hɪɹ ɪf juː niːd ɪt. wiː doʊnt niːd tuː. ɪɾəl hæpən ɔːl ðə seɪm. ɹiəli? ðɛɹz ɐ lɑːk. aɪ wʌndɚ wʌts ɔnðɪ ʌðɚ saɪd.|1151 +wavs/77.wav|lɛts steɪ ɐweɪ fɹʌm ðɛm. ɪt wʌzɐ faɪn θɪŋ juː keɪm ɐlɔŋ wɛn juː dɪd. soʊldʒɚz fiːld, bɪlt ɪn naɪntiːn oʊ θɹiː baɪ ðə hænd ʌv aʊɚ pɹɑːfɪt.|1151 +wavs/78.wav|noʊz, ɪts bliːdɪŋ. aɪ duːnɑːt laɪk ðə lʊks ʌv ðæt θɪŋ. bʊkɚ, ʌp ðɛɹ. wʌn ʌv ðoʊz ʃɑːk dʒɑːki doːɹz.|1151 +wavs/79.wav|meɪbiː wiː ʃʊd teɪk ɐ lʊk. bʊkɚ, weɪk ʌp. bʊkɚ, juː doʊnt liːv ðɪs ɹuːm ʌntɪl juː duː. vɛndɪŋ məʃiːn? aɪ duːnɑːt laɪk ðə lʊks ʌv ðɪs, bʊkɚ.|1151 +wavs/80.wav|kəmstɑːk ɪz θɹiː dɛks ʌp, ɪnðə pɹɑːfɪts kæbɪn. ɹiəli? waɪ? aɪ duːnɑːt laɪk ðə weɪ ðeɪɚ lʊkɪŋ æɾ ʌs. hʌ. bɪkʌz ɪt dʌz.|1151 +wavs/81.wav|bɪkʌz ɪt hæz. bɪkʌz ɪt wɪl. ðeɪɚ kʌmɪŋ. ænd aɪ woʊnt biː lɑːkt ʌp ɐɡɛn, bʌt. mɪstɚ də wɪt. hɪɹ, wɛɹ duː juː θɪŋk ðɪs ɡoʊz?|1151 +wavs/82.wav|heɪ, mɪstɚ! jʊɹ ɡənə ɡɛt mʌstɚd ɔːl oʊvɚ jʊɹ naɪs suːt! ðɪs ɪz wʌt ðə koʊd kiːz fɔːɹ. oʊvɚ hɪɹ. ʃʊɹ θɪŋ. wʌts ɡoʊɪŋ ɔn? mɪstɚ də wɪt, aɪ.|1151 +wavs/83.wav|ɐ tɪɹ! bʊkɚ, oʊvɚ hɪɹ. hʌ, tɹʌbəl ʌp ɐhɛd. juː siː ɪt? ɪntɹɛstɪŋ. bʊkɚ, ɪf wiː ɡoʊ ɪntʊ ðɪs tɪɹ.|1151 +wavs/84.wav|aɪ doʊnt θɪŋk ðɛɹz ɛni tɜːnɪŋ bæk. ɑːɹ juː ʃʊɹ juː wɔnt tə ɡoʊ naʊ? ɪf aɪ kʊd faɪnd sʌm dʒɛnjuːɪn lɑːk pɪks, aɪ maɪt biː eɪbəl tə ɡɛt ðɪs doːɹ oʊpən.|1151 +wavs/85.wav|aɪm ʃʊɹ aɪ sɔː sʌm ɪntɹɛstɪŋ θɪŋz ɔnðɪ ʌðɚ saɪd. noʊ, ɪts miː, ᵻlɪzəbəθ. ɑːɹ juː ɔːlɹaɪt? bʊkɚ. ðɪs ɪz ɐmeɪzɪŋ.|1151 +wavs/86.wav|haʊ hæv aɪ nɛvɚ tɹaɪd ðɪs? aɪ kænt bᵻliːv haʊ mʌtʃ aɪv mɪst. ɔːl ɹaɪt. bʊkɚ, lʊk æt ðæt.|1151 +wavs/87.wav|juːv dʌn ðɪs bᵻfoːɹ, hævənt juː? lʊk æt ðæt. tɪɹ, ɹaɪt ðɛɹ. bᵻhaɪnd juː. bʌt aɪ kʊd hɛlp. wiː kænt siːm tə kætʃ ɐ bɹeɪk, mɪstɚ duːɪt.|1151 +wavs/88.wav|stɹeɪndʒ. lʊk æt ðæt. wʌt dɪd sleɪt miːn? wʌt dɪd juː tɹaɪ tʊ ᵻɹeɪs? ðeɪ, wɛl æt liːst ʃiː, ɪnvɛntᵻd ðə tɛknɑːlədʒi ðæt ɐlaʊz ðə sɪɾi tə floʊt.|1151 +wavs/89.wav|aɪ kæn kɔːl sɔŋ bɜːd ænd bʊkɚ. doʊnt læf. wiː bɛɾɚ stɪɹ klɪɹ ʌv ðɛm. oʊ, noʊ, aɪm nɑːt ænəbɛl. mɪstɚ də wɪt. kætʃ, mɪstɚ də wɪt.|1151 +wavs/90.wav|siːmz iːzi ɪnʌf. aɪ kæn siː ɐ tɪɹ. lʊks sɪmpəl ɪnʌf. mɪsɪz lɪn, kæn juː tɛl miː huː tʊk jʊɹ hʌsbəndz tuːlz? hɪɹ juː ɡoʊ.|1151 +wavs/91.wav|bʊkɚ, ðɛɹ mʌst biː ɐ bʌʔn̩ ʌndɚ ðə ɹɛdʒɪstɚ. aɪ noʊ ðæt pleɪs. ðæts ælbɚt fɪŋks haʊs. aɪ lʌv hɪz mjuːzɪk. aɪ wʌndɚ ɪf hiːz ɪn ðɛɹ.|1151 +wavs/92.wav|ɪɾəl teɪk sʌm skɹaʊndʒɪŋ, bʌt aɪl duː maɪ bɛst. lʊks laɪk fɪŋk ɪzənt ɡɪvɪŋ juː ðə dʒɑːb. ʃʊd wiː juːz ðɪs? ɪts oʊvɚ, ɹaɪt? pliːz tɛl miː ɪts oʊvɚ. ɪz ðætðə koʊd bʊk?|1151 +wavs/93.wav|ɹɛdi ænd weɪɾɪŋ! haɪ ðɛɹ, aɪm dʒʌst soʊ æŋɡɹi. aɪ θɪŋk ʃiːz hɜː, bʌt ʃiːz ɔːlsoʊ pɑːɹtli miː. aɪm nɑːt iːvən ʃʊɹ aɪ ʌndɚstænd ɪt maɪsɛlf.|1151 +wavs/94.wav|bʊkɚ, fʊt pɹɪnts. ɪts dʌn. noʊ. noʊ, ɪɾ ɪzənt. aɪ θɪŋk juː ʃʊd siː ðɪs. hɪɹ. bʊkɚ, ðɛɹ noʊzᵻz. ðeɪɚɹ ɔːl bliːdɪŋ.|1151 +wavs/95.wav|ðeɪ ɔːl liːd ʌs tə ðə seɪm pleɪs, wɛɹ ɪt stɑːɹɾᵻd. noʊ pɹɑːbləm. wiː kænt siːm tə kætʃ ɐ bɹeɪk. bʊkɚ, lʊk æt ðɪs.|1151 +wavs/96.wav|aɪm sɑːɹi ɐbaʊt wʌt aɪ sɛd æt ðə dɑːks. kɔːlɪŋ juː ɐ θʌɡ? ɐ koʊd bʊk? aɪ wʌndɚ wɛɹ ðə saɪfɚɹ ɪz. ðɛɹ. həm. həloʊ.|1151 +wavs/97.wav|bʊkɚ, ɑːɹ juː ɐfɹeɪd ʌv ɡɑːd? wʌt ɪz ðɪs? aɪ kæn duː ðæt. ɪf juː wɔnt tʊ æsk miː, æsk miː. juː noʊ aɪ?|1151 +wavs/98.wav|aɪ kiːp θɪŋkɪŋ ɐbaʊt ðæt dɹiːm ðæt juː hæd. nuː jɔːɹk ɔn faɪɚ. ðɛɹz sʌmθɪŋ ɐbaʊt ɪt. ðə skaɪ laɪn ɪz klɪɹ, bʊkɚ. bʊkɚ, lʊk wʌt aɪ faʊnd!|1151 +wavs/99.wav|toʊlz æt mɪdnaɪt. bʊkɚ, aɪ kæn ɡɛt θɹuː ðiːz bɑːɹz, bʌt jʊɹ tuː bɹɔːd. lɛt miː skaʊt ɐhɛd, siː ɪf ðɛɹz sʌm weɪ tə muːv fɔːɹwɚd.|1151 +wavs/100.wav|tʃɛn lɪn. ɡʌn smɪθ. oʊ maɪ ɡɑːd! ænd mædəm luːɾɛs. hiː juːzd miː tə paʊɚ ðæt dɪvaɪs! hiː oʊpənd ʌp sʌm kaɪnd ʌv tɪɹ!|1151 +wavs/101.wav|wʌɹi. dʒʌst kiːp tɛlɪŋ joːɹsɛlf ðɪs ɪz oʊnli ɐ ɡeɪm. wiː kæn sɑːlv ɪt. suːpɚ doːɹks moːɹ laɪk ɪt.|1152 +wavs/102.wav|ðɪs ɪzənt ɐn iːɾɪŋ kɑːntɛst, dʒoʊi, ðɪs ɪz deɪndʒɚɹəs. sɪli? aɪ θɪŋk juː lʊk dʒʌst ɡɹeɪt!|1152 +wavs/103.wav|juːɡi, dɪd juː tʃɛk miː aʊt? aɪ lʊk weɪ tuː ɡʊd təbi sɪtɪn æt hoʊm. wɛɹz dʒoʊi, ɛnɪweɪ? kʌm ɔn, doʊnt biː sʌtʃ ɐ wɪmp.|1152 +wavs/105.wav|kʊd stɪl biː fɹɛndz aʊtsaɪd ɪt. ɪf hiː hædənt loʊnd miː hɪz stɑːɹ tʃɪps, aɪ maɪt nɛvɚ hæv meɪd ɪt tə ðə faɪnəl ɹaʊnd. aɪ oʊ hɪm ɐ vɛɹi ɡɹeɪt dɛt.|1152 +wavs/107.wav|iːvən wɪðaʊt maɪ tɹɪks, aɪ kæn stɪl duːəl wɪððə bɛst ʌv ɛm! ænd naʊ aɪl leɪ daʊn ɐ sɛkənd kɑːɹd wɪtʃ wɪl fɪnɪʃ maɪ tɜːn.|1152 +wavs/108.wav|ɡɑːtʃə. θæŋks juːɡi, aɪ wɔntᵻd juː tʊ ɐtæk. jʊɹ ɡaɪɚ ɹæn smæk ɪntʊ maɪ mɪɹɚ wɔːl wɪtʃ kʌts ɛni ʌv jʊɹ mɔnstɚz ɐtæk paʊɚɹ ɪn hæf.|1152 +wavs/109.wav|æz suːn æz jʊɹ mɔnstɚɹ ɐtækt, ðə mɪɹɚ wɔːl ɹoʊz ʌp tə pɹətɛkt maɪ hɑːɹpi leɪdi! jʊɹ fɪɹs naɪt mɛt ɐn iːkwəl ɐtæk fɹʌm ɪts oʊn ɹᵻflɛkʃən!|1152 +wavs/110.wav|ɡɛs ɪts maɪ tɜːn ɐɡɛn. haɪ fæʃənd fɔːɹ hɑːɹpi leɪdi. saɪbɚ ʃiːld.|1152 +wavs/111.wav|nɑːt mʌtʃ ɛls juː kæn duː, ɪz ðɛɹ, juːɡi, sɪns aɪv lɛft juː noʊ weɪ tʊ ɐtæk? maɪ tɜːn naʊ.|1152 +wavs/112.wav|ɹoʊz wɪp tə ɹeɪz maɪ mɔnstɚz ɐtæk! naʊ jʊɹ ɪmps ɡənə fiːl maɪ hɑːɹpiz stɪŋ!|1152 +wavs/113.wav|ðæts nʌθɪŋ, juːɡi. stɪk ɚɹaʊnd, ðə fʌnz dʒʌst bɪɡɪnɪŋ. pɹɑːmɪst juːd tɹaɪ hɑːɹdɚ, juːɡi, bʌt aɪ siː naʊ ðæts nɑːt ɡoʊɪŋ tə hæpən!|1152 +wavs/114.wav|wʌt hæv wiː hɪɹ? wɛl, wɪð ðɪs kɑːɹd, maɪ hɑːɹpi kɑːmboʊ woʊnt biː kwaɪt kəmpliːt.|1152 +wavs/117.wav|juː doʊnt iːvən hæv jʊɹ feɪvɚɹᵻt kɑːɹd ðə dɑːɹk mɐdʒɪʃən lɛft. wʌt ɑːɹ juː ɡənə duː naʊ? ɪf ðɪs ɪz haʊ juː tɹiːt jʊɹ fɹɛndz, aɪ kænt weɪt tə siː haʊ juː tɹiːt jʊɹ ɛnəmiz.|1152 +wavs/118.wav|aɪm biːɪŋ kaɪnd, nɑːt stuːpɪd. wʌts ʌp? ɪf juː ɡaɪz hæv ɪnʌf stɑːɹ tʃɪps tə ɡɛt ɪntʊ ðə kæsəl, waɪ ɑːɹ juː hæŋɪŋ aʊt hɪɹ?|1152 +wavs/119.wav|naʊ ɡoʊ ɔn, juːɡi. juː noʊ aɪ oʊ juː, soʊ teɪk ðɛm. ɜːθ tə juːɡi. stɑːɹ tʃɪps æt twɛlv əklɑːk.|1152 +wavs/120.wav|wʌt, ɑːɹ maɪ stɑːɹ tʃɪps nɑːt ɡʊd ɪnʌf fɔːɹ juː? kʌm ɔn, tʃɪkɪn bɔɪ, duːəl miː fɔːɹ ðɛm naʊ. faɪn! ðɛn aɪl kiːp ðɛm!|1152 +wavs/121.wav|ænd jʊɹ fɹɛndz kæn waɪp jʊɹ noʊz ɔːl ðə weɪ bæk tə ðə nɜːsɚɹi! ɡɹoʊ ʌp! oʊ, aɪ ʌndɚstænd jʊɹ fɹɛnd lɔst wʌn laʊsi duːəl ænd naʊ hiːz tuː tʃɪkɪn tə pleɪ ɐɡɛn! ɪzənt ðæt ɹaɪt?|1152 +wavs/122.wav|kʌm ɔn, biː sɪɹiəs! ɐn æmətʃɚ laɪk juː wʊdənt stænd ɐ tʃæns ɐɡɛnst miː! ɑːɹ juː ʃʊɹ juː wɔnə duːəl miː?|1152 +wavs/123.wav|hʌn, ɪts swiːt juː stændɪŋ ʌp fɔːɹ juːɡi ænd ɔːl, bʌt swiːt dʌzənt wɪn duːəlz. naʊ aɪl æsk juː wʌn læst taɪm.|1152 +wavs/124.wav|aɪ pleɪ hɑːɹpi leɪdi! ænd aɪl leɪ ðɪs tuː. jʊɹ fɛɹi tɜːnd tə dʌst!|1152 +wavs/125.wav|juː noʊ, tiː, ɪf jʊɹ tɹɛmblɪŋ wɪð fɪɹ æftɚ dʒʌst ðə fɜːst ɹaʊnd, meɪbiː juː ʃʊd kwɪt ɹaɪt hɪɹ?|1152 +wavs/126.wav|ɐnʌðɚɹ ʌv ðiːz kjuːɾəsi kɑːɹdz? kʌm ɔn, wʌt ɑːɹ wiː hævɪŋ ɐ duːəl ɔːɹ ɐ pædʒənt?|1152 +wavs/127.wav|sɑːɹi hʌn, bʌt aɪ æktᵻveɪɾᵻd maɪ mædʒɪk kɑːɹd. ðə ɹoʊz wɪp, ɐ pɜːsənəl feɪvɚɹᵻt. ɪt ɡɪvz maɪ hɑːɹpi θɹiː hʌndɹɪd ɛkstɹə ɐtæk!|1152 +wavs/128.wav|juː kɔːl ɪt kwɪts ɹaɪt naʊ. ðɪs ɪzənt ɡənə ɡɛt ɛni iːziɚ, juː noʊ? dʒʌst ɡɪv ʌp ænd ɡoʊ bæk tə tʃɪɹliːdɪŋ!|1152 +wavs/129.wav|pliːz, ɪf ðɪs ɪz ðə stɑːɹt ʌv sʌm fɹɛndʃɪp ɹænt, dʒʌst seɪv ɪt. aɪv hɜːd ɔːl jʊɹ leɪm spiːtʃᵻz bᵻfoːɹ, ænd fɹʌm ðæt lʊk ɔn juːɡɪz feɪs.|1152 +wavs/130.wav|aɪd seɪ hiː hɐz tuː. jʊɹ dʒʌst ɐ lɪɾəl ɡɜːl huːz æksɪdɛntəli stʌmbəld ɪntʊ ðə bɪɡ liːɡz, bʌt wʌtɛvɚ, juːl lɜːn ðə hɑːɹd weɪ.|1152 +wavs/131.wav|hɑːɹpiz fɛðɚ dʌstɚ. maɪ tɜːn, hʌb, ænd aɪm pleɪɪŋ ðɪs feɪs daʊn!|1152 +wavs/132.wav|ɪn fækt, ɪt wʌz soʊ stɜːɹɪŋ aɪ ɔːlmoʊst fiːl ðə niːd tə θɹoʊ ʌp! faɪn wɪð miː!|1152 +wavs/133.wav|ɪts nɑːt laɪk aɪ doʊnt hæv mædʒɪk kɑːɹdz tuː! saɪbɚ ʃiːld! ɪt wʌz nʌθɪŋ ðæt tiː wʊdəntəv bɪn eɪbəl tə biːt ɛnɪweɪ, ɹiəli.|1152 +wavs/134.wav|bʌt weɪt, aɪl ɔːlsoʊ pleɪ ðɪs də spɛl. noʊmoːɹ hoʊp, noʊmoːɹ feɪθ, noʊmoːɹ tʃænsᵻz!|1152 +wavs/135.wav|doʊnt juː noʊ ðə ɹuːlz jɛt, tiː? sɪns aɪv flɪpt jʊɹ mɐdʒɪʃən ʌv feɪθ oʊvɚ wɪð maɪ ɐtæk, juː ɡɛt ɐ kɑːɹd bæk fɹʌmðə ɡɹeɪvjɑːɹd.|1152 +wavs/136.wav|aɪ miːn, haʊ kæn juː sɪɹiəsli hoʊp tə biːt miː wɛn juː doʊnt noʊ ðə ɹuːlz? lʊk hʌni, aɪm ʃʊɹ ðæt ɛvɹɪwʌnz ɹiəli ɪmpɹɛst ðæt juːv læstᵻd ðɪs lɔŋ.|1152 +wavs/137.wav|bʌt ɔːl jʊɹ duːɪŋ ɪz dᵻleɪɪŋ ðɪ ɪnɛvᵻɾəbəl! kʌm ɔn, wʌt jʊɹ duːɪŋ ɪz pɔɪntləs. juːɡɪz ɔːlɹɛdi ɡɪvən ʌp ɔn hɪmsɛlf.|1152 +wavs/138.wav|jʊɹ nɑːt ɡənə biː eɪbəl tə kiːp faɪɾɪŋ fɔːɹ hɪm. hiː hɐz tə faɪt fɔːɹ hɪmsɛlf! hiː hɐz tə stænd ʌp tʊ ɛnɪwʌn huː dɛɹz tə ɡɛt ɪn hɪz weɪ!|1152 +wavs/139.wav|ænd wʌtɛvɚz ɡoʊɪŋ ɔn ɪn hɪz hɛd, tiː, juːɡi hɐz tə diːl wɪð ɪɾ ɔn hɪz oʊn. aɪ sɚɹɛndɚ, tiː. aɪ doʊnt hæv ðə kɑːɹdz tə wɪn.|1152 +wavs/140.wav|feɪs ɪt, tiː, juːɡɪz tʃɛkt aʊt! hiːz ɡɪvən ʌp! hiː dʌzənt kɛɹ ɐbaʊt ðɪs mætʃ ænd hiː dʌzənt kɛɹ ɐbaʊt juː! nʌθɪŋz wɜːθ ðə hjuːmɪlɪeɪʃən jʊɹ ɡoʊɪŋ θɹuː.|1152 +wavs/141.wav|juː meɪhɐv ɐ tɛndənsi tə ɹʌn æt ðə maʊθ, bʌt juːv ɡɑːt ɐ lɑːt ʌv spʌŋk. ɡɪv miː jʊɹ bɛst ʃɑːt! wʌtɛvɚ. aɪ dɪdnt niːd ðiːz ɛnɪweɪ.|1152 +wavs/142.wav|doʊnt ɹʌb ɪɾ ɪn, tiː, hɑːɹpi leɪdi wʌzðə bɛst mɔnstɚɹ aɪ hæd ænd siːɪŋ æz haʊ juː biːt hɜː, ðɛɹz ɹiəli noʊ pɔɪnt ɪn miː ɡoʊɪŋ ɔn.|1152 +wavs/143.wav|sʌm kɑːɹdz dʒʌst ɑːɹnt wɜːθ pleɪɪŋ, hʌ, juːɡi? ɪts ɔːl bɪkʌz ʌv ðæt ɑːbnɑːkʃəs pʌŋk dʒoʊi! aɪ kænt bᵻliːv sʌtʃ ɐn æmətʃɚ biːt miː!|1152 +wavs/144.wav|aɪ doʊnt ɡɛt ɪt. tɹæʃɪŋ hɑːtʃɑːt duːəlɪsts ɪz juːʒuːəli æz fʌn æz ɐ fɔːl klɪɹəns seɪl. waɪ kænt aɪ ɛndʒɔɪ ɪɾ ɛnɪmoːɹ?|1152 +wavs/145.wav|aɪv ɡɑːt tə ɡɛt iːvən wɪð ðæt ɡɹɪnɪŋ ɡʌɾɚ pʌŋk! bɑːn vɔɪɑːʒ, luːzɚ! fʌni, aɪ θɔːt aɪ ɔːlɹɛdi nɑːkt juː ɔn jʊɹ dʒjʊɹɹæsɪk bʌt.|1152 +wavs/146.wav|juː θɪŋk aɪm ɡənə weɪst ɐnʌðɚ mɪnɪt wɪð ɐ piː bɹeɪn laɪk juː? biːt ɪt, diːnoʊ bɹɛθ! fɹʌm wʌn ʌv ðiːz laɪk juː huː θɪŋk ðæt baɪ duːəlɪŋ ɐ tʃɪk, ðeɪl skoːɹ sʌm iːzi stɑːɹz.|1152 +wavs/147.wav|aɪv oʊnli lɔst wʌns, bʌt wʌns aɪ faɪnd ðæt pʌŋk kɪd dʒoʊi, ɪts peɪ bæk. aɪd lʌv tə siː juː tɹaɪ ænd. oʊkeɪ, ɹɛks, aɪl duːəl juː.|1152 +wavs/148.wav|ɪf juː duː sʌmθɪŋ fɔːɹ miː fɜːst. haʊ ɑːɹ juː, dʒoʊsəf? ɡlæd tə siː miː? soʊ dʒoʊi, ɪz juːɡi stɪl faɪɾɪŋ ɔːl jʊɹ bæɾəlz fɔːɹ juː?|1152 +wavs/149.wav|ɛvɹɪwʌn noʊz ɪf juːɡi wʌzn̩t ðɛɹ tə hoʊld jʊɹ hænd, juː wʊdəntəv biːt miː. ɪzənt ðæt ɹaɪt, juːɡi? aɪm weɪɾɪŋ fɔːɹ jʊɹ ænsɚ, dʒoʊi.|1152 +wavs/150.wav|oʊ ɹiəli? ðɛn aɪ pɹəpoʊz hiː stɛps aʊɾəv jʊɹ ʃædoʊ hɪɹ ænd naʊ! ɪf dʒoʊi θɪŋks hiːz soʊ tʌf, lɛts siː hɪm pleɪ fɔːɹ hɪmsɛlf!|1152 +wavs/151.wav|θɪŋk juː hæv ðə ɡʌts tə stɛp ʌp ænd feɪs ðə duːəlɪst aɪv ɚɹeɪndʒd fɔːɹ juː?|1152 +wavs/152.wav|ɪf lɪɾəl juːɡi dʌz ɛni ʌv hɪz bæk siːt duːəlɪŋ, ðɛn dʒoʊi ɪz dɪskwɑːlᵻfaɪd ænd ðə mætʃ ɔːɾəmæɾɪkli ɡoʊz tuː.|1152 +wavs/153.wav|wʌt duː juː seɪ, dʒoʊi? ðɪs ɪz jʊɹ bɪɡ tʃæns tə pɹuːv joːɹsɛlf. ɔːɹ ɑːɹ juː ɡoʊɪŋ tə bæk aʊt? soʊ wʌts ɪt ɡənə biː?|1152 +wavs/154.wav|juː ɡoʊɪŋ tə ɹʌn ɔf wɪð jʊɹ fɹɛnd ɔːɹ stɑːɹt æktɪŋ laɪk ɐ ɹiːəl duːəlɪst? ɹæptɚ, wɑːtʃ ðæt taɪm wɪzɚd!|1152 +wavs/155.wav|ɹɛks, juː bɪɡ diːnoʊ dʌmi! jʊɹ iːðɚɹ ɐ tʃæmp ɔːɹ ɐ tɹʌmp. kʌt ðɪs ɡaɪ luːs, hiːz fæʃən tʃælɪndʒd ænd dɪzɜːvz təbi kɹʌʃt ɪnðə ɡeɪmz.|1152 +wavs/156.wav|aɪl kɹʌʃ juː ɔːl ᵻvɛntʃuːəli. ðə neɪmz maɪ. kɔːl jʊɹ suːpiəɹɪɚ! ɡɛt hɪm ɔnðə foʊn ɹaɪt naʊ!|1152 +wavs/157.wav|ðɪs ɪz tɹuːli tɹuːli aʊtɹeɪdʒəs. juː ɛkspɛkt ɐ leɪdi laɪk miː tə steɪ ɪn ðɪs dʌmp wɪðaʊt iːvən ɐ ʃaʊɚ?|1152 +wavs/158.wav|huː duː juː θɪŋk juː ɑːɹ? ɹiəli? kʊd aɪ siː ɪt? ɪts bjuːɾifəl! juː mʌst biː kwaɪt ɐ stɹɔŋ kɑːɹd pleɪɚ.|1152 +wavs/159.wav|ɹiəli? aɪ lʌv duːəl mɔnstɚz. haʊ ɐbaʊt wiː pleɪ ɐ ɡeɪm? oʊkeɪ, ðɛn kʌt ðə kɑːɹdz.|1152 +wavs/160.wav|pliːz? lɛt miː tɹaɪ. tɛl juː wʌt, ɪf juː wɪn, aɪl ɡɪv juː ɐ kɪs.|1152 +wavs/161.wav|ɪf aɪ wɪn, juː ɐɡɹiː tə klɪɹ aʊɾəv ðə ɹuːm fɚðə ɹɛst ʌvðə tɹɪp. oʊkeɪ? ðə fɜːst kɑːɹd ɪz ʃædoʊ ʌv aɪz.|1152 +wavs/162.wav|ðə sɛkənd kɑːɹd ɪz hɑːɹpiz leɪdi, ðɛn ɛlɪɡənt ɛɡətɪst, fɑːloʊd baɪ saɪbɚ ʃiːld.|1152 +wavs/163.wav|ðɪs ɪz maɪ oʊn kɑːɹd tɛkniːk. aɪ ɔːlweɪz noʊ wʌt kɑːɹdz aɪ hæv ænd kæn pɪk ɛni wʌn aɪ laɪk æɾ ɛni taɪm. soʊ, ɡoʊ ɐhɛd ænd diːl ɛm, ɹɛks.|1152 +wavs/164.wav|pɹɪɾi bɪɡ tɜːnaʊt fɔːɹ ðɪs θɪŋ. oʊ, ðɪs ɪz soʊ ɛksaɪɾɪŋ! aɪ wʌndɚ huːz bʌt aɪ ʃʊd kɪk fɜːst ɪn ðɪs tʊɹnəmənt?|1152 +wavs/165.wav|ɪf ɪɾ ɪzənt ɹɛks ɹæptɚ ænd wiːvəl. aɪ θɔːt aɪ smɛld sʌmθɪŋ. sʌm duːəlɪsts dʒʌst nɛvɚ tʃeɪndʒ.|1152 +wavs/166.wav|eɪtʃɛmpiːeɪtʃ. soʊ juː faɪnəli keɪm, juːɡi. vɛɹi fʌni, juːɡi, bʌt juː ʃʊd noʊ baɪ naʊ ðæt aɪ doʊnt niːd tə juːz tɹɪki tæktɪks tə wɪn.|1152 +wavs/167.wav|aɪv bɪn stʌdiɪŋ ðɪs nuː ɡeɪm dʒʌst soʊ ðæt aɪ kæn dᵻfiːt juː. lɛts duːəl, juːɡi! noʊ mɜːsi, juːɡi.|1152 +wavs/168.wav|ðɛɹz noʊ hoʊldɪŋ bæk. juːl siː ðæt aɪv ɡɑːt mʌtʃ bɛɾɚ. ɑːɹ juː θɪŋkɪŋ ʌv teɪkɪŋ ɪɾ iːzi ɔn miː?|1152 +wavs/169.wav|aɪl ʃoʊ juː tɛkniːks ðæt juː hævənt iːvən ɪmædʒɪnd! ɪz ðɪs ðə bɛst juː kæn duː?|1152 +wavs/170.wav|hɑː hɑː hɑː hɑː! pɹɪpɛɹ tə luːz! ðɛɹz nʌθɪŋ aɪ heɪt moːɹ ðɐn wiːk luːzɚz, juːɡi.|1152 +wavs/171.wav|ɑːɹnt juː ɡoʊɪŋ tʊ ɐtæk miː? jʊɹ noʊ fʌn. feɪlɪɹz kɔːlɪŋ. wɪl juː ɐksɛpt ðə tʃɑːɹdʒᵻz? doʊnt θɪŋk aɪl ɡɪv ʌp ðæt iːzili.|1152 +wavs/172.wav|hʌ, ðɪs ɪz nʌθɪŋ. aɪm nɑːt bækɪŋ daʊn fɹʌm ɛni tʃælɪndʒ. dɪd juː ɹiəli θɪŋk aɪ wʌz ɡoʊɪŋ tə səbmɪt?|1152 +wavs/173.wav|aɪ nɛvɚ ɡɪv ʌp noʊ mæɾɚ haʊ bæd ɪt lʊks. juːɡi, maɪ dɹiːm ɪz tə dᵻfiːt juː.|1152 +wavs/174.wav|aɪl siː haʊ ɡʊd juː ɑːɹ æt ðɪs nuː ɡeɪm. hɑː hɑː. lɛts hoʊp ðɪs ɪz ɐn ɑːnɚɹəbəl duːəl. dʒʌst wʌt duː juː θɪŋk jʊɹ duːɪŋ?|1152 +wavs/175.wav|teɪk ɪɾ iːzi, wɪl jɐ? oʊ! aɪ kænt bᵻliːv ðɪs ɪz hæpənɪŋ! naɪs ɐtæk! ɐ kɹɪɾɪkəl hɪt!|1152 +wavs/176.wav|oʊ, spʌŋki, ðæts bɪɡɪnɚz lʌk, ðæts ɔːl. læ də dɑː! ðɛɹz noʊ pɹɑːbləm ɪf juː doʊnt dᵻstɹɔɪ maɪ mɔnstɚ.|1152 +wavs/177.wav|naʊ jʊɹ ɡɛɾɪŋ sɪɹiəs. ðæts noʊ weɪ tə tɹiːt ɐ leɪdi. jʊɹ stɑːɹɾɪŋ tʊ ɐnɔɪ miː. teɪk ɪɾ iːzi, wɪl jɐ?|1152 +wavs/178.wav|hɑː hɑː. doʊnt θɪŋk aɪl fɚɡɛt ðɪs. hɑː hɑː! ðɪs duːəlz pɹæktɪkli oʊvɚ! juː doʊnt kɹæk iːzili, duː juː?|1152 +wavs/179.wav|tuː bæd, juːɡi, bʌt ɪt lʊks laɪk aɪɐm ɡoʊɪŋ tə wɪn ðɪs duːəl. kæn juː sɚvaɪv ðɪs? hɑː hɑː! aɪ hoʊp juː lʌv sɚpɹaɪzᵻz!|1152 +wavs/180.wav|dᵻfiːt ɔːɹ biː dᵻfiːɾᵻd. ðoʊz ɑːɹ ðɪ oʊnli tuː ɑːpʃənz. waɪ lɛt ʌp wɛn aɪm hævɪŋ soʊ mʌtʃ fʌn? ɑː hɑː hɑː hɑː hɑː!|1152 +wavs/181.wav|aɪm wʌn wɪð maɪ mɔnstɚz! hɑː hɑː hɑː, fiːst ɔn ðɪs! juː ʃʊdənthəv teɪkən miː soʊ laɪtli!|1152 +wavs/182.wav|pɛɹɪʃ! fɔːl bᵻfoːɹ maɪ paʊɚ! aɪl wɪn wɪð ðɪs tɛkniːk! slaɪs hɪm tə piːsᵻz, maɪ hɑːɹpi!|1152 +wavs/183.wav|hɑː hɑː hɑː. aɪ hoʊp juː doʊnt ɡɛt wɪplæʃ! maɪ hɑːɹpi leɪdiz sɪstɚz, ʌnliːʃ jʊɹ faɪɚɹi blæst!|1152 +wavs/184.wav|hɑː hɑː hɑː hɑː. juː wɪl biː pʌnɪʃt! maɪ dɪɹ pɛt, ɡɛt ɹɪd ʌv hɪm fɔːɹ miː!|1152 +wavs/185.wav|ɐɡɛnst maɪ sɜːvənts oʊvɚwɛlmɪŋ stɹɛŋθ. wʌt kæn juː pɑːsᵻbli duː? aɪl ʃoʊ juː wʌt fjuːʒən kæn duː!|1152 +wavs/186.wav|aɪl dᵻfiːt juː wɪððə kəmbaɪnd paʊɚɹ ʌv maɪ mɔnstɚz! maɪ mɔnstɚ bɪkʌmz moːɹ bjuːɾifəl æftɚɹ ɪɾ ɪvɑːlvz!|1152 +wavs/187.wav|naʊ, teɪst ðə paʊɚɹ ʌv maɪ ɪvɑːlvd mɔnstɚ! juː ʃʊd nɛvɚɹ ʌndɚɹɛstᵻmeɪt ɐn ɪvɑːlvd mɔnstɚ!|1152 +wavs/188.wav|maɪ maɪ jʊɹ mɔnstɚz ɑːɹ wiːkɚ ðɐn aɪ ɛkspɛktᵻd. laɪk teɪkɪŋ kændi fɹʌm ɐ beɪbi. hɑː hɑː hɑː. jʊɹ sʌtʃ ɐ fuːl!|1152 +wavs/189.wav|juːv lɔst hæf jʊɹ mɔnstɚz! ɪzənt ɪt taɪm tə kɔːl ɪt kwɪts? hɑː hɑː. juː kænt stɑːp miː!|1152 +wavs/190.wav|ðæts wʌt juː ɡɛt fɔːɹ θɪŋkɪŋ juːv wʌn! ɑː, haʊ dɪsɐpɔɪntɪŋ. aɪ θɔːt juː wɜː mʌtʃ bɛɾɚ ðɐn ðɪs.|1152 +wavs/191.wav|wʌt ɐ pɐθɛɾɪk weɪ tə luːz, juːɡi! hɑː hɑː hɑː. wʌt ɐ wʌndɚfəl duːəl ɪt wʌz! ðɪs duːəl ɪz maɪn!|1152 +wavs/192.wav|dɪdnt θɪŋk juːd lɛt miː ɐtæk jʊɹ sɪmbəl soʊ iːzili! dɪd juː ɡɛt ɐ ləbɑːɾəmi ænd luːz ɔːl jʊɹ skɪlz, lɪɾəl juːɡi?|1152 +wavs/193.wav|jɛs, tʃɔːk wʌn ʌp fɔːɹ maɪ! oʊ, tʌf! bʌt θɪŋz wɪl oʊnli ɡɛt tʌfɚ fɔːɹ juː.|1152 +wavs/194.wav|aɪm dʒʌst tɛstɪŋ juː aʊt. hʌ. aɪl stɪl ɡɛt juː, juːɡi. ðæts wʌt juː θɪŋk. aɪl ɹᵻɡeɪn ðɪ ɐdvæntɪdʒ suːn ɪnʌf.|1152 +wavs/195.wav|hɑː hɑː. ɑː! juːɡɪz ɪnðə liːd! ɔːl maɪ lʌvli kɹiːtʃɚz ɑːɹ dᵻstɹɔɪd!|1152 +wavs/196.wav|noʊ weɪ! ðeɪɚɹ ɔːl ɡɔn! jɛs, ɪt wʌz iːvən ðoʊ aɪ lɔst, aɪ doʊnt ɹᵻɡɹɛt ɛnɪθɪŋ.|1152 +wavs/197.wav|æm aɪ ɡoʊɪŋ tə luːz? maɪ sɪmbəl? oʊ noʊ, aɪ kəmpliːtli fɚɡɑːt ɐbaʊt ɪt!|1152 +wavs/198.wav|kænt biː! juː ɑːɹ eɪmɪŋ dᵻɹɛktli fɔːɹ ɪt! oʊ maɪ. aɪ dɪdnt noʊ ðɪs kʊd hæpən. aɪ ɡɛs tənaɪt ɪz leɪdiz naɪt.|1152 +wavs/199.wav|weɪt, wʌts ɡoʊɪŋ ɔn? aɪ dɪdnt hɪɹ ɛnɪθɪŋ ɐbaʊt ðɪs! aʊtʃ! wʌt ɪz ðæt? ðɪs ɪz hɔːɹɪbəl! wʌt ɪz ðɪs?|1152 +wavs/200.wav|weɪt ɐ sɛkənd! ɡɪv miː taɪm tə θɪŋk! soʊ aɪ teɪk dæmɪdʒ ðɛɹ. aɪd bɛɾɚ biː kɛɹfəl. dæmɪdʒ? ɪz ɪt bɪkʌz ʌv ðæt loʊkeɪʃən?|1152 diff --git a/tts/StyleTTS2TrainOG/Data/phonemized_val_harness.txt b/tts/StyleTTS2TrainOG/Data/phonemized_val_harness.txt new file mode 100644 index 0000000..4e06a9a --- /dev/null +++ b/tts/StyleTTS2TrainOG/Data/phonemized_val_harness.txt @@ -0,0 +1,64 @@ +val/250.wav|ɹɑːkɪts, biː kɛɹfəl! aɪ kænt faɪnd ɛnɪθɪŋ fɔːɹ juː! ɡɛt ɐweɪ! hiːz ɡɑːt ɹɑːkɪts! tɜːn ɚɹaʊnd! bʊkɚ! ðə laɪnz ɑːɹ klɪɹ! hændi mæn, kɪl ɪt!|1151 +val/251.wav|tə ðə lɛft! wɑːtʃ aʊt, peɪtɹɪət! ɡoʊ, ɡoʊ, ɡoʊ! bʊkɚ, hiːl hɛlp ʌs! wiː kæn juːz hɪm ɐɡɛnst ðə bɑːks fliːt!|1151 +val/252.wav|kɹoʊ, noʊ! lɛt miː ɡoʊ! ɡɛt jʊɹ hændz ɔf ʌv miː! lɛt miː ɡoʊ! aɪv ɡɑːt mɛdəsən!|1151 +val/253.wav|bʊkɚ, jʊɹ hɜːt! æmoʊ, bʊkɚ! dʌn! stɑːp ɪt! wɑːtʃ aʊt! hændi mæn! aɪl siː wʌt ɛls aɪ kæn faɪnd! lʊk, mɪstɚ də wɪt!|1151 +val/254.wav|juː doʊnt wɔnt təbi hɪɹ wɛn hiː ɡɛts hɪɹ! dʒʌst ɐ mɪnɪt! aɪm ɡɛɾɪŋ dɹɛst! ɡoʊ! juːv ɡɑːɾə ɡoʊ! hiːz kʌmɪŋ təwɔːɹdz juː! ðeɪɚɹ ɔnðə bɑːɹdʒ!|1151 +val/255.wav|ðɛɹz noʊ weɪ aʊt, tɹʌst miː, aɪv lʊkt! stɑːp ɪt, jʊɹ tuː ɪmpeɪʃənt, ðæts ɪnʌf! faɪɚ mæn, bʊkɚ! jʊɹ ɐ mɔnstɚ! bʊkɚ, lʊk. ɪn keɪs juː niːd ɪt!|1151 +val/256.wav|juː kʊd tɹaɪ foːɹsɪŋ ɪɾ oʊpən. bʊkɚ, sɔŋ bɜːdz ɹɛdi. dʒʌst dɹɑːp miː ɔf ɪf juː wɔnt tuː. hændi mæn, oʊvɚ ðɛɹ! bʊkɚ, wɪtʃ tɛɹ duː juː wɔnt miː tʊ oʊpən?|1151 +val/257.wav|biː kɛɹfəl, ðɛɹz ɐ kɹoʊ! aɪ faʊnd æmoʊ! aɪ θɪŋk aɪ kæn hɛlp! tɛl miː wɪtʃ tɛɹ tʊ oʊpən! ðɛɹz nʌθɪŋ ɚɹaʊnd! aɪm nɑːt ɹɛdi! aɪ siː hɜː!|1151 +val/258.wav|oʊvɚ hɪɹ, bʊkɚ! ðɛɹz ɐ tɪɹ! wiː kæn teɪk ðæt skaɪ laɪn tə ðə pɹɑːfɪts kæbɪn! eɪm fɔːɹ hɪz ɡɪɹz! sɔlts, kætʃ! ɐ tɪɹ oʊvɚ ðɛɹ!|1151 +val/259.wav|wɪtʃ weɪ? æmoʊ, teɪk ɪt! ʌp ðɪs weɪ! heɪ, teɪk jʊɹ taɪm! aɪm faɪn daʊn hɪɹ. bʊkɚ, bᵻhaɪnd juː! ðə bælkəni, bʊkɚ!|1151 +val/260.wav|lʊk aʊt! moːɹ ʌv ðɛm! lʊk! aɪ kænt faɪnd ɛnɪθɪŋ! aɪ oʊ juː ɐn ɐpɑːlədʒi! kəmstɑːk juːzd miː tə bɹɪŋ juː bæk, bʌt.|1151 +val/261.wav|aɪ bɹɔːt bæk ɐ vɜːʒən ʌv juː fɹʌmðə ɹɪælᵻɾi ðæt aɪ hæd bɪlt ʌp ɪn maɪ oʊn hɛd! hiː pɹɪtɛndᵻd tə lʌv juː, laɪk hiː pɹɪtɛndᵻd tə lʌv miː!|1151 +val/262.wav|bʊkɚ, bælkəni! oʊ maɪ ɡɑːd! oʊvɚ ðɛɹ! faɪɚ mæn! oʊvɚ ðɛɹ! flæk kænən! aɪv ɡɑːt juː kʌvɚd! juː tɛl miː, wʌt dɪd hiː miːn ɐbaʊt maɪ fɪŋɡɚ?|1151 +val/263.wav|wɑːtʃ ðə bælkəni! aɪ kæn oʊpən ðiːz tɪɹz fɔːɹ juː! hɪɹ! æmoʊ! tə ðə ɹaɪt! wʌt?! aɪ kæn hɛlp! bʊkɚ, ɐ kɹoʊ! bʊkɚ! lʊk ʌp!|1151 +val/264.wav|bʊkɚ, ɹɑːkɪts! bɹɪŋ ʌs ðə ɡɜːl ænd waɪp ɐweɪ ðə dɛt! teɪk ðɪs! ðɛɹz ɐ peɪtɹɪət! aɪɐm nɑːt ɡoʊɪŋ wɪð juː!|1151 +val/265.wav|aɪ kæn oʊpən ðɪs! aɪv ɡɑːt æmoʊ ɪf juː niːd ɪt! daʊn hɪɹ! bʊkɚ, flæk kænən! ɡɛt ɐweɪ fɹʌm miː! hiːz daʊn! faɪnəli!|1151 +val/266.wav|bʊkɚ, ðə ɡɪɹz! bʊkɚ, sɔlts! aɪm lʊkɪŋ, hoʊld ɔn! huː ɑːɹ juː? waɪ dɪd juː kʌm hɪɹ? aɪ niːd moːɹ taɪm! snaɪpɚ, ɡɛt daʊn!|1151 +val/267.wav|bʊkɚ, sɔŋ bɜːdz ɹɛdi! aɪm lʊkɪŋ! ɡɛt ʌp, bʊkɚ! ɡɛt ʌp! bʊkɚ! hændi mæn! ðɛɹz ɐ tɪɹ! dʒʌst ɡɪv ðə wɜːd! ðeɪ mʌst biː dʌdz!|1151 +val/268.wav|bʊkɚ! bᵻhaɪnd juː! bʊkɚ, kɔːl hɪm ɪn. faɪɚ mæn, bʊkɚ, kɛɹfəl! aɪ θɪŋk wɪɹ ɡənə hæv vɪzɪɾɚz. aɪ siː ɐ tɪɹ, bʊkɚ!|1151 +val/269.wav|wɑːtʃ aʊt fɚðə bɑːɹdʒ! noʊ, noʊ, noʊ, bʊkɚ! səplaɪz ʌp! wɑːtʃ aʊt, faɪɚ mɛn! ðə ɹaɪt, bʊkɚ! bʊkɚ, teɪk ðɪs! ðɛɹz nʌθɪŋ lɛft!|1151 +val/270.wav|hændi mæn, wɑːtʃ aʊt! juː bɛt! bʊkɚ, siː ðæt tɪɹ? ɹaɪt, bʊkɚ! bʊkɚ, jʊɹ lɛft! lɛft, bʊkɚ! wɑːtʃ aʊt, kɹoʊ! ɔn ɪt!|1151 +val/271.wav|ɹɑːkɪt, bʊkɚ! aɪv ɡɑːt jʊɹ bæk! peɪtɹɪət, kɪl ɪt! noʊ, noʊ, noʊ! noʊ, aɪm ɡɛɾɪŋ ðæt hænd. lʊk, hændi mæn!|1151 +val/272.wav|sɔlts, bʊkɚ! bʊkɚ! aɪ hæv sɔlts! bʊkɚ! wʌt ɑːɹ juː duːɪŋ? bʊkɚ, hɪɹ! bʊkɚ! oʊvɚ ðɛɹ! ðə bɑːks!|1151 +val/273.wav|bʊkɚ, ðə ɹuːf tɑːp! aɪ hæd ɐ ɹoʊl ɪn ðɪs kɐtæstɹəfi! ɪf juː wɔnt tə pɹɪtɛnd ðæt wɪɹ pjʊɹli ɪnəsənts ɪn ðɪs, ðɛn ðæts jʊɹ pɹɪɹɑːɡətɪv, bʌt. bloʊ juː! aɪ hæv ɐ bɛɾɚɹ aɪdiə.|1151 +val/274.wav|kætʃ! blæk kænən oʊvɚ ðɛɹ! kætʃ! wiːv ɡɑːɾə ɡɛt aʊɾəv hɪɹ! aɪ hævənt faʊnd ɛnɪθɪŋ jɛt! teɪk ɪt! ðə hɑːɹt! hɪt hɪm ɪnðə hɑːɹt! wʌt ɪz ɔːl ðɪs?|1151 +val/275.wav|ðeɪ wɜː wɑːtʃɪŋ miː ɔːl ðɪs taɪm. waɪ? waɪ dɪd ðeɪ pʊt miː ɪn hɪɹ? wʌt æm aɪ? wʌt æm aɪ?|1151 +val/276.wav|aɪ dʒʌst wɔnt tə ɡɛt aʊɾəv ðɪs sɪɾi. pliːz. juː niːd ðɪs! hændi mæn, bʊkɚ! bʊkɚ! ðə skaɪ laɪn, bʊkɚ. ɔn ɪt!|1151 +val/277.wav|ðɛɹz noʊ weɪ ʌp fɹʌm hɪɹ! duːnɑːt ɐtɛmpt tə fɑːloʊ miː, mɪstɚ duːɪt! ɔnðə skaɪ laɪn! aɪm lʊkɪŋ fɔːɹ moːɹ! bʊkɚ, hiːz ɹɛdi! ðeɪɚɹ ɔnðə bælkəni!|1151 +val/278.wav|ðə bɑːɹdʒ, bʊkɚ! hɪɹ juː ɡoʊ! oʊkeɪ! ʌp ɔnðə ɹuːf tɑːp! ðæts ɔːl aɪv ɡɑːt! tɛl miː wɛɹ tə sɛnd hɪm. peɪtɹɪət! oʊvɚ ðɛɹ! ðɛɹz səplaɪz wɛn juː niːd ðɛm!|1151 +val/279.wav|wɑː! wɑːtʃ aʊt, blæk kænən! kiːp jʊɹ aɪz oʊpən! æmoʊ! kætʃ! lʊk aʊt, hiːz tʃɑːɹdʒɪŋ! waɪ? wʌt dɪd aɪ duː tə ðɛm?|1151 +val/280.wav|daʊn bᵻloʊ! bʊkɚ ðə bɑːɹdʒ! faɪɚ mæn! aɪ faʊnd sɔlts! teɪk kʌvɚ! ðɛɹz ɐ hændi mæn! bɑːɾəl sɔlts!|1151 +val/281.wav|teɪk ðɪs, hɜːɹi! peɪtɹɪət, bʊkɚ! faɪɚ mæn oʊvɚ ðɛɹ! ðɛɹz moːɹ ʌv ðɛm! lʊk aʊt!|1151 +val/282.wav|mɪstɚ də wɪt, lʊk! tɪɹz, bʊkɚ! æmoʊ bʊkɚ! aɪl tɹaɪ tə kiːp juː stɑːkt!|1151 +val/283.wav|fɪfti pɚsɛnt ʌv ɛvɹɪθɪŋ piːpəl ɜːn hɪɹ ɡoʊz ɹaɪt tə kəmstɑːk æz ɐ taɪð. ðeɪɚ dʒʌst ɹaɪt fɔːɹ iːtʃ ʌðɚ, ɑːɹnt ðeɪ? bʊkɚ, wiː ʃʊd biː kɛɹfəl.|1151 +val/284.wav|juː dʒʌst kænt ɹᵻmɛmbɚɹ ɪt. oʊ, aɪ lʌvd ðoʊz stoːɹiz wɛn aɪ wʌzɐ kɪd. ðeɪ ɑːɹ ɐ bɪt ɔf pʊɾɪŋ.|1151 +val/285.wav|aɪ noʊ juː heɪt miː fɔːɹ nɑːt biːɪŋ jʊɹ dɔːɾɚ, ænd aɪ heɪɾᵻd juː fɔːɹ nɑːt biːɪŋ maɪ mʌðɚ. ɔːlɹaɪt, lɛts siː. taɪp.|1151 +val/286.wav|θɹiː lɛɾɚz tə spɛl ðə vɔɪs. lʊk æt ðɪs. bʊkɚ, teɪk ðɪs ɹaɪfəl. bʊkɚ, ðɪs ɪz mɪsɪz lɪn.|1151 +val/287.wav|aɪ doʊnt noʊ. ɪz ðæt pɑːsᵻbəl? bʌt ðə tʃaɪld tʊk ɪl, ænd aʊɚ leɪdi pɹeɪd fɚðə pɹɑːfɪts ɛɹ deɪ ænd naɪt. ɪn ðɪs wɜːld, juː ɑːɹ ɐ mɑːɹɾɚ.|1151 +val/288.wav|ænd wɛɹ wɪl wiː ɡɛt ðiːz wɛpənz? ðɪs ɪz maɪ mʌðɚz daɪɚɹi. waɪ wʊd sleɪt hæv ɪt? ðeɪ ʃʌt daʊn ɡəndoʊlə æksɛs tə ðə hɔːl ʌv hiəɹoʊz.|1151 +val/289.wav|ðiːz mɛn. siːmz iːzi. ðɪs ɪz bᵻtwiːn miː. aɪ θɪŋk juː ʃʊd siː ðɪs. bʊkɚ, siː ðɪs? aɪ kæn siː ɔːl ðə doːɹz.|1151 +val/290.wav|ænd wʌts bᵻhaɪnd ɔːl ðə doːɹz. ænd bᵻhaɪnd wʌn ʌv ðɛm, wiː mʌst fɚɡɪv iːtʃ ʌðɚ.|1151 +val/291.wav|bɪkʌz ðɛɹ ɪz wʌn fɑːɹ wɜːs ðɐn juː ɔːɹ aɪ. huː ɑːɹ juː? kəmstɑːk lɛd ðə kəlʌmbiən tɹuːps tə piːkɪŋ ænd.|1151 +val/292.wav|haʊ duː juː fɪɡjɚ ðeɪd noʊ juːd biː kʌmɪŋ? heɪ, mɪstɚ də wɪt, aɪl siː wʌt aɪ kæn duː. steɪ ɐweɪ! kəmstɑːk hæd ɐ tʃaɪld.|1151 +val/293.wav|maɪ bʊks nɛvɚ mɛnʃənd ɛnɪθɪŋ ɐbaʊt ɐ tʃaɪld. kæn ðə skaɪ laɪn hɛlp? ðɛɹz ðə lɑːntʃ pænəl. bʊkɚ, lʊk, ðə ʃɹaɪn. bɪkʌz hiː ɪz nɑːt ɡoʊɪŋ tə hæv lɔŋ tə juːz ɪt.|1151 +val/294.wav|wiːl ɡɪv ɪɾ ɐ wɜːl. faʊnd hɪz hɛɹ. wiː kæn teɪk ðæt skaɪlaɪn tə ðə pɹɑːfɪts kæbɪn. aɪ hoʊp kəmstɑːk ɡɑːt wʌt hiː wɔntᵻd fɹʌm miː.|1151 +val/295.wav|aɪ juːzd tʊ oʊpən ðɛm ɔːl ðə taɪm ɪn maɪ taʊɚ. aɪm sɑːɹi, aɪ ʃʊdənthəv pɹaɪd. lʊk! juː niːd æmoʊ? hɑːɹ hɑːɹ.|1151 +val/296.wav|ʌntɪl aɪ ɡɹuː ʌp, aɪ heɪɾᵻd hɪm bɪkʌz hiː wʌz maɪ wɔːɹdən, bʌt hiːz dʒʌst kəmstɑːks pɛt, ɪzənt hiː? dʒʌst laɪk miː. ðə bɹoʊkən klɑːk.|1151 +val/297.wav|ʃiː dɪzɜːvd wʌtɛvɚ kəmstɑːk dɪd tə hɜː. ðæts wʌn kwɔːɹɾɚɹ ʌvðə pɑːdz ɪdʒɛktᵻd! noʊ, lɛts kiːp ɐn aɪ aʊt. hɪɹ ɪɾ ɪz, bʊkɚ.|1151 +val/298.wav|bʊkɚ! ɐnʌðɚ ɡʌn ʃɪp ɔnðə lɛft! wʌt kʊd piːpəl hæv dʌn tə dɪzɜːv təbi lɑːkt ʌp ɪn ɐ pleɪs laɪk ðɪs? pæŋkɚtənz.|1151 +val/299.wav|wɜːnt ðeɪ ðə wʌnz ðeɪd kɔːl ɪn tə sɛɾəl θɪŋz wɛn ðə wɜːkɚz tʊk tə stɹaɪkɪŋ? ᵻvɛntʃuːəli juːl ɡɪv hɪm wʌt hiː wɔnts. wɛl, ðə mænz ɡɑːt ɐn iːɡoʊ.|1151 +val/300.wav|bʌt hiː kɪld juː boʊθ. aɪ ɡɛs ɪts fɹʌm miː. heɪ, siː ðɪs? waɪ ɪz wʌn bæθ ɹuːm fɔːɹ kʌlɚz ænd ðɪ ʌðɚ fɔːɹ waɪts? waɪ ɑːɹ ðeɪ dɹɑːpɪŋ soʊ sloʊli?|1151 +val/201.wav|wʌt dæmɪdʒ? ɪz ɪt ðæt pleɪsᵻz fɔlt? aɪ θɔːt juː hæd ɡʌts, bʌt aɪ ɡɛs aɪ wʌz ɹɔŋ.|1152 +val/202.wav|hʌ? wʌt? jʊɹ ɡɪvɪŋ ʌp ɔːlɹɛdi? wʌt ɐ luːzɚ. stɑːp deɪ dɹiːmɪŋ, juːɡi!|1152 +val/203.wav|doʊ. doʊnt tɛl miː juː ɔːlɹɛdi doʊnt noʊ wʌt tə duː nɛkst. hɜːɹi ʌp. juː snuːz, juː luːz.|1152 +val/204.wav|ɑːɹ tɹaɪɪŋ tʊ ɐnɔɪ miː? hɑː hɑː hɑː. aɪ kænt weɪt fɚɹɛvɚ. ɡɛt muːvɪŋ, wɪl jɐ?|1152 +val/205.wav|stɑːp stɔːlɪŋ fɔːɹ taɪm. ðæts soʊ leɪm. juːɡi, ɪts nɑːt pəlaɪt tə kiːp ɐ leɪdi weɪɾɪŋ.|1152 +val/206.wav|ɔːl maɪ hɑːɹd wɜːks faɪnəli peɪd ɔf! juː ʃʊdəv pɹæktɪst moːɹ. tuː bæd, juːɡi. juːɡi, ðɛɹɑːɹ tuː weɪz ʌv luːzɪŋ.|1152 +val/207.wav|wʌn weɪ ɪz tə luːz ɛvɹɪθɪŋ. aɪm ɡoʊɪŋ tə lɜːn fɹʌm ðɪs lɔs soʊ ðæt aɪ kæn bɪkʌm stɹɔŋɡɚ ænd aɪ wɪl ɐtʃiːv maɪ dɹiːm ɪnðɪ ɛnd.|1152 +val/208.wav|ɡʊd lʌk ɪnðə tʊɹnəmənt, juːɡi! juːdʒɪoʊ! hɑː hɑː. wɛl, lɛts ɡɛt stɑːɹɾᵻd!|1152 +val/209.wav|juːl faɪnd aʊt wʌt ɡɜːl paʊɚz ɔːl ɐbaʊt! noʊ mæn kæn ɛvɚ biːt miː! aɪl kɹʌʃ juː!|1152 +val/210.wav|aɪ kæn siː ɔːl jʊɹ kɑːɹdz, kɪd. ɪts maɪ tɜːn! aɪl teɪk daʊn ɔːl juː luːzɚz.|1152 +val/211.wav|ðɪ ʌðɚ weɪ ɪz tə luːz ɐ bæɾəl ɪn ɔːɹdɚ tə wɪn ðə wɔːɹ. ænd aɪ wɪl biːt juː ɪnðə fjuːtʃɚ. hɑː hɑː hɑː. juː hæv ɐnʌðɚ θɪŋ kʌmɪŋ!|1152 +val/212.wav|dʒʌst weɪt ʌntɪl aɪ stɹaɪk juː wɪð maɪ oʊn kɹɪɾɪkəl hɪts. bʌt juː wɪl fɔːl ᵻvɛntʃuːəli, ðeɪ ɔːl duː.|1152 +val/213.wav|ɑːɹ juː ɹiəli ðə kɪŋ ʌv ɡeɪmz? jʊɹ stɪl ɐn æmətʃɚ wɛn ɪt kʌmz tə kæpsjuːl mɔnstɚz! bɪkʌz aɪ pɹɪpɛɹd ɐ ɡɹeɪt wʌn dʒʌst fɔːɹ juː!|1152 diff --git a/tts/StyleTTS2TrainOG/Data/train_harness.txt b/tts/StyleTTS2TrainOG/Data/train_harness.txt new file mode 100644 index 0000000..726d7a5 --- /dev/null +++ b/tts/StyleTTS2TrainOG/Data/train_harness.txt @@ -0,0 +1,196 @@ +wavs/1.wav|Look at that, who are the boxers? Booker. Booker! Okay, just one more? Booker, that was amazing.|1151 +wavs/2.wav|Off about Lady Comstock. Try the shock jockey. We worked hard enough to get it. None of the prophet's magic is rubbing off on you.|1151 +wavs/3.wav|That was odd. Daisy can make a change, can't she? Things better for the people here. I'm worried about you. What did you do there?|1151 +wavs/4.wav|Train up a child in the way he should go. Even when he is old, he will not depart from it. Hey, Booker, I think there's a lock pick over there.|1151 +wavs/5.wav|If you put a person in a cage, they develop an interest in such things. We are gonna have visitors, Booker! Rosalind Lutece is not my mother, and neither are you.|1151 +wavs/6.wav|She's either a great hero or the worst of scoundrels, depending on who's doing the telling. Over here! Who are we really helping by getting guns for the Vox Populi?|1151 +wavs/7.wav|I remember making them. Booker, grab that lock pick. Booker, there's a lock pick over there. How many have you had? I'll keep an eye on you for next time. Booker!|1151 +wavs/8.wav|You could try forcing it open. Doesn't seem to work very well. Comstock is two decks up in the Prophet's Cabin. It's the Lutece lab. As I said, it's a form of wish fulfillment.|1151 +wavs/9.wav|Hey, Booker. Slate has the shock jockey, we need to find him. This Tear. I'm not so sure it was a good idea. Can always use more of them.|1151 +wavs/10.wav|Look at this, my tower. It's only fair they give me a cut of the profits, don't you think? Need more money? Who? You mean.|1151 +wavs/11.wav|Here's some cash. What for? I get to wear this stylish thimble to cover up my hideous deformity. I hear they're all the rage in Paris. The seed of the prophet.|1151 +wavs/12.wav|Shall set the throne. He was grooming me, wasn't he? Why? We should look for more foot prints. Keep a look out. I can open that. I can.|1151 +wavs/13.wav|Look at these, they're amazing! Which one do you like more, this one, or this? I can see them through the doors. You, me, Columbia Song Bird?|1151 +wavs/14.wav|But sometimes, something's different, yet the same. Do you hear that? It's music! Looks easy enough.|1151 +wavs/15.wav|Catch, Booker! It almost looks like a real ocean. It's just a set of elaborate pumps and rain catchers. Booker, there's a door over here. Look, a tear. Who sent you?|1151 +wavs/16.wav|Ready. You know how I said I had plenty of time to read? Well, I tried to figure it out. I read literature on physics and other such things. When you're unconscious on the beach, you.|1151 +wavs/17.wav|Kept repeating a woman's name, Anna. This could come in handy. You really should pick that up. Booker, come here. They hardly laid a finger on us.|1151 +wavs/18.wav|It's her. Found this lying around. Her trail must be somewhere. I am not going back to that tower no matter what happens.|1151 +wavs/19.wav|Song Bird is ready, Booker. This looks important, Booker. Forget. How do you wash away the things that you've done?|1151 +wavs/20.wav|Hey, don't point that at me. Good. Slate must've taken them. Look. Hurry, Booker, hurry! Booker, the poster. You chose to walk away.|1151 +wavs/21.wav|It's about Seven Thirty. There are a million, million worlds. All different and all similar. Constants and variables.|1151 +wavs/22.wav|On your right, I see a tear. Fink Industries. Seems like they're the ones responsible for this shock jockey product. They should be ashamed of themselves.|1151 +wavs/23.wav|We can pick up some supplies from that machine. If it had a mechanical lock, maybe. It's one of those shock jockey doors. You're wounded! Here!|1151 +wavs/24.wav|No. He was here. This way. Look over here. Why don't you ring the bell? If he were to take me back. That's death, Mister DeWitt.|1151 +wavs/25.wav|Or something so like it I cannot tell the difference. I'm out! Shock Jockey. Who needs the power company?|1151 +wavs/26.wav|Must be because of what's going on with that man's sleigh. The cage shut up tight. Now how are we gonna get to the air ship? Look at this! Mister DeWitt?|1151 +wavs/27.wav|I don't understand. Why would the twins send us to find three truths? Were the tears somehow related through a kind of quantum field, or were they?|1151 +wavs/28.wav|Time rots everything, Booker. Even hope. Here, let me. Look.|1151 +wavs/29.wav|The box of bolts dropped his weapon, you should use it. They're just taking back what's owed to them. It's justice. What the hell was that? Hey Booker?|1151 +wavs/30.wav|I see a tear. Huh. Go on without me! But in all of ours. Are you alright? That did not look easy.|1151 +wavs/31.wav|Beyond that gate lies Comstock House. Destroy the siphon? If they play the whole song, he'll come back. Put that away. These seem to be the controls that summon her.|1151 +wavs/32.wav|I've got salts! Sorry, Booker. He was all I had. Brought me books. And that will take us to Paris.|1151 +wavs/33.wav|Come on. Do you need ammo? Done. Take this for the bleeding! Okay, catch. Comstock? Huh.|1151 +wavs/34.wav|So the First Lady is his ship. You hold on to this. I don't know! Give it to me! Booker, salts! Booker, no.|1151 +wavs/35.wav|Wait, what is that? Forty North by Seventy Four West. That's not Paris, that's New York. That tear will get us access to higher ground. Over here, Booker.|1151 +wavs/36.wav|One thing I had in that tower was time, Mister Dewitt. Time to study things like geography. I'll try to keep you stocked with both bandages and ammo, but.|1151 +wavs/37.wav|The right materials aren't always at hand. Let me have a look. Booker, but the thing is, my books said they disappeared several years ago.|1151 +wavs/38.wav|Are you sure? Hey! Say what you want about Lady Comstock. A woman had an eye for fashion. It'll take some scrounging, but I'll do my best.|1151 +wavs/39.wav|Cash, Booker. My husband claims the child was created from whole cloth by divine will. I am a believer, but I am not a fool.|1151 +wavs/40.wav|His bastard shall not be raised under this roof. A guitar. Wish I knew how to play. Might just spell some of the gloom.|1151 +wavs/41.wav|She's going to kill that child! He's ready, Booker! Look, might be a good idea to lay in some supplies.|1151 +wavs/42.wav|There's a world of difference between what we see and what is. Strange. I see a tear, Booker. I think we're gonna have visitors. Everything.|1151 +wavs/43.wav|Above you, Booker! Look out! Handy Man! What does Mister Fink want with us? Looks like this runs exclusively on shock jockey.|1151 +wavs/44.wav|This is what he meant. Might not be a bad idea to lay in some supplies. Daisy said she was coming here for Fink.|1151 +wavs/45.wav|There, back in the land of the living. All yours. Don't spend it all in one place. That automaton's weapon is lying over there. Seems like we're fairly well healed, Booker.|1151 +wavs/46.wav|There. Do you think it's possible to redeem the kind of things that we've done?|1151 +wavs/47.wav|Mister DeWitt! I can open this if you want. What are you, Mister DeWitt? Some sort of. Hey, there's a lock over there. Hey, Booker!|1151 +wavs/48.wav|You hear that? Music. It's coming from that tear. Find something soon! The seed of the prophet lay in the womb of Our Lady but for a single week.|1151 +wavs/49.wav|It's a figure of Comstock now. I found some change. I don't know if I brought us to a world where the Vox had weapons, or I created one.|1151 +wavs/50.wav|Let's see. How did you do that? Are you interested in gardening, Mister DeWitt? Careful, that doesn't look too safe. Why you? Okay!|1151 +wavs/51.wav|I see more foot prints. I don't like his look. How are you, Mother? All locked up in there, huh? Looks like you and I have some common ground.|1151 +wavs/52.wav|No. What happened there? Sure. Careful! Why is it that we never catch a break? The founder of Buddhism spent forty nine days under a Bodhi tree.|1151 +wavs/53.wav|Until he achieved enlightenment. Hey, Mister DeWitt! That poster. There's another cipher on it. This is in our hands, isn't it? Are you sure, Booker?|1151 +wavs/54.wav|Did I just bring us to a world where Chen Lin was alive, or did I create it? I told you, I always thought that.|1151 +wavs/55.wav|My little trick was a form of wish fulfillment. I got my wish. Comstock. I've read about him. They say he can see the future.|1151 +wavs/56.wav|Booker, sniper rifle! I just can't decide. Lock picks. They have her preserved in an air tight chamber. Her finger prints will get us into Comstock House.|1151 +wavs/57.wav|You bet. This is going to be fantastic. Take this. This doesn't make any sense.|1151 +wavs/58.wav|Everything here is a cipher that I understand except for this symbol. It's all right. It's as much a mystery to me as anyone else.|1151 +wavs/59.wav|Maybe Song Bird knows, but he's not talking. Like what? A window. A window to another world. Most of the time they're dull as dish water.|1151 +wavs/60.wav|Different colored towel or tea instead of coffee. But sometimes, sometimes I see something amazing and I pull it through.|1151 +wavs/61.wav|And how has that worked out for you? Booker will find it. Just leave her be. Did you notice? Lin had a bloody nose.|1151 +wavs/62.wav|I think that's the way down. And why lock me up? The bird is beautiful, and the cage is somber, but there's really something special about it.|1151 +wavs/63.wav|Booker, the lines are clear! We're gonna have visitors, Booker. You must think me some sort of freak. A girl who can bring dead men back to life.|1151 +wavs/64.wav|Whose only acquaintance is a giant bird creature. That must seem ridiculous. Where did they take him? Look, a tear.|1151 +wavs/65.wav|Booker, your nose. She's almost feral. It's like she's a reflection of. I don't know. Catch!|1151 +wavs/66.wav|You're bleeding! Don't you think it's best if we keep moving? I found a tear. Look, Vox are tearing this place apart. Booker, you've already been.|1151 +wavs/67.wav|Looks simple enough. Booker, over here. Being dead. Comstock. So the First Lady is his ship. Interesting. You're injured. More of her foot prints.|1151 +wavs/68.wav|Do you know this artificial beach was built in only six months? But there is. There is something I. Booker. Excuse me?|1151 +wavs/69.wav|It's the only way we'll find the truth. But my finger. Comstock. Look, it's the hand of the prophet. Comstock's flagship!|1151 +wavs/70.wav|My finger. Huh. Aren't we the well to do types? You're a liar, Mister Dewitt and a thug, but you're also my only means of reaching Paris.|1151 +wavs/71.wav|There they are, the tools. Couldn't hurt to stock up. He's coming for you! Over here. The gun smith Chen Lin wanted for known connections to the out law Daisy Fitzroy.|1151 +wavs/72.wav|Daisy Fitzroy. I've read about her. Books say she's out to tear Columbia from the sky. Is that the last of them? It always has.|1151 +wavs/73.wav|When I was younger, I used to be excited when I heard it. Flawless Flintlock! It's the newest one in the series. I read it was delayed three times.|1151 +wavs/74.wav|Looks like we found where your old friend Slate is. Yes. Looks like everything's been impounded at the Good Time Club. Maybe that's where we'll find it.|1151 +wavs/75.wav|Booker, do you see those tears? We can use them against Slate's men. Thank you. And you were born again as a different man. Mister DeWitt, you didn't go through with it.|1151 +wavs/76.wav|Ammunition here if you need it. We don't need to. It'll happen all the same. Really? There's a lock. I wonder what's on the other side.|1151 +wavs/77.wav|Let's stay away from them. It was a fine thing you came along when you did. Soldier's Field, built in nineteen oh three by the hand of our prophet.|1151 +wavs/78.wav|Nose, it's bleeding. I do not like the looks of that thing. Booker, up there. One of those shock jockey doors.|1151 +wavs/79.wav|Maybe we should take a look. Booker, wake up. Booker, you don't leave this room until you do. Vending machine? I do not like the looks of this, Booker.|1151 +wavs/80.wav|Comstock is three decks up, in the Prophet's cabin. Really? Why? I do not like the way they're looking at us. Huh. Because it does.|1151 +wavs/81.wav|Because it has. Because it will. They're coming. And I won't be locked up again, but. Mister DeWitt. Here, where do you think this goes?|1151 +wavs/82.wav|Hey, mister! You're gonna get mustard all over your nice suit! This is what the code key's for. Over here. Sure thing. What's going on? Mister DeWitt, I.|1151 +wavs/83.wav|A tear! Booker, over here. Huh, trouble up ahead. You see it? Interesting. Booker, if we go into this tear.|1151 +wavs/84.wav|I don't think there's any turning back. Are you sure you want to go now? If I could find some genuine lock picks, I might be able to get this door open.|1151 +wavs/85.wav|I'm sure I saw some interesting things on the other side. No, it's me, Elizabeth. Are you alright? Booker. This is amazing.|1151 +wavs/86.wav|How have I never tried this? I can't believe how much I've missed. All right. Booker, look at that.|1151 +wavs/87.wav|You've done this before, haven't you? Look at that. Tear, right there. Behind you. But I could help. We can't seem to catch a break, Mister Dewitt.|1151 +wavs/88.wav|Strange. Look at that. What did Slate mean? What did you try to erase? They, well at least she, invented the technology that allows the city to float.|1151 +wavs/89.wav|I can call Song Bird and Booker. Don't laugh. We better steer clear of them. Oh, no, I'm not Annabelle. Mister DeWitt. Catch, Mister DeWitt.|1151 +wavs/90.wav|Seems easy enough. I can see a tear. Looks simple enough. Misses Lin, can you tell me who took your husband's tools? Here you go.|1151 +wavs/91.wav|Booker, there must be a button under the register. I know that place. That's Albert Fink's house. I love his music. I wonder if he's in there.|1151 +wavs/92.wav|It'll take some scrounging, but I'll do my best. Looks like Fink isn't giving you the job. Should we use this? It's over, right? Please tell me it's over. Is that the code book?|1151 +wavs/93.wav|Ready and waiting! Hi there, I'm just so angry. I think she's her, but she's also partly me. I'm not even sure I understand it myself.|1151 +wavs/94.wav|Booker, foot prints. It's done. No. No, it isn't. I think you should see this. Here. Booker, their noses. They're all bleeding.|1151 +wavs/95.wav|They all lead us to the same place, where it started. No problem. We can't seem to catch a break. Booker, look at this.|1151 +wavs/96.wav|I'm sorry about what I said at the docks. Calling you a thug? A code book? I wonder where the cipher is. There. Hmm. Hello.|1151 +wavs/97.wav|Booker, are you afraid of God? What is this? I can do that. If you want to ask me, ask me. You know I?|1151 +wavs/98.wav|I keep thinking about that dream that you had. New York on fire. There's something about it. The sky line is clear, Booker. Booker, look what I found!|1151 +wavs/99.wav|Tolls at midnight. Booker, I can get through these bars, but you're too broad. Let me scout ahead, see if there's some way to move forward.|1151 +wavs/100.wav|Chen Lin. Gun smith. Oh my god! And Madame Lutece. He used me to power that device! He opened up some kind of tear!|1151 +wavs/101.wav|Worry. Just keep telling yourself this is only a game. We can solve it. Super dork's more like it.|1152 +wavs/102.wav|This isn't an eating contest, Joey, this is dangerous. Silly? I think you look just great!|1152 +wavs/103.wav|Yugi, did you check me out? I look way too good to be sittin' at home. Where's Joey, anyway? Come on, don't be such a wimp.|1152 +wavs/105.wav|Could still be friends outside it. If he hadn't loaned me his star chips, I might never have made it to the final round. I owe him a very great debt.|1152 +wavs/107.wav|Even without my tricks, I can still duel with the best of 'em! And now I'll lay down a second card which will finish my turn.|1152 +wavs/108.wav|Gotcha. Thanks Yugi, I wanted you to attack. Your Gaia ran smack into my mirror wall which cuts any of your monsters attack power in half.|1152 +wavs/109.wav|As soon as your monster attacked, the mirror wall rose up to protect my Harpy Lady! Your fierce knight met an equal attack from its own reflection!|1152 +wavs/110.wav|Guess it's my turn again. High fashioned for Harpy Lady. Cyber Shield.|1152 +wavs/111.wav|Not much else you can do, is there, Yugi, since I've left you no way to attack? My turn now.|1152 +wavs/112.wav|Rose Whip to raise my monsters attack! Now you're Imps gonna feel my Harpy's sting!|1152 +wavs/113.wav|That's nothing, Yugi. Stick around, the fun's just beginning. Promised you'd try harder, Yugi, but I see now that's not going to happen!|1152 +wavs/114.wav|What have we here? Well, with this card, my Harpy combo won't be quite complete.|1152 +wavs/117.wav|You don't even have your favorite card the Dark Magician left. What are you gonna do now? if this is how you treat your friends, I can't wait to see how you treat your enemies.|1152 +wavs/118.wav|I'm being kind, not stupid. What's up? If you guys have enough star chips to get into the castle, why are you hanging out here?|1152 +wavs/119.wav|Now go on, Yugi. You know I owe you, so take them. Earth to Yugi. Star chips at twelve o'clock.|1152 +wavs/120.wav|What, are my star chips not good enough for you? Come on, chicken boy, duel me for them now. Fine! Then I'll keep them!|1152 +wavs/121.wav|And your friends can wipe your nose all the way back to the nursery! Grow up! Oh, I understand your friend lost one lousy duel and now he's too chicken to play again! Isn't that right?|1152 +wavs/122.wav|Come on, be serious! An amateur like you wouldn't stand a chance against me! Are you sure you wanna duel me?|1152 +wavs/123.wav|Hun, it's sweet you standing up for Yugi and all, but sweet doesn't win duels. Now I'll ask you one last time.|1152 +wavs/124.wav|I play Harpy Lady! And I'll lay this too. Your fairy turned to dust!|1152 +wavs/125.wav|You know, Tea, if you're trembling with fear after just the first round, maybe you should quit right here?|1152 +wavs/126.wav|Another of these cutesy cards? Come on, what Are we having a duel or a pageant?|1152 +wavs/127.wav|Sorry hun, but I activated my magic card. The Rose Whip, a personal favorite. It gives my harpy three hundred extra attack!|1152 +wavs/128.wav|You call it quits right now. This isn't gonna get any easier, you know? Just give up and go back to cheerleading!|1152 +wavs/129.wav|Please, if this is the start of some friendship rant, just save it. I've heard all your lame speeches before, and from that look on Yugi's face.|1152 +wavs/130.wav|I'd say he has too. You're just a little girl who's accidentally stumbled into the big leagues, but whatever, you'll learn the hard way.|1152 +wavs/131.wav|Harpy's Feather Duster. My turn, hub, and I'm playing this face down!|1152 +wavs/132.wav|In fact, it was so stirring I almost feel the need to throw up! Fine with me!|1152 +wavs/133.wav|It's not like I don't have magic cards too! Cyber Shield! It was nothing that Tea wouldn't have been able to beat anyway, really.|1152 +wavs/134.wav|But wait, I'll also play this de spell. No more hope, no more faith, no more chances!|1152 +wavs/135.wav|Don't you know the rules yet, Tea? Since I've flipped your Magician of Faith over with my attack, you get a card back from the graveyard.|1152 +wavs/136.wav|I mean, how can you seriously hope to beat me when you don't know the rules? Look honey, I'm sure that everyone's really impressed that you've lasted this long.|1152 +wavs/137.wav|But all you're doing is delaying the inevitable! Come on, what you're doing is pointless. Yugi's already given up on himself.|1152 +wavs/138.wav|You're not gonna be able to keep fighting for him. He has to fight for himself! He has to stand up to anyone who dares to get in his way!|1152 +wavs/139.wav|And whatever's going on in his head, Tea, Yugi has to deal with it on his own. I surrender, Tea. I don't have the cards to win.|1152 +wavs/140.wav|Face it, Tea, Yugi's checked out! He's given up! He doesn't care about this match and he doesn't care about you! Nothing's worth the humiliation you're going through.|1152 +wavs/141.wav|You may have a tendency to run at the mouth, but you've got a lot of spunk. Give me your best shot! Whatever. I didn't need these anyway.|1152 +wavs/142.wav|Don't rub it in, Tea, Harpy Lady was the best monster I had and seeing as how you beat her, there's really no point in me going on.|1152 +wavs/143.wav|Some cards just aren't worth playing, huh, Yugi? It's all because of that obnoxious punk Joey! I can't believe such an amateur beat me!|1152 +wavs/144.wav|I don't get it. Trashing hotshot duelists is usually as fun as a fall clearance sale. Why can't I enjoy it anymore?|1152 +wavs/145.wav|I've got to get even with that grinning gutter punk! Bon voyage, loser! Funny, I thought I already knocked you on your Jurassic butt.|1152 +wavs/146.wav|You think I'm gonna waste another minute with a pea brain like you? Beat it, dino breath! From one of these like you who think that by dueling a chick, they'll score some easy stars.|1152 +wavs/147.wav|I've only lost once, but once I find that punk kid Joey, it's pay back. I'd love to see you try and. Okay, Rex, I'll duel you.|1152 +wavs/148.wav|If you do something for me first. How are you, Joseph? Glad to see me? So Joey, is Yugi still fighting all your battles for you?|1152 +wavs/149.wav|Everyone knows if Yugi wasn't there to hold your hand, you wouldn't have beat me. Isn't that right, Yugi? I'm waiting for your answer, Joey.|1152 +wavs/150.wav|Oh really? Then I propose he steps out of your shadow here and now! if Joey thinks he's so tough, let's see him play for himself!|1152 +wavs/151.wav|Think you have the guts to step up and face the duelist I've arranged for you?|1152 +wavs/152.wav|If Little Yugi does any of his back seat dueling, then Joey is disqualified and the match automatically goes to.|1152 +wavs/153.wav|What do you say, Joey? This is your big chance to prove yourself. Or are you going to back out? So what's it gonna be?|1152 +wavs/154.wav|You going to run off with your friend or start acting like a real duelist? Raptor, watch that Time Wizard!|1152 +wavs/155.wav|Rex, you big dino dummy! You're either a champ or a trump. Cut this guy loose, he's fashion challenged and deserves to be crushed in the games.|1152 +wavs/156.wav|I'll crush you all eventually. The name's Mai. Call your superior! Get him on the phone right now!|1152 +wavs/157.wav|This is truly truly outrageous. You expect a lady like me to stay in this dump without even a shower?|1152 +wavs/158.wav|Who do you think you are? Really? Could I see it? It's beautiful! You must be quite a strong card player.|1152 +wavs/159.wav|Really? I love duel monsters. How about we play a game? Okay, then cut the cards.|1152 +wavs/160.wav|Please? Let me try. Tell you what, If you win, I'll give you a kiss.|1152 +wavs/161.wav|If I win, you agree to clear out of the room for the rest of the trip. Okay? The first card is Shadow of Eyes.|1152 +wavs/162.wav|The second card is Harpy's Lady, then Elegant Egotist, followed by Cyber Shield.|1152 +wavs/163.wav|This is my own card technique. I always know what cards I have and can pick any one I like at any time. So, go ahead and deal 'em, Rex.|1152 +wavs/164.wav|Pretty big turnout for this thing. Oh, this is so exciting! I wonder whose butt I should kick first in this tournament?|1152 +wavs/165.wav|If it isn't Rex Raptor and Weevil. I thought I smelled something. Some duelists just never change.|1152 +wavs/166.wav|Hmph. So you finally came, Yugi. Very funny, Yugi, but you should know by now that I don't need to use tricky tactics to win.|1152 +wavs/167.wav|I've been studying this new game just so that I can defeat you. Let's duel, Yugi! No mercy, Yugi.|1152 +wavs/168.wav|There's no holding back. You'll see that I've got much better. Are you thinking of taking it easy on me?|1152 +wavs/169.wav|I'll show you techniques that you haven't even imagined! Is this the best you can do?|1152 +wavs/170.wav|Ha ha ha ha! Prepare to lose! There's nothing I hate more than weak losers, Yugi.|1152 +wavs/171.wav|Aren't you going to attack me? You're no fun. Failure's calling. Will you accept the charges? Don't think I'll give up that easily.|1152 +wavs/172.wav|Huh, this is nothing. I'm not backing down from any challenge. Did you really think I was going to submit?|1152 +wavs/173.wav|I never give up no matter how bad it looks. Yugi, my dream is to defeat you.|1152 +wavs/174.wav|I'll see how good you are at this new game. Ha ha. Let's hope this is an honorable duel. Just what do you think you're doing?|1152 +wavs/175.wav|Take it easy, will ya? Oh! I can't believe this is happening! Nice attack! A critical hit!|1152 +wavs/176.wav|Oh, spunky, That's beginner's luck, that's all. La de da! There's no problem if you don't destroy my monster.|1152 +wavs/177.wav|Now you're getting serious. That's no way to treat a lady. You're starting to annoy me. Take it easy, will ya?|1152 +wavs/178.wav|Ha ha. Don't think I'll forget this. Ha ha! This duel's practically over! You don't crack easily, do you?|1152 +wavs/179.wav|Too bad, Yugi, but it looks like I am going to win this duel. Can you survive this? Ha ha! I hope you love surprises!|1152 +wavs/180.wav|Defeat or be defeated. Those are the only two options. Why let up when I'm having so much fun? Ah ha ha ha ha!|1152 +wavs/181.wav|I'm one with my monsters! Ha ha ha, feast on this! You shouldn't have taken me so lightly!|1152 +wavs/182.wav|Perish! Fall before my power! I'll win with this technique! Slice him to pieces, my Harpy!|1152 +wavs/183.wav|Ha ha ha. I hope you don't get whiplash! My Harpy Lady's sisters, unleash your fiery blast!|1152 +wavs/184.wav|Ha ha ha ha. You will be punished! My dear pet, get rid of him for me!|1152 +wavs/185.wav|Against my servants overwhelming strength. What can you possibly do? I'll show you what fusion can do!|1152 +wavs/186.wav|I'll defeat you with the combined power of my monsters! My monster becomes more beautiful after it evolves!|1152 +wavs/187.wav|Now, taste the power of my evolved monster! You should never underestimate an evolved monster!|1152 +wavs/188.wav|My my your monsters are weaker than I expected. Like taking candy from a baby. Ha ha ha. You're such a fool!|1152 +wavs/189.wav|You've lost half your monsters! Isn't it time to call it quits? Ha ha. You can't stop me!|1152 +wavs/190.wav|That's what you get for thinking you've won! Ah, how disappointing. I thought you were much better than this.|1152 +wavs/191.wav|What a pathetic way to lose, Yugi! Ha ha ha. What a wonderful duel it was! This duel is mine!|1152 +wavs/192.wav|Didn't think you'd let me attack your symbol so easily! Did you get a lobotomy and lose all your skills, Little Yugi?|1152 +wavs/193.wav|Yes, chalk one up for Mai! Oh, tough! But things will only get tougher for you.|1152 +wavs/194.wav|I'm just testing you out. Huh. I'll still get you, Yugi. That's what you think. I'll regain the advantage soon enough.|1152 +wavs/195.wav|Ha ha. Ah! Yugi's in the lead! All my lovely creatures are destroyed!|1152 +wavs/196.wav|No way! They're all gone! Yes, it was even though I lost, I don't regret anything.|1152 +wavs/197.wav|Am I going to lose? My symbol? Oh no, I completely forgot about it!|1152 +wavs/198.wav|Can't be! You are aiming directly for it! Oh my. I didn't know this could happen. I guess tonight is ladies night.|1152 +wavs/199.wav|Wait, what's going on? I didn't hear anything about this! Ouch! What is that? This is horrible! What Is this?|1152 +wavs/200.wav|Wait a second! Give me time to think! So I take damage there. I'd better be careful. Damage? Is it because of that location?|1152 diff --git a/tts/StyleTTS2TrainOG/Data/val_harness.txt b/tts/StyleTTS2TrainOG/Data/val_harness.txt new file mode 100644 index 0000000..7ae73e8 --- /dev/null +++ b/tts/StyleTTS2TrainOG/Data/val_harness.txt @@ -0,0 +1,64 @@ +val/250.wav|Rockets, be careful! I can't find anything for you! Get away! He's got Rockets! Turn around! Booker! The lines are clear! Handy man, kill it!|1151 +val/251.wav|To the left! Watch out, Patriot! Go, go, go! Booker, he'll help us! We can use him against the box fleet!|1151 +val/252.wav|Crow, no! Let me go! Get your hands off of me! Let me go! I've got medicine!|1151 +val/253.wav|Booker, you're hurt! Ammo, Booker! Done! Stop it! Watch out! Handy man! I'll see what else I can find! Look, Mister DeWitt!|1151 +val/254.wav|You don't want to be here when he gets here! Just a minute! I'm getting dressed! Go! You've gotta go! He's coming towards you! They're on the barge!|1151 +val/255.wav|There's no way out, trust me, I've looked! Stop it, you're too impatient, that's enough! Fire man, Booker! You're a monster! Booker, look. In case you need it!|1151 +val/256.wav|You could try forcing it open. Booker, Song bird's ready. Just drop me off if you want to. Handy man, over there! Booker, which tear do you want me to open?|1151 +val/257.wav|Be careful, there's a crow! I found ammo! I think I can help! Tell me which tear to open! There's nothing around! I'm not ready! I see her!|1151 +val/258.wav|Over here, Booker! There's a tear! We can take that sky line to the Prophet's cabin! Aim for his gears! Salts, catch! A tear over there!|1151 +val/259.wav|Which way? Ammo, take it! Up this way! Hey, take your time! I'm fine down here. Booker, behind you! The balcony, Booker!|1151 +val/260.wav|Look out! More of them! Look! I can't find anything! I owe you an apology! Comstock used me to bring you back, but.|1151 +val/261.wav|I brought back a version of you from the reality that I had built up in my own head! He pretended to love you, like he pretended to love me!|1151 +val/262.wav|Booker, balcony! Oh my god! Over there! Fire man! Over there! Flak Cannon! I've got you covered! You tell me, what did he mean about my finger?|1151 +val/263.wav|Watch the balcony! I can open these tears for you! Here! Ammo! To the right! What?! I can help! Booker, a crow! Booker! Look up!|1151 +val/264.wav|Booker, rockets! Bring us the girl and wipe away the debt! Take this! There's a patriot! I am not going with you!|1151 +val/265.wav|I can open this! I've got ammo if you need it! Down here! Booker, flak cannon! Get away from me! He's down! Finally!|1151 +val/266.wav|Booker, the gears! Booker, salts! I'm looking, hold on! Who are you? Why did you come here? I need more time! Sniper, get down!|1151 +val/267.wav|Booker, Song bird's ready! I'm looking! Get up, Booker! Get up! Booker! Handy man! There's a tear! Just give the word! They must be duds!|1151 +val/268.wav|Booker! Behind you! Booker, call him in. Fire man, Booker, careful! I think we're gonna have visitors. I see a tear, Booker!|1151 +val/269.wav|Watch out for the barge! No, no, no, Booker! Supply's up! Watch out, fire men! The right, Booker! Booker, take this! There's nothing left!|1151 +val/270.wav|Handy man, watch out! You bet! Booker, see that tear? Right, Booker! Booker, you're left! Left, Booker! Watch out, crow! On it!|1151 +val/271.wav|Rocket, Booker! I've got your back! Patriot, kill it! No, no, no! No, I'm getting that hand. Look, handy man!|1151 +val/272.wav|Salts, Booker! Booker! I have salts! Booker! What are you doing? Booker, here! Booker! Over there! The box!|1151 +val/273.wav|Booker, the Roof top! I had a role in this catastrophe! If you want to pretend that we're purely innocents in this, then that's your prerogative, but. Blow you! I have a better idea.|1151 +val/274.wav|Catch! Black cannon over there! Catch! We've gotta get out of here! I haven't found anything yet! Take it! The heart! Hit him in the heart! What is all this?|1151 +val/275.wav|They were watching me all this time. Why? Why did they put me in here? What am I? What am I?|1151 +val/276.wav|I just want to get out of this city. Please. You need this! Handy man, Booker! Booker! The sky line, Booker. On it!|1151 +val/277.wav|There's no way up from here! Do not attempt to follow me, Mister Dewitt! On the sky line! I'm looking for more! Booker, he's ready! They're on the balcony!|1151 +val/278.wav|The barge, Booker! Here you go! Okay! Up on the roof top! That's all I've got! Tell me where to send him. Patriot! Over there! There's supplies when you need them!|1151 +val/279.wav|Wah! Watch out, Black Cannon! Keep your eyes open! Ammo! Catch! Look out, he's charging! Why? What did I do to them?|1151 +val/280.wav|Down below! Booker the barge! Fire man! I found salts! Take cover! There's a handy man! Bottle salts!|1151 +val/281.wav|Take this, hurry! Patriot, Booker! Fire man over there! There's more of them! Look out!|1151 +val/282.wav|Mister DeWitt, look! Tears, Booker! Ammo Booker! I'll try to keep you stocked!|1151 +val/283.wav|Fifty percent of everything people earn here goes right to Comstock as a tithe. They're just right for each other, aren't they? Booker, we should be careful.|1151 +val/284.wav|You just can't remember it. Oh, I loved those stories when I was a kid. They are a bit off putting.|1151 +val/285.wav|I know you hate me for not being your daughter, and I hated you for not being my mother. Alright, let's see. Type.|1151 +val/286.wav|Three letters to spell the voice. Look at this. Booker, take this rifle. Booker, this is Misses Lin.|1151 +val/287.wav|I don't know. Is that possible? But the child took ill, and Our Lady prayed for the prophet's heir day and night. In this world, you are a martyr.|1151 +val/288.wav|And where will we get these weapons? This is my mother's diary. Why would Slate have it? They shut down Gondola access to the Hall of Heroes.|1151 +val/289.wav|These men. Seems easy. This is between me. I think you should see this. Booker, see this? I can see all the doors.|1151 +val/290.wav|And what's behind all the doors. And behind one of them, we must forgive each other.|1151 +val/291.wav|Because there is one far worse than you or I. Who are you? Comstock led the Columbian troops to Peeking and.|1151 +val/292.wav|How do you figure they'd know you'd be coming? Hey, Mister DeWitt, I'll see what I can do. Stay away! Comstock had a child.|1151 +val/293.wav|My book's never mentioned anything about a child. Can the sky line help? There's the launch panel. Booker, look, the shrine. Because he is not going to have long to use it.|1151 +val/294.wav|We'll give it a whirl. Found his hair. We can take that skyline to the Prophet's cabin. I hope Comstock got what he wanted from me.|1151 +val/295.wav|I used to open them all the time in my tower. I'm sorry, I shouldn't have pried. Look! You need ammo? Har har.|1151 +val/296.wav|Until I grew up, I hated him because he was my warden, but he's just Comstock's pet, isn't he? Just like me. The broken clock.|1151 +val/297.wav|She deserved whatever Comstock did to her. That's one quarter of the pods ejected! No, let's keep an eye out. Here it is, Booker.|1151 +val/298.wav|Booker! Another gun ship on the left! What could people have done to deserve to be locked up in a place like this? Pankertons.|1151 +val/299.wav|Weren't they the ones they'd call in to settle things when the workers took to striking? Eventually you'll give him what he wants. Well, the man's got an ego.|1151 +val/300.wav|But he killed you both. I guess it's from me. Hey, see this? Why is one bath room for colors and the other for whites? Why are they dropping so slowly?|1151 +val/201.wav|What damage? Is it that place's fault? I thought you had guts, but I guess I was wrong.|1152 +val/202.wav|Huh? What? You're giving up already? What a loser. Stop day dreaming, Yugi!|1152 +val/203.wav|Doh. Don't tell me you already don't know what to do next. Hurry up. You snooze, you lose.|1152 +val/204.wav|Are trying to annoy me? Ha ha ha. I can't wait forever. Get moving, will ya?|1152 +val/205.wav|Stop stalling for time. That's so lame. Yugi, It's not polite to keep a lady waiting.|1152 +val/206.wav|All my hard work's finally paid off! You should have practiced more. Too bad, Yugi. Yugi, there are two ways of losing.|1152 +val/207.wav|One way is to lose everything. I'm going to learn from this loss so that I can become stronger and I will achieve my dream in the end.|1152 +val/208.wav|Good luck in the tournament, Yugi! Yugioh! Ha ha. Well, let's get started!|1152 +val/209.wav|You'll find out what girl power's all about! No man can ever beat me! I'll crush you!|1152 +val/210.wav|I can see all your cards, kid. It's my turn! I'll take down all you losers.|1152 +val/211.wav|The other way is to lose a battle in order to win the war. And I will beat you in the future. Ha ha ha. You have another thing coming!|1152 +val/212.wav|Just wait until I strike you with my own critical hits. But you will fall eventually, they all do.|1152 +val/213.wav|Are you really the King of Games? You're still an amateur when it comes to Capsule Monsters! Because I prepared a great one just for you!|1152 \ No newline at end of file diff --git a/tts/StyleTTS2TrainOG/Models/LJSpeech/config_harness.yml b/tts/StyleTTS2TrainOG/Models/LJSpeech/config_harness.yml index 42900db..1a264ae 100644 --- a/tts/StyleTTS2TrainOG/Models/LJSpeech/config_harness.yml +++ b/tts/StyleTTS2TrainOG/Models/LJSpeech/config_harness.yml @@ -3,8 +3,8 @@ save_freq: 5 log_interval: 10 device: "cuda" epochs: 50 # number of finetuning epoch (1 hour of data) -batch_size: 8 -max_len: 400 # maximum number of frames +batch_size: 2 +max_len: 1000 # maximum number of frames pretrained_model: "Models/LibriTTS/epochs_2nd_00020.pth" second_stage_load_pretrained: true # set to true if the pre-trained model is for 2nd stage load_only_params: true # set to true if do not want to load epoch numbers and optimizer parameters diff --git a/tts/StyleTTS2TrainOG/Models/LJSpeech/train.log b/tts/StyleTTS2TrainOG/Models/LJSpeech/train.log index e69de29..ea2aa23 100644 --- a/tts/StyleTTS2TrainOG/Models/LJSpeech/train.log +++ b/tts/StyleTTS2TrainOG/Models/LJSpeech/train.log @@ -0,0 +1,18 @@ +INFO:2024-03-09 21:54:08,727: Epoch [1/50], Step [10/98], Loss: 0.61368, Disc Loss: 3.67060, Dur Loss: 1.90936, CE Loss: 0.14344, Norm Loss: 1.91490, F0 Loss: 6.29408, LM Loss: 2.80107, Gen Loss: 10.72666, Sty Loss: 0.00000, Diff Loss: 0.00000, DiscLM Loss: 0.00000, GenLM Loss: 0.00000, SLoss: 0.00000, S2S Loss: 9.37693, Mono Loss: 0.08869 +INFO:2024-03-09 21:54:33,761: Epoch [1/50], Step [20/98], Loss: 0.49030, Disc Loss: 3.78289, Dur Loss: 2.00487, CE Loss: 0.10148, Norm Loss: 2.45362, F0 Loss: 4.87550, LM Loss: 1.80477, Gen Loss: 7.66605, Sty Loss: 0.00000, Diff Loss: 0.00000, DiscLM Loss: 0.00000, GenLM Loss: 0.00000, SLoss: 0.00000, S2S Loss: 7.39594, Mono Loss: 0.08280 +INFO:2024-03-09 21:54:59,296: Epoch [1/50], Step [30/98], Loss: 0.53035, Disc Loss: 3.94322, Dur Loss: 1.44187, CE Loss: 0.08292, Norm Loss: 2.41949, F0 Loss: 4.68680, LM Loss: 2.01445, Gen Loss: 8.00111, Sty Loss: 0.00000, Diff Loss: 0.00000, DiscLM Loss: 0.00000, GenLM Loss: 0.00000, SLoss: 0.00000, S2S Loss: 6.87621, Mono Loss: 0.07573 +INFO:2024-03-09 21:55:26,019: Epoch [1/50], Step [40/98], Loss: 0.47501, Disc Loss: 3.79434, Dur Loss: 1.67735, CE Loss: 0.08687, Norm Loss: 2.38658, F0 Loss: 7.74768, LM Loss: 2.74964, Gen Loss: 9.62809, Sty Loss: 0.00000, Diff Loss: 0.00000, DiscLM Loss: 0.00000, GenLM Loss: 0.00000, SLoss: 0.00000, S2S Loss: 7.50795, Mono Loss: 0.08165 +INFO:2024-03-09 21:55:53,364: Epoch [1/50], Step [50/98], Loss: 0.54258, Disc Loss: 3.74476, Dur Loss: 1.51332, CE Loss: 0.07991, Norm Loss: 2.22287, F0 Loss: 5.13007, LM Loss: 2.02846, Gen Loss: 8.01354, Sty Loss: 0.00000, Diff Loss: 0.00000, DiscLM Loss: 0.00000, GenLM Loss: 0.00000, SLoss: 0.00000, S2S Loss: 5.92439, Mono Loss: 0.07453 +INFO:2024-03-09 21:56:27,086: Epoch [1/50], Step [60/98], Loss: 0.52682, Disc Loss: 3.82720, Dur Loss: 1.41939, CE Loss: 0.06902, Norm Loss: 2.05971, F0 Loss: 6.38216, LM Loss: 2.10802, Gen Loss: 9.07284, Sty Loss: 0.00000, Diff Loss: 0.00000, DiscLM Loss: 0.00000, GenLM Loss: 0.00000, SLoss: 0.00000, S2S Loss: 5.74938, Mono Loss: 0.07205 +INFO:2024-03-09 21:56:58,320: Epoch [1/50], Step [70/98], Loss: 0.48215, Disc Loss: 3.86537, Dur Loss: 1.74399, CE Loss: 0.12341, Norm Loss: 2.31109, F0 Loss: 4.19888, LM Loss: 1.80379, Gen Loss: 7.93936, Sty Loss: 0.00000, Diff Loss: 0.00000, DiscLM Loss: 0.00000, GenLM Loss: 0.00000, SLoss: 0.00000, S2S Loss: 5.08503, Mono Loss: 0.09210 +INFO:2024-03-09 21:57:27,673: Epoch [1/50], Step [80/98], Loss: 0.46574, Disc Loss: 4.00640, Dur Loss: 1.45382, CE Loss: 0.06951, Norm Loss: 1.50414, F0 Loss: 6.20810, LM Loss: 1.69506, Gen Loss: 10.20019, Sty Loss: 0.00000, Diff Loss: 0.00000, DiscLM Loss: 0.00000, GenLM Loss: 0.00000, SLoss: 0.00000, S2S Loss: 5.02205, Mono Loss: 0.09662 +INFO:2024-03-09 21:58:02,599: Epoch [1/50], Step [90/98], Loss: 0.49187, Disc Loss: 3.79479, Dur Loss: 1.75609, CE Loss: 0.09244, Norm Loss: 1.41511, F0 Loss: 6.44889, LM Loss: 1.73869, Gen Loss: 9.58825, Sty Loss: 0.00000, Diff Loss: 0.00000, DiscLM Loss: 0.00000, GenLM Loss: 0.00000, SLoss: 0.00000, S2S Loss: 4.80308, Mono Loss: 0.06435 +INFO:2024-03-09 21:58:49,772: Validation loss: 0.694, Dur loss: 1.956, F0 loss: 8.645 + + + +INFO:2024-03-09 22:02:37,284: Epoch [1/50], Step [10/98], Loss: 0.61610, Disc Loss: 3.64814, Dur Loss: 1.88536, CE Loss: 0.14313, Norm Loss: 1.93735, F0 Loss: 6.27854, LM Loss: 2.80288, Gen Loss: 10.86933, Sty Loss: 0.00000, Diff Loss: 0.00000, DiscLM Loss: 0.00000, GenLM Loss: 0.00000, SLoss: 0.00000, S2S Loss: 9.39963, Mono Loss: 0.08832 +INFO:2024-03-09 22:03:01,804: Epoch [1/50], Step [20/98], Loss: 0.48966, Disc Loss: 3.77456, Dur Loss: 2.00324, CE Loss: 0.09982, Norm Loss: 2.48450, F0 Loss: 5.00932, LM Loss: 1.82215, Gen Loss: 7.68481, Sty Loss: 0.00000, Diff Loss: 0.00000, DiscLM Loss: 0.00000, GenLM Loss: 0.00000, SLoss: 0.00000, S2S Loss: 7.41395, Mono Loss: 0.08262 +INFO:2024-03-09 22:03:27,043: Epoch [1/50], Step [30/98], Loss: 0.54742, Disc Loss: 3.96390, Dur Loss: 1.51634, CE Loss: 0.09582, Norm Loss: 3.07812, F0 Loss: 5.32871, LM Loss: 2.16857, Gen Loss: 8.18428, Sty Loss: 0.00000, Diff Loss: 0.00000, DiscLM Loss: 0.00000, GenLM Loss: 0.00000, SLoss: 0.00000, S2S Loss: 6.97294, Mono Loss: 0.07418 +INFO:2024-03-09 22:10:47,028: Epoch [1/50], Step [10/98], Loss: 0.61520, Disc Loss: 3.66078, Dur Loss: 1.88090, CE Loss: 0.14265, Norm Loss: 1.91994, F0 Loss: 6.26479, LM Loss: 2.79427, Gen Loss: 10.79336, Sty Loss: 0.00000, Diff Loss: 0.00000, DiscLM Loss: 0.00000, GenLM Loss: 0.00000, SLoss: 0.00000, S2S Loss: 9.40144, Mono Loss: 0.08800 +INFO:2024-03-09 22:11:11,800: Epoch [1/50], Step [20/98], Loss: 0.48881, Disc Loss: 3.78570, Dur Loss: 1.98345, CE Loss: 0.09998, Norm Loss: 2.51467, F0 Loss: 4.99696, LM Loss: 1.83913, Gen Loss: 7.60283, Sty Loss: 0.00000, Diff Loss: 0.00000, DiscLM Loss: 0.00000, GenLM Loss: 0.00000, SLoss: 0.00000, S2S Loss: 7.41842, Mono Loss: 0.08260 diff --git a/tts/StyleTTS2TrainOG/TestHarnessV2/YamiYugi/216.wav:Zone.Identifier b/tts/StyleTTS2TrainOG/TestHarnessV2/YamiYugi/216.wav:Zone.Identifier deleted file mode 100644 index e69de29..0000000 diff --git a/tts/StyleTTS2TrainOG/TestHarnessV2/YamiYugi/252.wav:Zone.Identifier b/tts/StyleTTS2TrainOG/TestHarnessV2/YamiYugi/252.wav:Zone.Identifier deleted file mode 100644 index e69de29..0000000 diff --git a/tts/StyleTTS2TrainOG/meldataset.py b/tts/StyleTTS2TrainOG/meldataset.py index afc5acc..8b3d9be 100644 --- a/tts/StyleTTS2TrainOG/meldataset.py +++ b/tts/StyleTTS2TrainOG/meldataset.py @@ -41,7 +41,7 @@ class TextCleaner: try: indexes.append(self.word_index_dictionary[char]) except KeyError: - print(text) + print(f"Key Error: {text}") return indexes np.random.seed(1) @@ -139,6 +139,8 @@ class FilePathDataset(torch.utils.data.Dataset): wave_path, text, speaker_id = data speaker_id = int(speaker_id) wave, sr = sf.read(osp.join(self.root_path, wave_path)) + + if wave.shape[-1] == 2: wave = wave[:, 0].squeeze() if sr != 24000: @@ -153,7 +155,7 @@ class FilePathDataset(torch.utils.data.Dataset): text.append(0) text = torch.LongTensor(text) - + return wave, text, speaker_id def _load_data(self, data): diff --git a/tts/StyleTTS2TrainOG/ood/1.wav b/tts/StyleTTS2TrainOG/ood/1.wav index 0eb4225..74cb77e 100644 Binary files a/tts/StyleTTS2TrainOG/ood/1.wav and b/tts/StyleTTS2TrainOG/ood/1.wav differ diff --git a/tts/StyleTTS2TrainOG/ood/10.wav b/tts/StyleTTS2TrainOG/ood/10.wav index a5da07b..1a2f346 100644 Binary files a/tts/StyleTTS2TrainOG/ood/10.wav and b/tts/StyleTTS2TrainOG/ood/10.wav differ diff --git a/tts/StyleTTS2TrainOG/ood/100.wav b/tts/StyleTTS2TrainOG/ood/100.wav index e9051a6..6ec4d30 100644 Binary files a/tts/StyleTTS2TrainOG/ood/100.wav and b/tts/StyleTTS2TrainOG/ood/100.wav differ diff --git a/tts/StyleTTS2TrainOG/ood/101.wav b/tts/StyleTTS2TrainOG/ood/101.wav index bbb0e2c..b15193a 100644 Binary files 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+from phonemizer import phonemize +from phonemizer.separator import Separator +import os + +def phonemize_files(file_paths, language='en-us', backend='espeak', output_prefix='phonemized_'): + """ + Phonemizes the text in each of the specified files and writes the results to new files. + + Parameters: + - file_paths: A list of strings, where each string is a path to a file to be processed. + - language: The language code to use for phonemization. + - backend: The phonemization backend to use. + - output_prefix: Prefix for the output file names. + + Returns: + A list of paths to the output files containing the phonemized text. + """ + output_files = [] + + def phonemize_text(text): + return phonemize( + text, + language=language, + backend=backend, + preserve_punctuation=True, + strip=True) + + for input_file in file_paths: + base_name = os.path.basename(input_file) + output_file = f'{output_prefix}{base_name}' + output_files.append(output_file) + + with open(input_file, 'r', encoding='utf-8') as infile, open(output_file, 'w', encoding='utf-8') as outfile: + for line in infile: + path_to_wav, text, speaker_id = line.strip().split('|') + phonemized_text = phonemize_text(text) + outfile.write(f'{path_to_wav}|{phonemized_text}|{speaker_id}\n') + + return output_files + + +def main(): + file_paths = ['Data/OOD_harness.txt', 'Data/train_harness.txt','Data/val_harness.txt'] # Replace these with your actual file paths + output_files = phonemize_files(file_paths) + print("Output files:", output_files) + +if __name__ == "__main__": + main() \ No newline at end of file diff --git a/tts/StyleTTS2TrainOG/TestHarnessV2/YamiYugi/20.wav:Zone.Identifier b/tts/StyleTTS2TrainOG/preprocess.py similarity index 100% rename from tts/StyleTTS2TrainOG/TestHarnessV2/YamiYugi/20.wav:Zone.Identifier rename to tts/StyleTTS2TrainOG/preprocess.py diff --git a/tts/StyleTTS2TrainOG/resample_all.py b/tts/StyleTTS2TrainOG/resample_all.py new file mode 100644 index 0000000..ae56eee --- /dev/null +++ b/tts/StyleTTS2TrainOG/resample_all.py @@ -0,0 +1,40 @@ +import os +import torchaudio + +def load_and_resample_audio(file_path, target_sample_rate=24000): + # Load audio file + waveform, sample_rate = torchaudio.load(file_path) + + # Resample to target_sample_rate if necessary + if sample_rate != target_sample_rate: + resampler = torchaudio.transforms.Resample(orig_freq=sample_rate, new_freq=target_sample_rate) + waveform = resampler(waveform) + + # Convert to mono by averaging the channels if it's not already mono + if waveform.shape[0] > 1: + waveform = waveform.mean(dim=0, keepdim=True) + + return waveform, target_sample_rate + +def process_and_overwrite_audio_files(folder_paths, target_sample_rate=24000): + for folder_path in folder_paths: + # Iterate through each file in the folder + for filename in os.listdir(folder_path): + file_path = os.path.join(folder_path, filename) + + # Check if the path is an actual file to prevent trying to load directories + if os.path.isfile(file_path): + try: + # Load, resample, and convert to mono + waveform, _ = load_and_resample_audio(file_path, target_sample_rate) + + # Overwrite the original file with the processed audio + torchaudio.save(file_path, waveform, target_sample_rate) + print(f"Processed and overwritten: {file_path}") + except Exception as e: + print(f"Error processing {file_path}: {e}") + +# Example usage: +# Replace these with the paths to your folders containing audio files +folder_paths = ['ood', 'wavs','val'] +process_and_overwrite_audio_files(folder_paths) \ No newline at end of file diff --git a/tts/StyleTTS2TrainOG/train_finetune.py b/tts/StyleTTS2TrainOG/train_finetune.py index 1374719..21b053a 100644 --- a/tts/StyleTTS2TrainOG/train_finetune.py +++ b/tts/StyleTTS2TrainOG/train_finetune.py @@ -110,6 +110,7 @@ def main(config_path): num_workers=0, device=device, dataset_config={}) + # load pretrained ASR model ASR_config = config.get('ASR_config', False) @@ -259,6 +260,7 @@ def 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