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Ran the end to end going to figure it out soon
This commit is contained in:
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log_dir: "Models/LJSpeech"
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save_freq: 5
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log_interval: 10
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device: "cuda"
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epochs: 50 # number of finetuning epoch (1 hour of data)
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batch_size: 8
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max_len: 400 # maximum number of frames
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pretrained_model: "Models/LibriTTS/epochs_2nd_00020.pth"
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second_stage_load_pretrained: true # set to true if the pre-trained model is for 2nd stage
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load_only_params: true # set to true if do not want to load epoch numbers and optimizer parameters
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F0_path: "Utils/JDC/bst.t7"
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ASR_config: "Utils/ASR/config.yml"
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ASR_path: "Utils/ASR/epoch_00080.pth"
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PLBERT_dir: 'Utils/PLBERT/'
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data_params:
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train_data: "Data/train_harness.txt"
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val_data: "Data/val_harness.txt"
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root_path: ""
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OOD_data: "Data/OOD_harness.txt"
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min_length: 50 # sample until texts with this size are obtained for OOD texts
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preprocess_params:
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sr: 24000
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spect_params:
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n_fft: 2048
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win_length: 1200
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hop_length: 300
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model_params:
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multispeaker: true
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dim_in: 64
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hidden_dim: 512
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max_conv_dim: 512
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n_layer: 3
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n_mels: 80
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n_token: 178 # number of phoneme tokens
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max_dur: 50 # maximum duration of a single phoneme
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style_dim: 128 # style vector size
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dropout: 0.2
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# config for decoder
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decoder:
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type: 'hifigan' # either hifigan or istftnet
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resblock_kernel_sizes: [3,7,11]
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upsample_rates : [10,5,3,2]
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upsample_initial_channel: 512
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resblock_dilation_sizes: [[1,3,5], [1,3,5], [1,3,5]]
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upsample_kernel_sizes: [20,10,6,4]
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# speech language model config
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slm:
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model: 'microsoft/wavlm-base-plus'
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sr: 16000 # sampling rate of SLM
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hidden: 768 # hidden size of SLM
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nlayers: 13 # number of layers of SLM
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initial_channel: 64 # initial channels of SLM discriminator head
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# style diffusion model config
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diffusion:
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embedding_mask_proba: 0.1
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# transformer config
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transformer:
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num_layers: 3
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num_heads: 8
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head_features: 64
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multiplier: 2
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# diffusion distribution config
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dist:
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sigma_data: 0.2 # placeholder for estimate_sigma_data set to false
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estimate_sigma_data: true # estimate sigma_data from the current batch if set to true
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mean: -3.0
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std: 1.0
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loss_params:
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lambda_mel: 5. # mel reconstruction loss
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lambda_gen: 1. # generator loss
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lambda_slm: 1. # slm feature matching loss
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lambda_mono: 1. # monotonic alignment loss (TMA)
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lambda_s2s: 1. # sequence-to-sequence loss (TMA)
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lambda_F0: 1. # F0 reconstruction loss
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lambda_norm: 1. # norm reconstruction loss
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lambda_dur: 1. # duration loss
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lambda_ce: 20. # duration predictor probability output CE loss
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lambda_sty: 1. # style reconstruction loss
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lambda_diff: 1. # score matching loss
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diff_epoch: 10 # style diffusion starting epoch
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joint_epoch: 30 # joint training starting epoch
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optimizer_params:
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lr: 0.0001 # general learning rate
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bert_lr: 0.00001 # learning rate for PLBERT
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ft_lr: 0.0001 # learning rate for acoustic modules
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slmadv_params:
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min_len: 400 # minimum length of samples
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max_len: 500 # maximum length of samples
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batch_percentage: 0.5 # to prevent out of memory, only use half of the original batch size
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iter: 10 # update the discriminator every this iterations of generator update
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thresh: 5 # gradient norm above which the gradient is scaled
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scale: 0.01 # gradient scaling factor for predictors from SLM discriminators
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sig: 1.5 # sigma for differentiable duration modeling
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ood/1.wav|It feels so comforting and familiar to be back in our family home after so many years working and studying abroad. Memories and sudden flashbacks are being triggered.
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ood/2.wav|almost nonstop now that i'm back every scratch on the kitchen table every old utensil every faded curtain all take me back to specific moments in this room.
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ood/3.wav|that were once lived and forever loved. On our fridge door, I notice the familiar collection of photos that have managed to stay in position for years and years.
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ood/4.wav|I see a photo of my younger self playing piano, a cute pic of me with my first girlfriend, Debbie.
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ood/5.wav|An action shot of my brother playing football with Carl Jones, the neighbor. And an extended family photo taken out in the backyard.
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ood/6.wav|With Carl and his family, the next door neighbors have always felt like they were part of our family.
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ood/7.wav|Carl was also my first ever real crush. I became a little obsessed with him, I think.
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ood/8.wav|Who could blame me? He is tremendously good looking. Besides, a young woman needs to find an outlet for her sexual energy somewhere.
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ood/9.wav|When I needed to blow out some steam, Carl became my subject of desire as I look around the kitchen.
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ood/10.wav|I'm suddenly reminded of some of the more explicit experiences I've had in this room.
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ood/11.wav|My vision is now clearly affected by the soft sheen of arousal.
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ood/12.wav|I noticed the kitchen table, where I once kissed the pussy of the woman who came to tune our piano.
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ood/13.wav|The potato peeler that I once used to smooth the rough skin of a carrot so I could masturbate with it. The faded curtains through which I spied on Carl.
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ood/14.wav|as he worked out in his backyard. Carl, I start to get really quite horny as I engage with all of these flashbacks.
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ood/15.wav|Carl seems to be at the forefront of them all. Every thought about him amplifies my bubbling insides in a new way.
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ood/16.wav|All my obsessive feelings for Carl, with his fit, athletic body, training hard in the next door yard, are flooding my body.
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ood/17.wav|I see flickers of his face, his warm brown eyes, his large velvet lips, his football strong arms.
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ood/18.wav|His giant, sincere smile, his beautiful face has a home deep in my subconscious, the image that comes to mind.
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ood/19.wav|More vividly than any other is the look in his eyes as he peers up at me from behind my gaping vulva.
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ood/20.wav|I lean into the back of the chair in this kitchen of my family home, with no one else around, and let the scene unfold again in my mind.
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ood/21.wav|It was a seriously sensual experience. I can see it all, as clear as yesterday. Here I am, in the backyard of this house.
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ood/22.wav|Alone, having a quiet cup of tea, I'm unwinding, laying back in a deck chair, and my nightie looking up at the stars.
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ood/23.wav|feeling sleepy under the fresh early evening sky, and getting ready to have an early night. From outside, I can hear the chatter of my entire family.
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ood/24.wav|as they finish up the feast indoors. It's kind of warm for this time of year, but there is still a cool bite in the air that I'm quite enjoying.
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ood/25.wav|I place my hands behind my head and lean right back in the deck chair. My long body is outstretched.
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ood/26.wav|I can see the trees slowly swaying in the breeze. I can see the stars taking position in the sky. I can also hear the sound of a person walking down the fence line.
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ood/27.wav|In the next door neighbor's yard, moments later, I hear a knock on the neighbor's fence. In the light from the house.
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ood/28.wav|I see Carl's big smile grinning down at me over the gate. Oh, hi Carl. I feel the skin over my entire body tighten up.
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ood/29.wav|Underneath my nightie, as soon as I sense his gaze, tracing my shapes. Oh yeah, that's right, you love that piece.
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ood/30.wav|I'm very excited to see Carl's beautiful eyes perched there. You know you're the only person who calls me Jane, right? Everyone else calls me Janie.
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ood/31.wav|Even though I'm wearing a regular nightie, I feel exposed in a thrilling way. He is casually examining me as we chat.
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ood/32.wav|And all I can think about is the fact that there is only a single layer of thin fabric separating my long naked body and his warm naked eyes.
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ood/33.wav|From underneath the material, my nipples firm up even more. They enjoy being on display, and who am I to deny them the spotlight?
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ood/34.wav|I refuse to cover myself. My hands remain fixed behind my head. My breasts sit in full view, round and defiant.
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ood/35.wav|I'm waiting for self conscious thoughts to emerge, but only goose bumps on my skin surface. Carl is drinking in the sight of me.
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ood/36.wav|And I am loving his attention at this moment. Carl opens the gate and walks over to me in the chair. He's holding a plate of pie.
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ood/37.wav|which I have trouble seeing properly from my reclined position. Oh, how sweet, Carl. Let me see it. Carl has maintained a respectful distance.
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ood/38.wav|But it is going to be impossible for him to pass me a plate of pie without coming into my personal space a little. He kneels down to my level near the foot of the deck chair.
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ood/39.wav|and holds out the plate for me to see. There's an air of flirtatiousness in what he says next.
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ood/40.wav|Throughout the years, Carl and I have often bonded over our love of cooking. He has been our guest for dinner more times than I could possibly remember.
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ood/41.wav|He knows I'm a total badass in the kitchen. I examine the plate in his outstretched hand and notice his eyes are looking beyond the pie.
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ood/42.wav|I can't really see it with you kneeling all the way down there, Carl. I'm laying the groundwork to get him to move closer into my personal space.
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ood/43.wav|He smirks at me and moves in closer, still kneeling. I don't take the plate. I can tell he's trying desperately hard not to look directly at my pussy.
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ood/44.wav|But I know he sees it. My nightie hugs the shapes of my body, revealing every ridge, curve, and mound. I begin to smell my own desire.
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ood/45.wav|That isn't maple whipped cream on the top of that pie, is it?" I smirk. His confidence in me as a cook?
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ood/46.wav|is feeling a confidence I've never felt in myself as a subject of desire. At least, not around Carl.
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ood/47.wav|A beautifully long silence emerges as we both enjoy the sexual tension and chemistry unfolding between us.
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ood/48.wav|After so many years of trying to manufacture a moment of sensuality and intimacy between us, I am now faced with the fantasy.
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ood/49.wav|I so dreamed of, but this moment of longing and desire we both share right now.
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ood/50.wav|is much more arousing than I could have ever imagined. My entire family is in the house a few yards behind the back of this deck chair I sit in.
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ood/51.wav|Carl is kneeling beside me. He still clutches the small plate of homemade pumpkin pie with maple whipped cream. Carl is more than a neighbor.
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ood/52.wav|He's a family friend. This moment couldn't possibly be filled with more tension and suspense. It's perfect.
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ood/53.wav|Finally, I release my hands from behind my head. It looks like I'm about to take the plate from Carl, but I don't.
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ood/54.wav|Instead, I pinch the sides of my nightie with my fingers. Carl, I say softly, I've got something that I'd love you to try.
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ood/55.wav|I very slowly start to pull the nightie up my sides so that the hem brushes up my thighs and over my pussy. Let me know your expert thoughts.
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ood/56.wav|The nightie continues to rise up my body, exposing a very naked and vulnerable me, almost shocked.
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ood/57.wav|I feel cold air and the moisture building between my legs. Carl places the plate on the ground, but remains still, silent.
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ood/58.wav|Almost. If this is going to happen here, like this, then he will have to meet me on the other side of this forbidden line.
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ood/59.wav|I slowly bring my knees out to the side and expose myself fully to him. This should make his impulses harder to resist.
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ood/60.wav|I see him swallow, but his eyes never leave the gift I am giving him. I need you to tell me if it's sweet enough.
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ood/61.wav|He then looks me straight in the eyes. Yes, Carl, I want you to taste my pussy. Thank you for listening. For the entire story, please visit audio desires dot com.
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ood/62.wav|The doorbell rings and yanks me painfully away from my horny reverie. Fuck it, I was really enjoying that flashback. Me and Carl in the backyard.
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ood/63.wav|Having a secret sexual encounter while my whole family is just inside the house, I can still feel the tension, the excitement.
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ood/64.wav|The sensation, even after all these years, the presence of his tongue exploring my native vagina.
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ood/65.wav|Carl is the only man who has so skillfully and tenderly made me orgasm using only his mouth
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ood/66.wav|For years, I longed for something sensual to take place between me and my sexy guy next door. And when it finally did.
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ood/67.wav|It was the last time I actually saw Carl. He got a job in another state, and I went traveling abroad for several years.
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ood/68.wav|I guess everyone holds a fantasy of a neighbor they once had. I certainly do. In my case, though, it's not a fantasy that I hold dear.
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ood/69.wav|but a vivid memory. It's one of my sexiest memories. I treasure it and nurture it by reliving the moment again and again.
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ood/70.wav|Each time I revisit that scene in my mind of Carl and I sharing an intimate exchange out the back, I feel my pussy tingle with excitement.
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ood/71.wav|The thing that makes this memory so delicious is the secrecy behind it all. There's something really hot about pursuing things that are.
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ood/72.wav|kind of forbidden, about engaging in activities that you know will form a secret to be shared only between you and the other perpetrator.
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ood/73.wav|My family and Carl's family have lived side by side for as long as I can remember. Their family is beloved to ours. Carl is especially beloved.
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ood/74.wav|So, if anyone somehow found out that Carl ate my pussy in the backyard here.
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ood/75.wav|While the whole family was just inside the house finishing dinner? Well, well, I don't know what would happen exactly.
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ood/76.wav|But no one should know, ever. It has to stay between Carl and me.
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ood/77.wav|I realize that I've been stroking my panties the whole time I've been thinking about this explicit encounter, and I'm not really surprised.
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ood/78.wav|Oh crap! I totally forgot that Carl's mom was joining us for dinner. My brother and his wife thought it might be nice to have her over.
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ood/79.wav|since we are all back home for the holiday. Now that her husband has passed, she lives alone, and Carl lives in another state, so Misses Jones gets lonely.
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ood/80.wav|I race to the front of the house in a fluster to greet Carl's mom, and I realize that I'm still smelling like my own aroused sex.
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ood/81.wav|As I turn the knob and fling open the door, my mind is forming the words, Mrs. Jones, how lovely to see you after all these years.
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ood/82.wav|But when my brain catches up to what my eyes are looking at on our front porch, my heart literally stops for a second or two. It's Carl.
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ood/83.wav|His beautiful big voice resonates through my entire stilted body. This feeling of surprise is almost traumatic.
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ood/84.wav|Carl yeah let's just say quite a few. the years have been very kind to him. He hasn't changed a bit.
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ood/85.wav|His warm brown eyes, his large velvet lips, his football strong arms, his giant sincere smile.
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ood/86.wav|I'm still motionless as I feel a cloud of pheromones emanate from my body and drift directly into him.
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ood/87.wav|I offer out my hand, which he happily takes. Then, he pulls me into his body for a giant, nostalgic embrace. I melt into him.
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ood/88.wav|and try to ignore that I can smell the scent of my own pussy in our handshake. Eventually, the rest of the family join us at the front door to welcome our beloved neighbors.
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ood/89.wav|We head inside, and the feast gets underway. I tell embarrassing stories about Carl working out in the backyard.
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ood/90.wav|in front of a mirror, kissing his own muscles. We all loosen up over some delicious wine. Karl is warm, intelligent, and authentic.
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ood/91.wav|The kind of man I think I could be with, I lose myself in his entertaining stories, and my foot finds its way to his leg as often as it can.
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ood/92.wav|At one point, I catch myself with one shoe kicked off, and my toes gently resting on him. I like to be touching him.
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ood/93.wav|When he talks, I can only look directly at his mouth. I feel his kiss on my inner thighs. I feel his teeth pinching my nipples.
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ood/94.wav|I feel that familiar ache between my legs as my pussy screams at me to jump right on top of Carl.
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ood/95.wav|and ease his cock deep inside me. These sorts of urges become harder and harder to ignore as the evening meal progresses between dinner and dessert.
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ood/96.wav|We decide to have some entertainment and some sweet wine. Mom starts playing piano and everyone else finds a spot in the living area to enjoy the show.
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ood/97.wav|I make my way into the kitchen to start preparing dessert. I'm at the island bench in the middle of the kitchen, cutting the dessert pie into decent pieces.
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ood/98.wav|when I see Carl's fit body in the doorway. Okay, great. Thanks, Carl. Are you sure? You'll miss the piano playing. Oh, yeah?
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ood/99.wav|What about? Carl walks over to my side of the island bench. About when you ate my pussy in the backyard? Carl looks down at me, deep in my eyes.
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ood/100.wav|Wished for what? Carl is searching for the right words. But we both know that there aren't any. We look into each other for a moment.
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ood/101.wav|while the twinkling of the piano floats in from the next room and the dessert pie lay unattended on the kitchen bench. Then, suddenly, passionately,
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ood/102.wav|Our two faces are drawn into each other, and our lips lock into a deep kiss that disables all the feeling in my legs.
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ood/103.wav|Carl holds me tightly, and my fears of falling over into a quivering heap are gone. He grabs me by the ass with a firm hand.
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ood/104.wav|and pushes my pussy into his stiffened pants. I suck his face with all my might. Carl is rubbing my butt with his fingers.
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ood/105.wav|Dancing around my anus, and I swear, I can almost hear my own pussy crying out his name. I arch my back slightly.
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ood/106.wav|tilt my ass upward. He bends slightly at the knees, rub my pussy through the back of my dress. I feel his breath, and he whispers into my ear.
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ood/107.wav|I tilt my head back. My breathing intensifies. He slowly kisses around my neck and under my chin.
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ood/108.wav|until his lips have found their way to my other ear. While Carl is feasting on my earlobes, I slide my hand between his cock and my pussy.
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ood/109.wav|And I start to undo his zipper, something that I've always wished for. I remind him that they are all preoccupied around the piano.
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ood/110.wav|And before he has a chance to draw my attention to the fact that all our loved ones are in the very next room, and that the only thing he needs to worry about.
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ood/111.wav|is trying not to come right onto my face while I lick his giant cock from balls to knob. And with that.
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ood/112.wav|I get down on my knees and unleash the most beautiful, clean, and strong penis my eyes have ever beheld.
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ood/113.wav|I see a bolt of energy shoot through his shaft, and his cock transforms into its thick, glorious full size.
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ood/114.wav|I take the briefest of seconds to soak this image in and let it burn into my collection of secret memories about Carl, as promised.
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ood/115.wav|I allow my tongue the pleasure of a single, long, slow lick from his balls.
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ood/116.wav|All the way up the smooth sensitive skin of his shaft to his swollen head
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@@ -0,0 +1,196 @@
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wavs/1.wav|Look at that, who are the boxers? Booker. Booker! Okay, just one more? Booker, that was amazing.|1151
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wavs/2.wav|Off about Lady Comstock. Try the shock jockey. We worked hard enough to get it. None of the prophet's magic is rubbing off on you.|1151
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wavs/3.wav|That was odd. Daisy can make a change, can't she? Things better for the people here. I'm worried about you. What did you do there?|1151
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wavs/4.wav|Train up a child in the way he should go. Even when he is old, he will not depart from it. Hey, Booker, I think there's a lock pick over there.|1151
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wavs/5.wav|If you put a person in a cage, they develop an interest in such things. We are gonna have visitors, Booker! Rosalind Lutece is not my mother, and neither are you.|1151
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wavs/6.wav|She's either a great hero or the worst of scoundrels, depending on who's doing the telling. Over here! Who are we really helping by getting guns for the Vox Populi?|1151
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wavs/7.wav|I remember making them. Booker, grab that lock pick. Booker, there's a lock pick over there. How many have you had? I'll keep an eye on you for next time. Booker!|1151
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wavs/8.wav|You could try forcing it open. Doesn't seem to work very well. Comstock is two decks up in the Prophet's Cabin. It's the Lutece lab. As I said, it's a form of wish fulfillment.|1151
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wavs/9.wav|Hey, Booker. Slate has the shock jockey, we need to find him. This Tear. I'm not so sure it was a good idea. Can always use more of them.|1151
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wavs/10.wav|Look at this, my tower. It's only fair they give me a cut of the profits, don't you think? Need more money? Who? You mean.|1151
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wavs/11.wav|Here's some cash. What for? I get to wear this stylish thimble to cover up my hideous deformity. I hear they're all the rage in Paris. The seed of the prophet.|1151
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wavs/12.wav|Shall set the throne. He was grooming me, wasn't he? Why? We should look for more foot prints. Keep a look out. I can open that. I can.|1151
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wavs/13.wav|Look at these, they're amazing! Which one do you like more, this one, or this? I can see them through the doors. You, me, Columbia Song Bird?|1151
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wavs/14.wav|But sometimes, something's different, yet the same. Do you hear that? It's music! Looks easy enough.|1151
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wavs/15.wav|Catch, Booker! It almost looks like a real ocean. It's just a set of elaborate pumps and rain catchers. Booker, there's a door over here. Look, a tear. Who sent you?|1151
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wavs/16.wav|Ready. You know how I said I had plenty of time to read? Well, I tried to figure it out. I read literature on physics and other such things. When you're unconscious on the beach, you.|1151
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wavs/17.wav|Kept repeating a woman's name, Anna. This could come in handy. You really should pick that up. Booker, come here. They hardly laid a finger on us.|1151
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||||
wavs/18.wav|It's her. Found this lying around. Her trail must be somewhere. I am not going back to that tower no matter what happens.|1151
|
||||
wavs/19.wav|Song Bird is ready, Booker. This looks important, Booker. Forget. How do you wash away the things that you've done?|1151
|
||||
wavs/20.wav|Hey, don't point that at me. Good. Slate must've taken them. Look. Hurry, Booker, hurry! Booker, the poster. You chose to walk away.|1151
|
||||
wavs/21.wav|It's about Seven Thirty. There are a million, million worlds. All different and all similar. Constants and variables.|1151
|
||||
wavs/22.wav|On your right, I see a tear. Fink Industries. Seems like they're the ones responsible for this shock jockey product. They should be ashamed of themselves.|1151
|
||||
wavs/23.wav|We can pick up some supplies from that machine. If it had a mechanical lock, maybe. It's one of those shock jockey doors. You're wounded! Here!|1151
|
||||
wavs/24.wav|No. He was here. This way. Look over here. Why don't you ring the bell? If he were to take me back. That's death, Mister DeWitt.|1151
|
||||
wavs/25.wav|Or something so like it I cannot tell the difference. I'm out! Shock Jockey. Who needs the power company?|1151
|
||||
wavs/26.wav|Must be because of what's going on with that man's sleigh. The cage shut up tight. Now how are we gonna get to the air ship? Look at this! Mister DeWitt?|1151
|
||||
wavs/27.wav|I don't understand. Why would the twins send us to find three truths? Were the tears somehow related through a kind of quantum field, or were they?|1151
|
||||
wavs/28.wav|Time rots everything, Booker. Even hope. Here, let me. Look.|1151
|
||||
wavs/29.wav|The box of bolts dropped his weapon, you should use it. They're just taking back what's owed to them. It's justice. What the hell was that? Hey Booker?|1151
|
||||
wavs/30.wav|I see a tear. Huh. Go on without me! But in all of ours. Are you alright? That did not look easy.|1151
|
||||
wavs/31.wav|Beyond that gate lies Comstock House. Destroy the siphon? If they play the whole song, he'll come back. Put that away. These seem to be the controls that summon her.|1151
|
||||
wavs/32.wav|I've got salts! Sorry, Booker. He was all I had. Brought me books. And that will take us to Paris.|1151
|
||||
wavs/33.wav|Come on. Do you need ammo? Done. Take this for the bleeding! Okay, catch. Comstock? Huh.|1151
|
||||
wavs/34.wav|So the First Lady is his ship. You hold on to this. I don't know! Give it to me! Booker, salts! Booker, no.|1151
|
||||
wavs/35.wav|Wait, what is that? Forty North by Seventy Four West. That's not Paris, that's New York. That tear will get us access to higher ground. Over here, Booker.|1151
|
||||
wavs/36.wav|One thing I had in that tower was time, Mister Dewitt. Time to study things like geography. I'll try to keep you stocked with both bandages and ammo, but.|1151
|
||||
wavs/37.wav|The right materials aren't always at hand. Let me have a look. Booker, but the thing is, my books said they disappeared several years ago.|1151
|
||||
wavs/38.wav|Are you sure? Hey! Say what you want about Lady Comstock. A woman had an eye for fashion. It'll take some scrounging, but I'll do my best.|1151
|
||||
wavs/39.wav|Cash, Booker. My husband claims the child was created from whole cloth by divine will. I am a believer, but I am not a fool.|1151
|
||||
wavs/40.wav|His bastard shall not be raised under this roof. A guitar. Wish I knew how to play. Might just spell some of the gloom.|1151
|
||||
wavs/41.wav|She's going to kill that child! He's ready, Booker! Look, might be a good idea to lay in some supplies.|1151
|
||||
wavs/42.wav|There's a world of difference between what we see and what is. Strange. I see a tear, Booker. I think we're gonna have visitors. Everything.|1151
|
||||
wavs/43.wav|Above you, Booker! Look out! Handy Man! What does Mister Fink want with us? Looks like this runs exclusively on shock jockey.|1151
|
||||
wavs/44.wav|This is what he meant. Might not be a bad idea to lay in some supplies. Daisy said she was coming here for Fink.|1151
|
||||
wavs/45.wav|There, back in the land of the living. All yours. Don't spend it all in one place. That automaton's weapon is lying over there. Seems like we're fairly well healed, Booker.|1151
|
||||
wavs/46.wav|There. Do you think it's possible to redeem the kind of things that we've done?|1151
|
||||
wavs/47.wav|Mister DeWitt! I can open this if you want. What are you, Mister DeWitt? Some sort of. Hey, there's a lock over there. Hey, Booker!|1151
|
||||
wavs/48.wav|You hear that? Music. It's coming from that tear. Find something soon! The seed of the prophet lay in the womb of Our Lady but for a single week.|1151
|
||||
wavs/49.wav|It's a figure of Comstock now. I found some change. I don't know if I brought us to a world where the Vox had weapons, or I created one.|1151
|
||||
wavs/50.wav|Let's see. How did you do that? Are you interested in gardening, Mister DeWitt? Careful, that doesn't look too safe. Why you? Okay!|1151
|
||||
wavs/51.wav|I see more foot prints. I don't like his look. How are you, Mother? All locked up in there, huh? Looks like you and I have some common ground.|1151
|
||||
wavs/52.wav|No. What happened there? Sure. Careful! Why is it that we never catch a break? The founder of Buddhism spent forty nine days under a Bodhi tree.|1151
|
||||
wavs/53.wav|Until he achieved enlightenment. Hey, Mister DeWitt! That poster. There's another cipher on it. This is in our hands, isn't it? Are you sure, Booker?|1151
|
||||
wavs/54.wav|Did I just bring us to a world where Chen Lin was alive, or did I create it? I told you, I always thought that.|1151
|
||||
wavs/55.wav|My little trick was a form of wish fulfillment. I got my wish. Comstock. I've read about him. They say he can see the future.|1151
|
||||
wavs/56.wav|Booker, sniper rifle! I just can't decide. Lock picks. They have her preserved in an air tight chamber. Her finger prints will get us into Comstock House.|1151
|
||||
wavs/57.wav|You bet. This is going to be fantastic. Take this. This doesn't make any sense.|1151
|
||||
wavs/58.wav|Everything here is a cipher that I understand except for this symbol. It's all right. It's as much a mystery to me as anyone else.|1151
|
||||
wavs/59.wav|Maybe Song Bird knows, but he's not talking. Like what? A window. A window to another world. Most of the time they're dull as dish water.|1151
|
||||
wavs/60.wav|Different colored towel or tea instead of coffee. But sometimes, sometimes I see something amazing and I pull it through.|1151
|
||||
wavs/61.wav|And how has that worked out for you? Booker will find it. Just leave her be. Did you notice? Lin had a bloody nose.|1151
|
||||
wavs/62.wav|I think that's the way down. And why lock me up? The bird is beautiful, and the cage is somber, but there's really something special about it.|1151
|
||||
wavs/63.wav|Booker, the lines are clear! We're gonna have visitors, Booker. You must think me some sort of freak. A girl who can bring dead men back to life.|1151
|
||||
wavs/64.wav|Whose only acquaintance is a giant bird creature. That must seem ridiculous. Where did they take him? Look, a tear.|1151
|
||||
wavs/65.wav|Booker, your nose. She's almost feral. It's like she's a reflection of. I don't know. Catch!|1151
|
||||
wavs/66.wav|You're bleeding! Don't you think it's best if we keep moving? I found a tear. Look, Vox are tearing this place apart. Booker, you've already been.|1151
|
||||
wavs/67.wav|Looks simple enough. Booker, over here. Being dead. Comstock. So the First Lady is his ship. Interesting. You're injured. More of her foot prints.|1151
|
||||
wavs/68.wav|Do you know this artificial beach was built in only six months? But there is. There is something I. Booker. Excuse me?|1151
|
||||
wavs/69.wav|It's the only way we'll find the truth. But my finger. Comstock. Look, it's the hand of the prophet. Comstock's flagship!|1151
|
||||
wavs/70.wav|My finger. Huh. Aren't we the well to do types? You're a liar, Mister Dewitt and a thug, but you're also my only means of reaching Paris.|1151
|
||||
wavs/71.wav|There they are, the tools. Couldn't hurt to stock up. He's coming for you! Over here. The gun smith Chen Lin wanted for known connections to the out law Daisy Fitzroy.|1151
|
||||
wavs/72.wav|Daisy Fitzroy. I've read about her. Books say she's out to tear Columbia from the sky. Is that the last of them? It always has.|1151
|
||||
wavs/73.wav|When I was younger, I used to be excited when I heard it. Flawless Flintlock! It's the newest one in the series. I read it was delayed three times.|1151
|
||||
wavs/74.wav|Looks like we found where your old friend Slate is. Yes. Looks like everything's been impounded at the Good Time Club. Maybe that's where we'll find it.|1151
|
||||
wavs/75.wav|Booker, do you see those tears? We can use them against Slate's men. Thank you. And you were born again as a different man. Mister DeWitt, you didn't go through with it.|1151
|
||||
wavs/76.wav|Ammunition here if you need it. We don't need to. It'll happen all the same. Really? There's a lock. I wonder what's on the other side.|1151
|
||||
wavs/77.wav|Let's stay away from them. It was a fine thing you came along when you did. Soldier's Field, built in nineteen oh three by the hand of our prophet.|1151
|
||||
wavs/78.wav|Nose, it's bleeding. I do not like the looks of that thing. Booker, up there. One of those shock jockey doors.|1151
|
||||
wavs/79.wav|Maybe we should take a look. Booker, wake up. Booker, you don't leave this room until you do. Vending machine? I do not like the looks of this, Booker.|1151
|
||||
wavs/80.wav|Comstock is three decks up, in the Prophet's cabin. Really? Why? I do not like the way they're looking at us. Huh. Because it does.|1151
|
||||
wavs/81.wav|Because it has. Because it will. They're coming. And I won't be locked up again, but. Mister DeWitt. Here, where do you think this goes?|1151
|
||||
wavs/82.wav|Hey, mister! You're gonna get mustard all over your nice suit! This is what the code key's for. Over here. Sure thing. What's going on? Mister DeWitt, I.|1151
|
||||
wavs/83.wav|A tear! Booker, over here. Huh, trouble up ahead. You see it? Interesting. Booker, if we go into this tear.|1151
|
||||
wavs/84.wav|I don't think there's any turning back. Are you sure you want to go now? If I could find some genuine lock picks, I might be able to get this door open.|1151
|
||||
wavs/85.wav|I'm sure I saw some interesting things on the other side. No, it's me, Elizabeth. Are you alright? Booker. This is amazing.|1151
|
||||
wavs/86.wav|How have I never tried this? I can't believe how much I've missed. All right. Booker, look at that.|1151
|
||||
wavs/87.wav|You've done this before, haven't you? Look at that. Tear, right there. Behind you. But I could help. We can't seem to catch a break, Mister Dewitt.|1151
|
||||
wavs/88.wav|Strange. Look at that. What did Slate mean? What did you try to erase? They, well at least she, invented the technology that allows the city to float.|1151
|
||||
wavs/89.wav|I can call Song Bird and Booker. Don't laugh. We better steer clear of them. Oh, no, I'm not Annabelle. Mister DeWitt. Catch, Mister DeWitt.|1151
|
||||
wavs/90.wav|Seems easy enough. I can see a tear. Looks simple enough. Misses Lin, can you tell me who took your husband's tools? Here you go.|1151
|
||||
wavs/91.wav|Booker, there must be a button under the register. I know that place. That's Albert Fink's house. I love his music. I wonder if he's in there.|1151
|
||||
wavs/92.wav|It'll take some scrounging, but I'll do my best. Looks like Fink isn't giving you the job. Should we use this? It's over, right? Please tell me it's over. Is that the code book?|1151
|
||||
wavs/93.wav|Ready and waiting! Hi there, I'm just so angry. I think she's her, but she's also partly me. I'm not even sure I understand it myself.|1151
|
||||
wavs/94.wav|Booker, foot prints. It's done. No. No, it isn't. I think you should see this. Here. Booker, their noses. They're all bleeding.|1151
|
||||
wavs/95.wav|They all lead us to the same place, where it started. No problem. We can't seem to catch a break. Booker, look at this.|1151
|
||||
wavs/96.wav|I'm sorry about what I said at the docks. Calling you a thug? A code book? I wonder where the cipher is. There. Hmm. Hello.|1151
|
||||
wavs/97.wav|Booker, are you afraid of God? What is this? I can do that. If you want to ask me, ask me. You know I?|1151
|
||||
wavs/98.wav|I keep thinking about that dream that you had. New York on fire. There's something about it. The sky line is clear, Booker. Booker, look what I found!|1151
|
||||
wavs/99.wav|Tolls at midnight. Booker, I can get through these bars, but you're too broad. Let me scout ahead, see if there's some way to move forward.|1151
|
||||
wavs/100.wav|Chen Lin. Gun smith. Oh my god! And Madame Lutece. He used me to power that device! He opened up some kind of tear!|1151
|
||||
wavs/101.wav|Worry. Just keep telling yourself this is only a game. We can solve it. Super dork's more like it.|1152
|
||||
wavs/102.wav|This isn't an eating contest, Joey, this is dangerous. Silly? I think you look just great!|1152
|
||||
wavs/103.wav|Yugi, did you check me out? I look way too good to be sittin' at home. Where's Joey, anyway? Come on, don't be such a wimp.|1152
|
||||
wavs/105.wav|Could still be friends outside it. If he hadn't loaned me his star chips, I might never have made it to the final round. I owe him a very great debt.|1152
|
||||
wavs/107.wav|Even without my tricks, I can still duel with the best of 'em! And now I'll lay down a second card which will finish my turn.|1152
|
||||
wavs/108.wav|Gotcha. Thanks Yugi, I wanted you to attack. Your Gaia ran smack into my mirror wall which cuts any of your monsters attack power in half.|1152
|
||||
wavs/109.wav|As soon as your monster attacked, the mirror wall rose up to protect my Harpy Lady! Your fierce knight met an equal attack from its own reflection!|1152
|
||||
wavs/110.wav|Guess it's my turn again. High fashioned for Harpy Lady. Cyber Shield.|1152
|
||||
wavs/111.wav|Not much else you can do, is there, Yugi, since I've left you no way to attack? My turn now.|1152
|
||||
wavs/112.wav|Rose Whip to raise my monsters attack! Now you're Imps gonna feel my Harpy's sting!|1152
|
||||
wavs/113.wav|That's nothing, Yugi. Stick around, the fun's just beginning. Promised you'd try harder, Yugi, but I see now that's not going to happen!|1152
|
||||
wavs/114.wav|What have we here? Well, with this card, my Harpy combo won't be quite complete.|1152
|
||||
wavs/117.wav|You don't even have your favorite card the Dark Magician left. What are you gonna do now? if this is how you treat your friends, I can't wait to see how you treat your enemies.|1152
|
||||
wavs/118.wav|I'm being kind, not stupid. What's up? If you guys have enough star chips to get into the castle, why are you hanging out here?|1152
|
||||
wavs/119.wav|Now go on, Yugi. You know I owe you, so take them. Earth to Yugi. Star chips at twelve o'clock.|1152
|
||||
wavs/120.wav|What, are my star chips not good enough for you? Come on, chicken boy, duel me for them now. Fine! Then I'll keep them!|1152
|
||||
wavs/121.wav|And your friends can wipe your nose all the way back to the nursery! Grow up! Oh, I understand your friend lost one lousy duel and now he's too chicken to play again! Isn't that right?|1152
|
||||
wavs/122.wav|Come on, be serious! An amateur like you wouldn't stand a chance against me! Are you sure you wanna duel me?|1152
|
||||
wavs/123.wav|Hun, it's sweet you standing up for Yugi and all, but sweet doesn't win duels. Now I'll ask you one last time.|1152
|
||||
wavs/124.wav|I play Harpy Lady! And I'll lay this too. Your fairy turned to dust!|1152
|
||||
wavs/125.wav|You know, Tea, if you're trembling with fear after just the first round, maybe you should quit right here?|1152
|
||||
wavs/126.wav|Another of these cutesy cards? Come on, what Are we having a duel or a pageant?|1152
|
||||
wavs/127.wav|Sorry hun, but I activated my magic card. The Rose Whip, a personal favorite. It gives my harpy three hundred extra attack!|1152
|
||||
wavs/128.wav|You call it quits right now. This isn't gonna get any easier, you know? Just give up and go back to cheerleading!|1152
|
||||
wavs/129.wav|Please, if this is the start of some friendship rant, just save it. I've heard all your lame speeches before, and from that look on Yugi's face.|1152
|
||||
wavs/130.wav|I'd say he has too. You're just a little girl who's accidentally stumbled into the big leagues, but whatever, you'll learn the hard way.|1152
|
||||
wavs/131.wav|Harpy's Feather Duster. My turn, hub, and I'm playing this face down!|1152
|
||||
wavs/132.wav|In fact, it was so stirring I almost feel the need to throw up! Fine with me!|1152
|
||||
wavs/133.wav|It's not like I don't have magic cards too! Cyber Shield! It was nothing that Tea wouldn't have been able to beat anyway, really.|1152
|
||||
wavs/134.wav|But wait, I'll also play this de spell. No more hope, no more faith, no more chances!|1152
|
||||
wavs/135.wav|Don't you know the rules yet, Tea? Since I've flipped your Magician of Faith over with my attack, you get a card back from the graveyard.|1152
|
||||
wavs/136.wav|I mean, how can you seriously hope to beat me when you don't know the rules? Look honey, I'm sure that everyone's really impressed that you've lasted this long.|1152
|
||||
wavs/137.wav|But all you're doing is delaying the inevitable! Come on, what you're doing is pointless. Yugi's already given up on himself.|1152
|
||||
wavs/138.wav|You're not gonna be able to keep fighting for him. He has to fight for himself! He has to stand up to anyone who dares to get in his way!|1152
|
||||
wavs/139.wav|And whatever's going on in his head, Tea, Yugi has to deal with it on his own. I surrender, Tea. I don't have the cards to win.|1152
|
||||
wavs/140.wav|Face it, Tea, Yugi's checked out! He's given up! He doesn't care about this match and he doesn't care about you! Nothing's worth the humiliation you're going through.|1152
|
||||
wavs/141.wav|You may have a tendency to run at the mouth, but you've got a lot of spunk. Give me your best shot! Whatever. I didn't need these anyway.|1152
|
||||
wavs/142.wav|Don't rub it in, Tea, Harpy Lady was the best monster I had and seeing as how you beat her, there's really no point in me going on.|1152
|
||||
wavs/143.wav|Some cards just aren't worth playing, huh, Yugi? It's all because of that obnoxious punk Joey! I can't believe such an amateur beat me!|1152
|
||||
wavs/144.wav|I don't get it. Trashing hotshot duelists is usually as fun as a fall clearance sale. Why can't I enjoy it anymore?|1152
|
||||
wavs/145.wav|I've got to get even with that grinning gutter punk! Bon voyage, loser! Funny, I thought I already knocked you on your Jurassic butt.|1152
|
||||
wavs/146.wav|You think I'm gonna waste another minute with a pea brain like you? Beat it, dino breath! From one of these like you who think that by dueling a chick, they'll score some easy stars.|1152
|
||||
wavs/147.wav|I've only lost once, but once I find that punk kid Joey, it's pay back. I'd love to see you try and. Okay, Rex, I'll duel you.|1152
|
||||
wavs/148.wav|If you do something for me first. How are you, Joseph? Glad to see me? So Joey, is Yugi still fighting all your battles for you?|1152
|
||||
wavs/149.wav|Everyone knows if Yugi wasn't there to hold your hand, you wouldn't have beat me. Isn't that right, Yugi? I'm waiting for your answer, Joey.|1152
|
||||
wavs/150.wav|Oh really? Then I propose he steps out of your shadow here and now! if Joey thinks he's so tough, let's see him play for himself!|1152
|
||||
wavs/151.wav|Think you have the guts to step up and face the duelist I've arranged for you?|1152
|
||||
wavs/152.wav|If Little Yugi does any of his back seat dueling, then Joey is disqualified and the match automatically goes to.|1152
|
||||
wavs/153.wav|What do you say, Joey? This is your big chance to prove yourself. Or are you going to back out? So what's it gonna be?|1152
|
||||
wavs/154.wav|You going to run off with your friend or start acting like a real duelist? Raptor, watch that Time Wizard!|1152
|
||||
wavs/155.wav|Rex, you big dino dummy! You're either a champ or a trump. Cut this guy loose, he's fashion challenged and deserves to be crushed in the games.|1152
|
||||
wavs/156.wav|I'll crush you all eventually. The name's Mai. Call your superior! Get him on the phone right now!|1152
|
||||
wavs/157.wav|This is truly truly outrageous. You expect a lady like me to stay in this dump without even a shower?|1152
|
||||
wavs/158.wav|Who do you think you are? Really? Could I see it? It's beautiful! You must be quite a strong card player.|1152
|
||||
wavs/159.wav|Really? I love duel monsters. How about we play a game? Okay, then cut the cards.|1152
|
||||
wavs/160.wav|Please? Let me try. Tell you what, If you win, I'll give you a kiss.|1152
|
||||
wavs/161.wav|If I win, you agree to clear out of the room for the rest of the trip. Okay? The first card is Shadow of Eyes.|1152
|
||||
wavs/162.wav|The second card is Harpy's Lady, then Elegant Egotist, followed by Cyber Shield.|1152
|
||||
wavs/163.wav|This is my own card technique. I always know what cards I have and can pick any one I like at any time. So, go ahead and deal 'em, Rex.|1152
|
||||
wavs/164.wav|Pretty big turnout for this thing. Oh, this is so exciting! I wonder whose butt I should kick first in this tournament?|1152
|
||||
wavs/165.wav|If it isn't Rex Raptor and Weevil. I thought I smelled something. Some duelists just never change.|1152
|
||||
wavs/166.wav|Hmph. So you finally came, Yugi. Very funny, Yugi, but you should know by now that I don't need to use tricky tactics to win.|1152
|
||||
wavs/167.wav|I've been studying this new game just so that I can defeat you. Let's duel, Yugi! No mercy, Yugi.|1152
|
||||
wavs/168.wav|There's no holding back. You'll see that I've got much better. Are you thinking of taking it easy on me?|1152
|
||||
wavs/169.wav|I'll show you techniques that you haven't even imagined! Is this the best you can do?|1152
|
||||
wavs/170.wav|Ha ha ha ha! Prepare to lose! There's nothing I hate more than weak losers, Yugi.|1152
|
||||
wavs/171.wav|Aren't you going to attack me? You're no fun. Failure's calling. Will you accept the charges? Don't think I'll give up that easily.|1152
|
||||
wavs/172.wav|Huh, this is nothing. I'm not backing down from any challenge. Did you really think I was going to submit?|1152
|
||||
wavs/173.wav|I never give up no matter how bad it looks. Yugi, my dream is to defeat you.|1152
|
||||
wavs/174.wav|I'll see how good you are at this new game. Ha ha. Let's hope this is an honorable duel. Just what do you think you're doing?|1152
|
||||
wavs/175.wav|Take it easy, will ya? Oh! I can't believe this is happening! Nice attack! A critical hit!|1152
|
||||
wavs/176.wav|Oh, spunky, That's beginner's luck, that's all. La de da! There's no problem if you don't destroy my monster.|1152
|
||||
wavs/177.wav|Now you're getting serious. That's no way to treat a lady. You're starting to annoy me. Take it easy, will ya?|1152
|
||||
wavs/178.wav|Ha ha. Don't think I'll forget this. Ha ha! This duel's practically over! You don't crack easily, do you?|1152
|
||||
wavs/179.wav|Too bad, Yugi, but it looks like I am going to win this duel. Can you survive this? Ha ha! I hope you love surprises!|1152
|
||||
wavs/180.wav|Defeat or be defeated. Those are the only two options. Why let up when I'm having so much fun? Ah ha ha ha ha!|1152
|
||||
wavs/181.wav|I'm one with my monsters! Ha ha ha, feast on this! You shouldn't have taken me so lightly!|1152
|
||||
wavs/182.wav|Perish! Fall before my power! I'll win with this technique! Slice him to pieces, my Harpy!|1152
|
||||
wavs/183.wav|Ha ha ha. I hope you don't get whiplash! My Harpy Lady's sisters, unleash your fiery blast!|1152
|
||||
wavs/184.wav|Ha ha ha ha. You will be punished! My dear pet, get rid of him for me!|1152
|
||||
wavs/185.wav|Against my servants overwhelming strength. What can you possibly do? I'll show you what fusion can do!|1152
|
||||
wavs/186.wav|I'll defeat you with the combined power of my monsters! My monster becomes more beautiful after it evolves!|1152
|
||||
wavs/187.wav|Now, taste the power of my evolved monster! You should never underestimate an evolved monster!|1152
|
||||
wavs/188.wav|My my your monsters are weaker than I expected. Like taking candy from a baby. Ha ha ha. You're such a fool!|1152
|
||||
wavs/189.wav|You've lost half your monsters! Isn't it time to call it quits? Ha ha. You can't stop me!|1152
|
||||
wavs/190.wav|That's what you get for thinking you've won! Ah, how disappointing. I thought you were much better than this.|1152
|
||||
wavs/191.wav|What a pathetic way to lose, Yugi! Ha ha ha. What a wonderful duel it was! This duel is mine!|1152
|
||||
wavs/192.wav|Didn't think you'd let me attack your symbol so easily! Did you get a lobotomy and lose all your skills, Little Yugi?|1152
|
||||
wavs/193.wav|Yes, chalk one up for Mai! Oh, tough! But things will only get tougher for you.|1152
|
||||
wavs/194.wav|I'm just testing you out. Huh. I'll still get you, Yugi. That's what you think. I'll regain the advantage soon enough.|1152
|
||||
wavs/195.wav|Ha ha. Ah! Yugi's in the lead! All my lovely creatures are destroyed!|1152
|
||||
wavs/196.wav|No way! They're all gone! Yes, it was even though I lost, I don't regret anything.|1152
|
||||
wavs/197.wav|Am I going to lose? My symbol? Oh no, I completely forgot about it!|1152
|
||||
wavs/198.wav|Can't be! You are aiming directly for it! Oh my. I didn't know this could happen. I guess tonight is ladies night.|1152
|
||||
wavs/199.wav|Wait, what's going on? I didn't hear anything about this! Ouch! What is that? This is horrible! What Is this?|1152
|
||||
wavs/200.wav|Wait a second! Give me time to think! So I take damage there. I'd better be careful. Damage? Is it because of that location?|1152
|
||||
@@ -0,0 +1,64 @@
|
||||
val/250.wav|Rockets, be careful! I can't find anything for you! Get away! He's got Rockets! Turn around! Booker! The lines are clear! Handy man, kill it!|1151
|
||||
val/251.wav|To the left! Watch out, Patriot! Go, go, go! Booker, he'll help us! We can use him against the box fleet!|1151
|
||||
val/252.wav|Crow, no! Let me go! Get your hands off of me! Let me go! I've got medicine!|1151
|
||||
val/253.wav|Booker, you're hurt! Ammo, Booker! Done! Stop it! Watch out! Handy man! I'll see what else I can find! Look, Mister DeWitt!|1151
|
||||
val/254.wav|You don't want to be here when he gets here! Just a minute! I'm getting dressed! Go! You've gotta go! He's coming towards you! They're on the barge!|1151
|
||||
val/255.wav|There's no way out, trust me, I've looked! Stop it, you're too impatient, that's enough! Fire man, Booker! You're a monster! Booker, look. In case you need it!|1151
|
||||
val/256.wav|You could try forcing it open. Booker, Song bird's ready. Just drop me off if you want to. Handy man, over there! Booker, which tear do you want me to open?|1151
|
||||
val/257.wav|Be careful, there's a crow! I found ammo! I think I can help! Tell me which tear to open! There's nothing around! I'm not ready! I see her!|1151
|
||||
val/258.wav|Over here, Booker! There's a tear! We can take that sky line to the Prophet's cabin! Aim for his gears! Salts, catch! A tear over there!|1151
|
||||
val/259.wav|Which way? Ammo, take it! Up this way! Hey, take your time! I'm fine down here. Booker, behind you! The balcony, Booker!|1151
|
||||
val/260.wav|Look out! More of them! Look! I can't find anything! I owe you an apology! Comstock used me to bring you back, but.|1151
|
||||
val/261.wav|I brought back a version of you from the reality that I had built up in my own head! He pretended to love you, like he pretended to love me!|1151
|
||||
val/262.wav|Booker, balcony! Oh my god! Over there! Fire man! Over there! Flak Cannon! I've got you covered! You tell me, what did he mean about my finger?|1151
|
||||
val/263.wav|Watch the balcony! I can open these tears for you! Here! Ammo! To the right! What?! I can help! Booker, a crow! Booker! Look up!|1151
|
||||
val/264.wav|Booker, rockets! Bring us the girl and wipe away the debt! Take this! There's a patriot! I am not going with you!|1151
|
||||
val/265.wav|I can open this! I've got ammo if you need it! Down here! Booker, flak cannon! Get away from me! He's down! Finally!|1151
|
||||
val/266.wav|Booker, the gears! Booker, salts! I'm looking, hold on! Who are you? Why did you come here? I need more time! Sniper, get down!|1151
|
||||
val/267.wav|Booker, Song bird's ready! I'm looking! Get up, Booker! Get up! Booker! Handy man! There's a tear! Just give the word! They must be duds!|1151
|
||||
val/268.wav|Booker! Behind you! Booker, call him in. Fire man, Booker, careful! I think we're gonna have visitors. I see a tear, Booker!|1151
|
||||
val/269.wav|Watch out for the barge! No, no, no, Booker! Supply's up! Watch out, fire men! The right, Booker! Booker, take this! There's nothing left!|1151
|
||||
val/270.wav|Handy man, watch out! You bet! Booker, see that tear? Right, Booker! Booker, you're left! Left, Booker! Watch out, crow! On it!|1151
|
||||
val/271.wav|Rocket, Booker! I've got your back! Patriot, kill it! No, no, no! No, I'm getting that hand. Look, handy man!|1151
|
||||
val/272.wav|Salts, Booker! Booker! I have salts! Booker! What are you doing? Booker, here! Booker! Over there! The box!|1151
|
||||
val/273.wav|Booker, the Roof top! I had a role in this catastrophe! If you want to pretend that we're purely innocents in this, then that's your prerogative, but. Blow you! I have a better idea.|1151
|
||||
val/274.wav|Catch! Black cannon over there! Catch! We've gotta get out of here! I haven't found anything yet! Take it! The heart! Hit him in the heart! What is all this?|1151
|
||||
val/275.wav|They were watching me all this time. Why? Why did they put me in here? What am I? What am I?|1151
|
||||
val/276.wav|I just want to get out of this city. Please. You need this! Handy man, Booker! Booker! The sky line, Booker. On it!|1151
|
||||
val/277.wav|There's no way up from here! Do not attempt to follow me, Mister Dewitt! On the sky line! I'm looking for more! Booker, he's ready! They're on the balcony!|1151
|
||||
val/278.wav|The barge, Booker! Here you go! Okay! Up on the roof top! That's all I've got! Tell me where to send him. Patriot! Over there! There's supplies when you need them!|1151
|
||||
val/279.wav|Wah! Watch out, Black Cannon! Keep your eyes open! Ammo! Catch! Look out, he's charging! Why? What did I do to them?|1151
|
||||
val/280.wav|Down below! Booker the barge! Fire man! I found salts! Take cover! There's a handy man! Bottle salts!|1151
|
||||
val/281.wav|Take this, hurry! Patriot, Booker! Fire man over there! There's more of them! Look out!|1151
|
||||
val/282.wav|Mister DeWitt, look! Tears, Booker! Ammo Booker! I'll try to keep you stocked!|1151
|
||||
val/283.wav|Fifty percent of everything people earn here goes right to Comstock as a tithe. They're just right for each other, aren't they? Booker, we should be careful.|1151
|
||||
val/284.wav|You just can't remember it. Oh, I loved those stories when I was a kid. They are a bit off putting.|1151
|
||||
val/285.wav|I know you hate me for not being your daughter, and I hated you for not being my mother. Alright, let's see. Type.|1151
|
||||
val/286.wav|Three letters to spell the voice. Look at this. Booker, take this rifle. Booker, this is Misses Lin.|1151
|
||||
val/287.wav|I don't know. Is that possible? But the child took ill, and Our Lady prayed for the prophet's heir day and night. In this world, you are a martyr.|1151
|
||||
val/288.wav|And where will we get these weapons? This is my mother's diary. Why would Slate have it? They shut down Gondola access to the Hall of Heroes.|1151
|
||||
val/289.wav|These men. Seems easy. This is between me. I think you should see this. Booker, see this? I can see all the doors.|1151
|
||||
val/290.wav|And what's behind all the doors. And behind one of them, we must forgive each other.|1151
|
||||
val/291.wav|Because there is one far worse than you or I. Who are you? Comstock led the Columbian troops to Peeking and.|1151
|
||||
val/292.wav|How do you figure they'd know you'd be coming? Hey, Mister DeWitt, I'll see what I can do. Stay away! Comstock had a child.|1151
|
||||
val/293.wav|My book's never mentioned anything about a child. Can the sky line help? There's the launch panel. Booker, look, the shrine. Because he is not going to have long to use it.|1151
|
||||
val/294.wav|We'll give it a whirl. Found his hair. We can take that skyline to the Prophet's cabin. I hope Comstock got what he wanted from me.|1151
|
||||
val/295.wav|I used to open them all the time in my tower. I'm sorry, I shouldn't have pried. Look! You need ammo? Har har.|1151
|
||||
val/296.wav|Until I grew up, I hated him because he was my warden, but he's just Comstock's pet, isn't he? Just like me. The broken clock.|1151
|
||||
val/297.wav|She deserved whatever Comstock did to her. That's one quarter of the pods ejected! No, let's keep an eye out. Here it is, Booker.|1151
|
||||
val/298.wav|Booker! Another gun ship on the left! What could people have done to deserve to be locked up in a place like this? Pankertons.|1151
|
||||
val/299.wav|Weren't they the ones they'd call in to settle things when the workers took to striking? Eventually you'll give him what he wants. Well, the man's got an ego.|1151
|
||||
val/300.wav|But he killed you both. I guess it's from me. Hey, see this? Why is one bath room for colors and the other for whites? Why are they dropping so slowly?|1151
|
||||
val/201.wav|What damage? Is it that place's fault? I thought you had guts, but I guess I was wrong.|1152
|
||||
val/202.wav|Huh? What? You're giving up already? What a loser. Stop day dreaming, Yugi!|1152
|
||||
val/203.wav|Doh. Don't tell me you already don't know what to do next. Hurry up. You snooze, you lose.|1152
|
||||
val/204.wav|Are trying to annoy me? Ha ha ha. I can't wait forever. Get moving, will ya?|1152
|
||||
val/205.wav|Stop stalling for time. That's so lame. Yugi, It's not polite to keep a lady waiting.|1152
|
||||
val/206.wav|All my hard work's finally paid off! You should have practiced more. Too bad, Yugi. Yugi, there are two ways of losing.|1152
|
||||
val/207.wav|One way is to lose everything. I'm going to learn from this loss so that I can become stronger and I will achieve my dream in the end.|1152
|
||||
val/208.wav|Good luck in the tournament, Yugi! Yugioh! Ha ha. Well, let's get started!|1152
|
||||
val/209.wav|You'll find out what girl power's all about! No man can ever beat me! I'll crush you!|1152
|
||||
val/210.wav|I can see all your cards, kid. It's my turn! I'll take down all you losers.|1152
|
||||
val/211.wav|The other way is to lose a battle in order to win the war. And I will beat you in the future. Ha ha ha. You have another thing coming!|1152
|
||||
val/212.wav|Just wait until I strike you with my own critical hits. But you will fall eventually, they all do.|1152
|
||||
val/213.wav|Are you really the King of Games? You're still an amateur when it comes to Capsule Monsters! Because I prepared a great one just for you!|1152
|
||||
@@ -6,6 +6,9 @@ https://dagshub.com/StyleTTS/StyleTTS2/commits/main
|
||||
|
||||
With a test harness that will be able easily observe the results to weights and biases.
|
||||
Use python 3.10.12
|
||||
|
||||
https://github.com/yl4579/StyleTTS2/discussions/81
|
||||
|
||||
### Yinghao Aaron Li, Cong Han, Vinay S. Raghavan, Gavin Mischler, Nima Mesgarani
|
||||
|
||||
> In this paper, we present StyleTTS 2, a text-to-speech (TTS) model that leverages style diffusion and adversarial training with large speech language models (SLMs) to achieve human-level TTS synthesis. StyleTTS 2 differs from its predecessor by modeling styles as a latent random variable through diffusion models to generate the most suitable style for the text without requiring reference speech, achieving efficient latent diffusion while benefiting from the diverse speech synthesis offered by diffusion models. Furthermore, we employ large pre-trained SLMs, such as WavLM, as discriminators with our novel differentiable duration modeling for end-to-end training, resulting in improved speech naturalness. StyleTTS 2 surpasses human recordings on the single-speaker LJSpeech dataset and matches it on the multispeaker VCTK dataset as judged by native English speakers. Moreover, when trained on the LibriTTS dataset, our model outperforms previous publicly available models for zero-shot speaker adaptation. This work achieves the first human-level TTS synthesis on both single and multispeaker datasets, showcasing the potential of style diffusion and adversarial training with large SLMs.
|
||||
|
||||
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Reference in New Issue
Block a user